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| Roger Moore | ... | James Bond | |
| Lois Chiles | ... | Dr. Holly Goodhead | |
| Michael Lonsdale | ... | Hugo Drax | |
| Richard Kiel | ... | Jaws | |
| Corinne Cléry | ... | Corinne Dufour | |
| Bernard Lee | ... | M | |
| Geoffrey Keen | ... | Sir Frederick Gray | |
| Desmond Llewelyn | ... | Q | |
| Lois Maxwell | ... | Miss Moneypenny | |
| Toshirô Suga | ... | Chang (as Toshiro Suga) | |
| Emily Bolton | ... | Manuela | |
| Blanche Ravalec | ... | Dolly - Jaws' Girlfriend | |
| Irka Bochenko | ... | Blonde Beauty | |
| Mike Marshall | ... | Col. Scott (as Michael Marshall) | |
| Leila Shenna | ... | Hostess Private Jet | |
| Anne Lonnberg | ... | Museum Guide | |
| Jean-Pierre Castaldi | ... | Pilot Private Jet (as Jean Pierre Castaldi) | |
| Walter Gotell | ... | General Anatol Gogol | |
| Douglas Lambert | ... | Mission Control Director | |
| Arthur Howard | ... | Cavendish | |
| Alfie Bass | ... | Consumptive Italian | |
| Brian Keith | ... | U.S. Shuttle Captain | |
| George Birt | ... | Captain - Boeing 747 | |
| Kim Fortune | ... | R.A.F. Officer | |
| Lizzie Warville | ... | Russian Girl | |
| Johnny Traber's Troupe | ... | Funambulists | |
| Nicholas Arbez | ... | Drax's Boy | |
| Guy Di Rigo | ... | Ambulanceman | |
| Chris Dillinger | ... | Drax's Technician | |
| Claude Carliez | ... | Gondolier | |
| Georges Beller | ... | Drax's Technician | |
| Denis Seurat | ... | Officer - Boeing 747 | |
| Chichinou Kaeppler | ... | Drax's Girl - Signora Del Mateo | |
| Christina Hui | ... | Drax's Girl | |
| Françoise Gayat | ... | Drax's Girl - Lady Victoria Devon (as Francoise Gayat) | |
| Nicaise Jean Louis | ... | Drax's Girl | |
| Catherine Serre | ... | Drax's Girl - Countess Labinsky | |
| Béatrice Libert | ... | Drax's Girl - Mademoiselle Deradier (as Beatrice Libert) | |
| rest of cast listed alphabetically: | |||
| Ken Adam | ... | Man at St. Marks Square (uncredited) | |
| Jean-Louis Airola | ... | Drax Radarman 2 (uncredited) | |
| S. Newton Anderson | ... | Samuel (uncredited) | |
| Jenny Arasse | ... | Bit Part (uncredited) | |
| Michel Berreur | ... | Venice Boat Pilot (uncredited) | |
| Daniel Breton | ... | Fighting Monk / Spatial Base Guard (uncredited) | |
| Albert R. Broccoli | ... | Man at St. Marks Square (uncredited) | |
| Dana Broccoli | ... | Woman at St. Mark's Square (uncredited) | |
| George Lane Cooper | ... | Space Fighter (uncredited) | |
| Jack Cooper | ... | Space Fighter (uncredited) | |
| Guy Delorme | ... | Tree Assassin (uncredited) | |
| Eddie Eddon | ... | Space Fighter (uncredited) | |
| Benoît Ferreux | ... | Moonraker Pilot (uncredited) | |
| Patrick Floersheim | ... | Moonraker Pilot (uncredited) | |
| Terry Forrestal | ... | Space Fighter (uncredited) | |
| David Gabison | ... | Technician in Drax Launching Site (uncredited) | |
| Lewis Gilbert | ... | Man at St. Mark's Square (uncredited) | |
| Richard Graydon | ... | Space Fighter (uncredited) | |
| Rika Hofmann | ... | Model (uncredited) | |
| Peter Howitt | ... | Rio de Janeiro Hotel Manager (uncredited) | |
| Dominique Hulin | ... | (uncredited) | |
| W.C. 'Chunky' Huse | ... | Sailor at St. Mark's Square (uncredited) | |
| Carlos Kurt | ... | Airport Metal Detector Guard (uncredited) | |
| Melinda Maxwell | ... | Drax's Girl (uncredited) | |
| Marc Mazza | ... | Technician in Venini Laboratory (uncredited) | |
| Alexandra Middendorf | ... | Moonraker Launch Technician (uncredited) | |
| Patrick Morin | ... | Painter at St. Mark's Square (uncredited) | |
| Ralph Morse | ... | Astronaut (uncredited) | |
| Daniel Perche | ... | Drax Radarman 1 (uncredited) | |
| Jacques Pisias | ... | Waiter at St. Mark's Square (uncredited) | |
| Jean Rupert | ... | Technician in Venini laboratory (uncredited) | |
| Marc Smith | ... | Tannoy voice (uncredited) | |
| John Sullivan | ... | Space Fighter (uncredited) | |
| Victor Tourjansky | ... | Man with Bottle (uncredited) | |
| Jean Tournier | ... | Painter at St. Mark's Square (uncredited) | |
| Nikki Van der Zyl | ... | Corinne Dufour (voice) (uncredited) | |
| Herma Vos | ... | Astronaut (uncredited) | |
| Malcolm Weaver | ... | Space Fighter (uncredited) | |
| Paul Weston | ... | Space Fighter (uncredited) | |
| Michael G. Wilson | ... | Man Outside Venini Glass / NASA Technician / Man on Bridge (uncredited) | |
