15 items from 2010
Despite Daniel Craig successfully taking over the role of James Bond in Casino Royale (2006), Eon Productions has now put the immortal series on a backburner because of a potential take-over of MGM. Whether another Bond film will be produced under the partnership remains to be seen, and even if the series kick-starts once more, there’s no guarantee that Craig will return as the world’s most famous secret agent.
The past 40 years has seen a number of actors who have contributed to more than one film. So with this imposed hiatus, it's worth taking a look at those performers who have been in the most 007 movies.
Making her debut in the first 007 outing Dr No (1962), the durable Canadian actress Lois Maxwell made 14 appearances as Secretary Jane Moneypenny, forever flirting with 007 when he returns home from another world-saving assignment. Ian Fleming always regarded Maxwell, who died in 2007, as the perfect Moneypenny because, »
The BBC Archive has given us an early Christmas present and ransacked its digital corridors and come up with a wonderful retrospective of the iconic secret agent James Bond at the BBC.
Available from today this fascinating collection of programmes and pictures charts the emergence of a classic literary and cinematic figure, from discussions with Ian Fleming, programmes focusing on the various Bond paraphernalia (guns, cars and the various trappings of a jet setting lifestyle), profiles of Bond directors, Bond and the English identity – there’s so much to enjoy.
This is something only the BBC can do, and it’s great to see it done so well. With access to Barry Norman’s On Location with Moonraker for Film 1979 and a Woman’s Hour conversation with Lois Maxwell this is an embarrassment of riches. Heartily recommended – so click here to get started.
As a suitable, though no less marvelous, »
- Jon Lyus
In the latest Music in the movies column, we celebrate the Bond themes of John Barry…
A phenomenally successful composer with dozens of credits to his name; John Barry is best known for his contributions to the James Bond franchise. Throughout his work for the franchise, Barry helped create iconic scores that would set the foundation for those who would follow him, and whilst he didn't receive any recognition from the Academy for his work, the scores he created are held in high regard.
Below is a look back at the full scores Barry composed for the Bond franchise:
Barry's first full score for the Bond franchise really set the formula for what followed, and what is now deemed as being iconic and fairly typical as far as action scores go, was, at the time, seen as being quite dynamic.
All in all, it's a near »
Raiders. Manhattan. Suspiria. Jeff looks back at ten of the most distinctive, unforgettable opening sequences in cinema’s history…
In fishing terminology, it’s the hook. In literature, the prologue. In teacher lingo, the ‘mental set.’ Call it what you will, movies also have methods to lure in audiences within the first several minutes.
Some of these set pieces are so meticulously orchestrated and satisfying in and of themselves that they even threaten to outweigh the rest of their respective flicks. Here are ten classic opening sequences you shouldn’t be without.
Did we miss one? Then add your own in the comments below!
The Indy series is more or less Steven Spielberg’s attempt to one-up James Bond (directorially speaking), with each of the movies aping 007’s opening set pieces, while not being explicitly tied to the main narrative.
Temple Of Doom probably wins »
An immensely talented musician at an early age, Elmer Bernstein was taken under the wing of composer Aaron Copland and found himself enrolled at the prestigious Juilliard School. Looking set to have a successful career as a concert pianist, his plans were put on hold when he was assigned to the entertainments unit of the Us Air Force in World War II, where he arranged material and composed original material for broadcasts.
It's this newfound talent that lead to his post-war employment as a composer for national radio, and ultimately paved the way for his career as one of the all time great composers.
Bernstein passed away six years ago, leaving behind an incredible body of work spanning over fifty years. »
By Lee Pfeiffer
Andy Albeck's name may not be known to even the most die-hard movie fans. Like most executives of United Artists, Albeck, who died on September 29 at the age of 89, chose to keep a low profile even when he was appointed president of the company in 1978, following many years of service. Albeck took over the position when legendary UA chief Arthur Krim and his team left the company to form Orion Pictures. Albeck's unobtrusive manner belied the fact that he championed a number of highly successful films including sequels to Rocky and Pink Panther franchises. He also backed Scorsese's masterpiece Raging Bull when many others in the industry thought a black and white film about boxing would be a major miscalculation. Albeck also oversaw the continuing success of the James Bond series, working with producer Cubby Broccoli to produce the Roger Moore hits Moonraker and For Your Eyes Only. »
- firstname.lastname@example.org (Cinema Retro)
Trevor Hogg profiles the career of legendary Hollywood filmmaker Steven Spielberg in the fifth of a five part feature... read parts one, two, three and four.
“I admired [Stanley] Kubrick for the sheer variety of his films,” stated Steven Spielberg of the reclusive and revered American filmmaker. “Paths of Glory  was the best antiwar film ever made… Lolita  was, for me, the best picture about the social mores in America. It was way ahead of its time.” Spielberg had an opportunity to meet his cinematic idol. “I was happy to find that he was a nice guy, that he laughed and liked movies. He talked about the movies he liked, as opposed to so many of my other contemporaries who are haughty, supercilious about films, critical of them, and don’t give much credit to other people.” The two men collaborated on A.I. Artificial Intelligence (2001), an adaptation of a short story »
Since 1963, The New York Film Festival has continued to bring new and important cinematic works by filmmakers from around the world. The 17-day festival includes the Main Slate selections along with special events, panel discussions, the experimental film showcase, Views from the Avant-Garde, and much more.This year, the 48th edition, brings new films from directors such as David Fincher (The Social Network), Julie Taymor (The Tempest), Abbas Kiarostami (Certified Copy), Mike Leigh (Another Year), Cristi Puiu (Aurora), Oliver Assayas (Carlos), Kelly Reichardt (Meek's Cutoff) and Clint Eastwood (Hereafter).Opening the festival on Friday September 24 is David Fincher's The Social Network, a bio-pic that examines the creation of the pop culture internet phenomenon known as Facebook. The following is a review of that film as well as several others running with the festival.The Social Networkusa 2010Dir: David FincherRating B- 117 minsBelow is an edited version of my review. Click »
Screenwriter from a Hollywood dynasty best known for his work on James Bond
For most film buffs, the name Mankiewicz immediately recalls Joseph L, the director and screenwriter of All About Eve (1950). For others, it evokes that of his older brother, Herman J, most celebrated as the writer of the screenplay of Citizen Kane. However, Joseph L's son, Tom Mankiewicz, who has died of cancer aged 68, is cherished by James Bond fans as the screenwriter of Diamonds Are Forever (1971), Live and Let Die (1973) and The Man With the Golden Gun (1974), as well as having worked on rewrites of The Spy Who Loved Me (1977) and Moonraker (1979).
