12 items from 2016
"The Furniture" our weekly series on Production Design. Here's Daniel Walber
This week marks 50 years since the release of Is Paris Burning? (not to be confused with documentary classic Paris is Burning) an epic that hasn’t quite stood the test of time. In the tradition of The Longest Day, it harnesses a cast of thousands to tell the story of a single, crucial moment of World War Two: The liberation of Paris. French stars like Jean-Paul Belmondo and Alain Delon take roles in the Resistance, while the likes of Kirk Douglas and Glenn Ford play American generals. There are cameos from Simone Signoret, George Chakiris and Anthony Perkins, to name only a few.
- Daniel Walber
Mark Harrison Oct 14, 2016
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival »
Simon Brew Oct 10, 2016
There’s little sign of a new James Bond film yet, and Spectre has left lots of questions behind. So what now, 007?
Update: here's a story that landed this morning, of relevance to this article.
This article contains light spoilers for Spectre.
At the end of October 2015, the 24th James Bond film, Spectre, enjoyed its global premiere. Following the massive success of Skyfall, hopes were understandably high for Spectre, and it quickly notched up some strong – and not so strong – reviews. Originally rumoured to be the first of a two part story (with a suggestion that it be filmed back to back with James Bond 25), Spectre would prove to be a big box office hit too. As Bond drove off into the sunset at the end of the film, the next adventure was surely an inevitability.
But something wasn’t quite right. And one year later, »
By Lee Pfeiffer
Over the last year the entertainment industry has suffered incalculable losses of talented people. Some of them hit home personally, as is the case with producer Euan Lloyd, who passed away this weekend in London. I first met Euan in 1978 when I was attending college in New Jersey. I had the enviable gig of being the film critic for the campus newspaper, which afforded me the opportunity to routinely attend press screenings of forthcoming films in New York, which was a stone's throw across the river from my native Jersey City. I had read about the upcoming release of "The Wild Geese" which seemed to promise a "too-good-to-be-true" cast composed of some of my favorite actors (Richard Burton, Roger Moore and Richard Harris above all) in the kind of gritty, macho British war flick that I had become addicted to ever since seeing "Zulu" at age 8. To »
- firstname.lastname@example.org (Cinema Retro)
In not surprising news, Sam Mendes is moving on from the 007 franchise after Skyfall (2012) and Spectre (2015). Daniel Craig is probably moving on, too, but rumors about who will replace him are, as ever, premature. The names floating about this time are Idris Elba and Tom Hiddleston (wishful fan thinking, maybe, since the internet has been suggesting these two names forever) and 30 year old Jamie Bell which is an interesting idea and probably not a bad one. If chosen he'd be the youngest Bond since Sean Connery (who was 30 when he was cast for Dr. No (1962) though most subsequent Bonds have been around 40 when they started. Plus Bell is super charismatic but underused in cinema.
Though Bond films are largely regarded as producer driven and leading actor focused pictures, rather than directorial feats, the man in the chair is important. In the past the franchise has generally relied on mid level directors rather than auteurs, »
- NATHANIEL R
By Lee Pfeiffer
Cinema Retro mourns the loss of Sir Ken Adam, the ingenious, Oscar-winning production designer who has passed away at age 95. Adam's work helped redefine films in terms of the elaborate and creative designs he invented, particularly for the James Bond franchise. Adam's work on the first 007 film, "Dr. No" in 1962 was deemed to be nothing less than remarkable, considering that the entire film was shot on a relatively low budget of just over $1 million. His exotic designs so impressed Stanley Kubrick that he hired Adam as production designer on his 1964 classic "Dr. Strangelove." For that film, Adam created the now legendary "War Room" set which many people believe actually exists at the Pentagon. In fact when Ronald Reagan was inaugurated as President in 1981 he asked to see the War Room, only to be told that it was a fictional creation. Reagan acknowledged that he had been intrigued »
- email@example.com (Cinema Retro)
Two-time Oscar winner Adam was the first production designer to receive a knighthood.
Sir Ken Adam, the two-time Oscar winning production designer known for his work on James Bond films of the 1960s and 70s, died Thursday [10 March] at his home in London.