Directed by | |||
| Lewis Gilbert | |||
Writing credits | ||
| Ian Fleming | (novel) uncredited | |
| Christopher Wood | (screenplay) | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| William P. Cartlidge | .... | associate producer | |
| Michael G. Wilson | .... | executive producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Jean Tournier | |||
Film Editing by | |||
| John Glen | |||
Casting by | |||
| Margot Capelier | |||
| Weston Drury Jr. | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Charles Bishop | |||
| Max Douy | |||
Set Decoration by | |||
| Peter Howitt | |||
Costume Design by | |||
| Jacques Fonteray | |||
Makeup Department | |||
| Monique Archambault | .... | makeup artist | |
| Paul Engelen | .... | makeup artist | |
| Mike Jones | .... | hair stylist: Roger Moore | |
| Pierre Vadé | .... | hair stylist (as Pierre Vade) | |
| Jacques Michel | .... | hair stylist (uncredited) | |
Production Management | |||
| Robert Boulic | .... | assistant unit manager: France | |
| Terence Churcher | .... | production manager | |
| Chris Kenny | .... | unit manager: UK | |
| Robert Saussier | .... | unit manager: France | |
| Jean-Pierre Spiri-Mercanton | .... | production manager | |
| Roberto Bakker | .... | production manager: Latin America (uncredited) | |
Second Unit Director or Assistant Director | |||
| Peter Bennett | .... | assistant director: second unit | |
| Meyer Berreby | .... | assistant director: second unit | |
| Chris Carreras | .... | second assistant director | |
| Michel Cheyko | .... | assistant director | |
| Ernest Day | .... | second unit director | |
| John Glen | .... | second unit director | |
| Gareth Tandy | .... | assistant director: models | |
| Lamar Boren | .... | underwater unit director (uncredited) | |
| Barbara Broccoli | .... | second assistant director (uncredited) | |
| Mike Higgins | .... | second assistant director: space battle (uncredited) | |
| Stefano Priori | .... | additional assistant director: action unit (uncredited) | |
Art Department | |||
| Ernest Archer | .... | assistant art director (as Ernie Archer) | |
| Pierre Charron | .... | set dresser | |
| Jacques Douy | .... | assistant art director | |
| Serge Douy | .... | assistant art director | |
| Louis Duquenne | .... | construction manager | |
| John Fenner | .... | assistant art director | |
| Marc Frédérix | .... | assistant art director (as Marc Frederix) | |
| Alain Guyard | .... | buyer | |
| André Labussière | .... | set dresser (as Andre Labussiere) | |
| Harry Lange | .... | space art director | |
| John Lanzer | .... | buyer | |
| Raymond Lemoigne | .... | props (as Raymond Le Moigne) | |
| Jean-Pierre Nossereau | .... | buyer (as Jean Nossereau) | |
| Michael Redding | .... | construction manager | |
| Pierre Roudeix | .... | props | |
| John Chisholm | .... | props (uncredited) | |
| Frank Walsh | .... | set designer (uncredited) | |
Sound Department | |||
| Daniel Brisseau | .... | sound mixer | |
| Gérard de Lagarde | .... | sound assistant (as Gerard De Lagarde) | |
| Dino Di Campo | .... | dubbing editor | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| John Iles | .... | consultant: Dolby | |
| Catherine Kelber | .... | dialogue editor | |
| Jean Labourel | .... | sound assistant | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Jean-Pierre Lelong | .... | sound effects (as Jean Pierre Lelong) | |
| Gordon K. McCallum | .... | chief sound re-recording mixer | |
| Colin Miller | .... | dubbing editor | |
| Allan Sones | .... | dubbing editor | |
| Nigel Galt | .... | assistant sound editor (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| René Albouze | .... | special effects (as Rene Albouze) | |
| Charles-Henri Assola | .... | special effects (as Charles Assola) | |
| John Evans | .... | special effects | |
| Serge Pouvianne | .... | special effects (as Serge Ponvianne) | |
| John Richardson | .... | special effects | |
| Ron Cartwright | .... | special effects technician (uncredited) | |
| Chris Corbould | .... | special effects technician (uncredited) | |
| Anton Furst | .... | special effects (uncredited) | |
Visual Effects by | |||
| Jean Berard | .... | visual effects: France | |
| Robin Browne | .... | optical effects cameraman | |
| Bill Hansard | .... | process consultant | |
| Peter Lamont | .... | visual effects art director | |