At the beginning of his career, Mankiewicz admitted that he probably got work because of his father. "You suddenly started to realise that people were asking you because it was you," he explained. Unlike his father's best films – literate, dialogue-based vehicles – when a director called »
- Ronald Bergan
2 August 2010 3:00 PM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
The son of writer-director Joseph L. Mankiewicz and actress Rosa Stradner, Tom Mankiewicz also left his mark on TV, where he co-wrote and directed the pilot for the husband-and-wife mystery series "Hart to Hart," on which he served as a creative consultant for the show's five-year run.
His association with Bond began with 1971's "Diamonds Are Forever," on which he shared screen credit with Richard Maibaum. His work on a Broadway musical version of "Georgy Girl," which ran just four performances, attracted the attention of United Artists executive David Picker, who introduced Mankiewicz to Bond producer Albert Broccoli, who used the rewrite to convince Sean Connery to return to the role.
Mankiewicz went on to receive sole »
- By Gregg Kilday
Chicago – The 1970s were the golden age for the youthful, angst-ridden style of filmmaking, but it also had its share of fun with James Bond, super bad action films and Burt Reynolds comedies. Richard “Jaws” Kiel, Fred “The Hammer” Williamson and character actor James Hampton experienced that side of the 1970s, and told all at the Hollywood Celebrities & Memorabilia Show.
The Hollywood Celebrities & Memorabilia Show is a biannual event in Chicago where attendees can meet and greet the stars, collect autographs and find cool collectibles at the comprehensive memorabilia market. The next show in the area is scheduled for September 25th and 26th, 2010.
HollywoodChicago.com was there at the last show in March, and ran into those stars from the 1970s, who sat down and talked about the era. Photographer Joe Arce was also there to capture the moment.
Richard Kiel, “Jaws” from the James Bond Film Series
The mountainously »
- email@example.com (Adam Fendelman)
Why is it the evil mastermind always gets all the glory? It’s the little bad guys of evil that do all the work, getting their hands dirty but never get any respect. Well, the movie geeks decided to change that. With the ongoing box office success of Despicable Me, and considering the little yellow Minions had a lot to do with the fun encountered on screen in that film, we’ve pooled our collective diabolical Movie Geek minds and have come up with a master plan of list making domination… the top ten best evil henchmen.
Honorable Mention: Nick Nack – The Man With The Golden Gun
He may be small, but don’t underestimate Nick Nack in his ability to get his evil duties done. As the quiet and subtle sidekick to Fransisco Scaramanga (Christopher Lee) he serves his boss on many levels. Herve Villechaize portrays this character, who »
- Movie Geeks
Factory Replicas has starting taking pre-order’s on some James Bond prop replicas. If you’re into James Bond or movie props, it might be worth checking out. They’ve got The Golden Gun from The Man with the Golden Gun, Jaws teeth from The Spy Who Loved Me (1977) & Moonraker (1979),, and Solitaire’s Tarot Cards from Live and Let Die (1973). While I don’t know why Jaws teeth had to get made, I’m sure there are enough Bond collectors that it’ll sell out. Prices and more info on each item after the jump:
Here’s what we were sent. Here’s the link if you want to buy anything or for more info.
James Bond Prop Replicas
Factory Entertainment is delighted to announce that collectors can now obtain authentic, accurate and officially licensed prop replicas of iconic items featured in the James Bond film series.
The Golden Gun »
- Steve 'Frosty' Weintraub
Grace was born in Kilkenny, Ireland, in 1942. He began working in films in the mid-1960s, playing a Thal in the 1965 feature Dr. Who and the Daleks with Peter Cushing. He first became involved with the Bond film franchise as a stuntman on 1967’s You Only Live Twice starring Sean Connery. He also worked on the 007 films Live and Let Die (1973) and The Man with the Golden Gun (1974), and began serving as Roger Moore’s stunt double with The Spy Who Loved Me (1977). Grace also doubled Moore on the Bond films Moonraker (1979), For Your Eyes Only (1981), Octopussy (1983) which left him badly injured while filming an action sequence aboard a train, and A View to Kill (1985), and the »
If you've ever wondered what Moonraker might have looked like had it been directed by Alejandro Jodorowsky, or what Robert Bresson would have made of Diamonds Are Forever, then a roundabout answer may just be in the offing. Sam Mendes, the classy, respectable Oscar-winner behind the likes of American Beauty and Revolutionary Road, is reportedly "in negotiations" to direct Bond 23, the latest instalment in the 007 franchise.
A swift review of the Mendes back catalogue raises some tantalising prospects. Will Bond suffer a tragicomic mid-life crisis in suburbia, or perhaps steer his Aston Martin off on a harum-scarum road trip in search of the perfect place to raise a family? Or will he simply throw punches, defuse nuclear devices and run amok in a tuxedo, the same as it ever was? »
- Xan Brooks
15 items from 2010
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