In addition to his work on Bond films including Goldfinger, The Spy Who Loved Me and Moonraker, Adam was highly regarded for his iconic production design in Stanley Kubrick’s Dr. Strangelove. Director Steven Spielberg described the film’s ‘War Room’ as the best film set ever built.
He was also known for designing the original car for 1968 musical Chitty Chitty Bang Bang [pictured below].
Adam won his first Oscar in 1976 for his work on Kubrick’s Barry Lyndon, and his second in 1995 for Nicholas Hytner’s The Madness Of King George. He received three additional nominations for Around The World In 80 Days, The Spy Who Loved Me, and Addams Family Values.
Adam was born »
Five-time Oscar nominee and two-time winner Ken Adam, a production designer best known for his work on the James Bond films of the 1960s and 1970s and on “Dr. Strangelove,” died Thursday in London, according to the BBC. He was 95.
Adam created the sprawling, futuristic lairs of the supervillains who populated the Bond films starting with Dr. No’s secret island complex in the first 007 film in 1962. He worked on all the Bond films that starred Sean Connery through 1972’s “Diamonds Are Forever,” as well as on “The Spy Who Loved Me” (for which he received an Oscar nomination) and “Moonraker,” both starring Roger Moore.
- Carmel Dagan
Oscar winning production designer Ken Adam died today in London at the age of 95 according to The BBC.
Adam is most famous for creating the iconic and sprawling lairs of the supervillains who populated the Sean Connery and Roger Moore-era James Bond films. His designs included the Crab Key complex in "Dr. No," the Fort Knox interiors on "Goldfinger," the volcano lair of "You Only Live Twice," Stromberg's supertanker and Atlantis sets in "The Spy Who Loved Me," and Drax's space station in "Moonraker". He also did the production design on "Thunderball" and "Diamonds Are Forever".
Adams' work extended well beyond the Bond franchise though, such as two films in the anti-Bond Harry Palmer film series with Michael Caine - "The Ipcress File" and "Funeral in Berlin". He was a favorite of Stanley Kubrick following his design of the famous war room for "Dr. Strangelove". He was offered "2001" but turned it down, »
- Garth Franklin
Crooner Sam Smith has received his first Oscar nomination for “Writing’s on the Wall,” the theme he co-wrote with Jimmy Napes for the James Bond film “Spectre.” Smith spoke with Variety about the requirements of writing a Bond song, performing at the Oscars, and why he loves the movie “Spotlight.”
Did you ever see yourself going into film music?
I absolutely love film. If I wasn’t a singer, it would have been something I would have gone into. Not acting, actually. I would have loved to have been a part of making films. That’s something that I’ve always wanted to do. Definitely in the back of my mind it was always something that I wanted to attack. I’d never thought that my first song would be a Bond song, my first time doing anything for film. I’ve been chucked in at the deep end, »
- Marianne Zumberge
Daniel Craig’s fourth or Roger Moore’s eighth? The former of course but you get the point. The almost-realistic stylings of early Craig have given way to the full blown pantomime excess of mid-Moore (or late Connery, in fairness). Desert lairs, endless car chases, free-wheelin’ helicopters and indestructible airplanes are all very much back in vogue. The result is a largely enjoyable, extremely silly film which attempts to tie previous Craig outings together at the expense of consistency and logic. There isn’t a plot: more a succession of scenes stitched together. And it still can’t manage a decent finale! Fun but ultimately frivolous. Now who does that remind me of?
The Villain: It’s Blofeld! »
The fourth feature by Bouli Lanners, the Belgian director, writer, and actor, opens the 28th Premiers Plans Festival tonight (22 January) in Angers with an out of competition slot but in the presence of Lanners and one of his co-stars Michael Lonsdale, a Bond baddie from Moonraker days.
The festival in the Loire valley, devoted to first films from all over Europe and including both features and shorts as well as script-writing workshops, will have its opening soirée supported by the Fondation Gan for Cinema whose funds are used to support scripts and projects by new talents. The guests of honour include Phlippe Delerive, president of the Fondation, Dominique Hoff, its managing director, Jérome Clément, the event’s president and Claude-Eric Poiroux, the artistic director.
Premiers Plans Festival poster
Lanners’ fourth feature film, »
- Richard Mowe
12 items from 2016
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