| Louis Lapeyre | .... | process effects: France | |
| Derek Meddings | .... | visual effects supervisor | |
| Paul Wilson | .... | visual effects cameraman | |
| Keith Holland | .... | visual effects camera operator (uncredited) | |
| Jon Sorensen | .... | visual effects assistant camera (uncredited) | |
Stunts | |||
| Michel Berreur | .... | stunts | |
| Daniel Breton | .... | stunts | |
| Claude Carliez | .... | stunt arranger: France | |
| Claude Carliez | .... | stunts | |
| Guy Di Rigo | .... | stunts | |
| Dorothy Ford | .... | stunts | |
| Martin Grace | .... | stunts | |
| Richard Graydon | .... | stunts | |
| Bob Simmons | .... | action sequence arranger | |
| Paul Weston | .... | stunts | |
| Don 'Tweet' Caltvedt | .... | skydiving stunt coordinator (uncredited) | |
| Jack Cooper | .... | additional stunts (uncredited) | |
| Howard Curtis | .... | additional stunts (uncredited) | |
| Eddie Eddon | .... | additional stunts (uncredited) | |
| Terry Forrestal | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Richard Kiel, cable car sequence (uncredited) | |
| Martin Grace | .... | stunt double: Roger Moore (uncredited) | |
| Richard Graydon | .... | stunt double: Roger Moore, cable car sequence (uncredited) | |
| Reg Harding | .... | additional stunts (uncredited) | |
| Jake Lombard | .... | skydiving stunt double: James Bond (uncredited) | |
| John Long | .... | stunt glider pilot (uncredited) | |
| Ron Luginbill | .... | skydiving stunt double: Jaws (uncredited) | |
| Peter Munt | .... | stunt double: horse stunts (uncredited) | |
| Claude Pillas | .... | stunt performer (uncredited) | |
| Dinny Powell | .... | additional stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Bob Simmons | .... | stunts (uncredited) | |
| Tony Smart | .... | additional stunts (uncredited) | |
| Paul Weston | .... | stunt double: Richard Kiel (uncredited) | |
| B.J. Worth | .... | skydiving stunt double: pilot (uncredited) | |
Camera and Electrical Department | |||
| Guy Delattre | .... | camera operator | |
| Michel Deloire | .... | camera operator | |
| James Devis | .... | camera operator | |
| W.C. 'Chunky' Huse | .... | camera grip (as Chunky Huse) | |
| Alec Mills | .... | camera operator | |
| John Morgan | .... | camera operator | |
| Patrick Morin | .... | still photographer | |
| Jacques Renoir | .... | camera operator: second unit | |
| René Strasser | .... | key grip (as Rene Strasser) | |
| Jacques Touillaud | .... | gaffer (as Jacques Touilland) | |
| Pierre Boffety | .... | assistant camera (uncredited) | |
| Lamar Boren | .... | photographer: underwater unit (uncredited) | |
| Rande DeLuca | .... | aerial parachute photographer (uncredited) | |
| Phillip Grosvenor | .... | assistant camera (uncredited) | |
| Phil Pastuhov | .... | aerial camera operator: second unit (uncredited) | |
| Peter Versey | .... | assistant camera: model unit (uncredited) | |
Costume and Wardrobe Department | |||
| Colette Baudot | .... | wardrobe mistress | |
| Jean Zay | .... | wardrobe master | |
Editorial Department | |||
| Peter Davies | .... | assistant editor | |
| John Grover | .... | assembly editor | |
| Luce Grunenwaldt | .... | assistant editor (as Luce Gruenwaldt) | |
| Mike Round | .... | assistant editor (as Michael Round) | |
Music Department | |||
| Monty Norman | .... | composer: James Bond theme | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
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| Live and Let Die | The Spy Who Loved Me | Dr. No | The World Is Not Enough | A View to a Kill |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
Of all the Bond films, MOONRAKER is, imo, the most visually striking of the entire series. It looks like it cost a billion bucks to make. The sets by Ken Adams are amazing (he should have won an Oscar for them). The locations are stunning. The fx are well made and still hold up today. The women are above average gorgeous (they all look like supermodels before supermodels were in). All of this beautifully filmed by cinematographer Jean Tournier. I love watching MOONRAKER just because it's so damn gorgeous to look at. I don't know how many times I saw it at the movies when it came out just to appreciate the beauty of it all. Unfortunately, we are talking about a James Bond film and of course there has to be the usual formulaic stuff seen in every other James Bond film.
