A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again. Written by
The boat chase in Venice was slightly hampered by the fact that speed restrictions in the city were 5 knots. See more »
When Jaws goes over the waterfall, he is holding onto a steering wheel. It cuts to the next shot of Jaws going over the waterfall, and the steering wheel has disappeared. See more »
How are we doing, Richard?
We should pass over the English coast 15 minutes ahead of time, sir.
Wow! With this load on our back, that's good going.
Just trust the RAF, sir.
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THE END of "MOONRAKER" James Bond will return in "FOR YOUR EYES ONLY" See more »
Considered almost unanimously as one of the worst films in James Bond series, it is time for Moonraker to have a defender. On my opinion, this is Moore's best fourth outing as 007(may be not saying too much, but there are three films left), and a very entertaining sci-fi film. Critics argue that humor plays a strong hand in this movie-strong to such a degree that Bond character loses all personality, becoming blurred in an impressive set of FX and stunt men. I reply: certainly there are flaws, some of them (particularly Jaws conversion towards the end) very ridiculous. But there are good points, too. Remember that pre-credit scene, which was ACTUALLY shot in the air, the motorboat chase or the final space battle, one of the most spectacular moments of the entire series, (yeah, it was unrealistic, OK, but tell me how much realism you can find watching other Bond movies which are frequently referred to as" the best". Think of Goldfinger or You only live twice)
However, Moonraker does not compare to Octopussy or TSWLM, because of a sometimes plodding pacing, due to the addition of unnecessary scenes, especially during the first half, when James is Drax's guest in California. The love story is a mere and inferior copy of TSWLM. And, while in other Moore's films the blend of humor and Bond's trademark coolness worked smoothly, here Bond is not given a scene to show, not necessarily ruthlessness, but a bit of harshness, as we could see in FYEO or Octopussy.
Following Moore's outings will feature Cold War elements which seem to fit more with the character, and better screenplays from Richard Maibaum,the series' screenwriter who was mysteriously absent here.
But action remains mostly exciting, sometimes brilliant, and highlights what could have been a mediocre entry.
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