Basically, MOONRAKER is a remake of YOU ONLY LIVE TWICE and THE SPY WHO LOVED ME. I always preferred MOONRAKER over the schintzy SPY WHO LOVED ME, which was made just before this one. Lewis Gilbert directed those three Bond films and MOONRAKER is his crowning achievement. Personally speaking, Gilbert is a bad director. His films are always bloated and sorta soulless and yet still gorgeous. Aside from his Bond films, he rarely made an impression with his other films. In fact, he's the one who directed THE ADVENTURERS, which is a good looking film but it's really, really awful. I'm glad Gilbert stopped making Bond films. He was always too laid back for action films like this.
There ARE a lot of memorable scenes in MOONRAKER: the entire intro is now a classic and much better than the one in SWLM. Corinne being chased by dogs. The simulator scene. Bond fighting with Chang in Venice. My favorite scene is when Bond and Goodhead are stuck below a shuttle's rockets and are about to be burned alive. A near perfect action moment there. The climax in space is fun if improbable. I love the scene when they have to destroy those globes as they re-enter the atmosphere. Really suspenseful. But as good as those scenes are individually they almost don't register as a whole because the story and direction are so lackadaisical, so relax. It's like everyone was on vacation. There's absolutely no grit to this film. It's really sleek and smooth but nearly bite-less. The whole story seems to be just a preamble to the action set in space.
What really stands out about MOONRAKER are the many long moments with no dialogue. I'd say about 50 to 60% of the film has no dialogue. Just music and sound effects. It's almost a silent film. Moore didn't have a lot of dialogue to remember and this was an easy film to dub.
The story is as easy as connect-the-dots: The British owned Moonraker 5 disappears in mid-air and 007 is sent to California to investigate its disappearance. At the Moonraker plant in California (France really) Bond find blueprints of vials which leads him to Venice, where the vials are fabricated. And from Venice Bond goes to Brazil where the vials, filled with deadly nerve gas, are shipped to the underground layout of Drax (boringly played by the usually reliable Michael Lonsdale. Love the name "Drax" though). Oh and we learn that Drax wants to create a new race of super humans by killing everyone on earth by dropping those nerve gas filled globes from space while Drax and his super humans reside in Drax's space station. I actually like that part of the story and some of the grandeur of it (Drax wanting to be God) is actually achieved with the striking visuals and the amazingly lush score by the brilliant John Barry. Unfortunately, again, this is a James Bond film and thought provoking ideas are set aside for formulaic action.
I wish this wasn't a James Bond film. Take away all the Bond elements, the stupid humor, flesh out the screenplay and this would be a spectacular kick ass science fiction film.
Anyway, back to James Bond.
I really like Lois Chiles as Holly Goodhead. She's my favorite Bond girl ever. Beautiful and sophisticated but tough. She's no bimbo. I remember a lot of my friends in school didn't like her because they thought she was too tough for a babe. I guess Holly Goodhead was Girl Power before Girl Power was in. For me, Chiles epitomizes everything chic and sexy about the late 1970s. She's unforgettable in that black jumpsuit. But the Holly Goodhead role is a really badly written one. She's almost an afterthought to the whole story. They basically needed a character to fly the space shuttle and Bond into space (something 007 obviously couldn't do) and Goodhead was basically that: just a pilot. Then there's Corinne Clery who is truly gorgeous but sadly, again, her role is minimal. Then there's the not so beautiful Jaws. Jaws was so popular in SPY WHO LOVED ME they brought him back here. I don't mind this but they turned him into a good guy and he even falls in love with a ditsy girl. This part of MOONRAKER is *really* bad. Someone should completely edit that storyline out of the movie and its rating would go up exponentially. And like in THE SPY WHO LOVED ME, the musical in-jokes were needlessly distracting.
These bad aspects about MOONRAKER are almost negligible though because the film is such a visual (and aural) feast. Whether it's one of the best or worst of the series, I really don't care. I can positively state though that this is THE best looking Bond film ever, with an actually cool science fiction story somewhere in it. I give MOONRAKER 10 stars for the look of it all but 5 stars for the laid back and sometimes silly direction. So an average of 7 stars.