James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again. Written by
In order to create the final shot in which the space station is destroyed, the visual effects crew locked themselves in the studio and shot the model of the space station to pieces using shotguns. See more »
At Pão de Açúcar, Bond and Goodhead could not possibly have survived the fall from the cable car wire without serious injury, as the wire was significantly higher than the cable car; that height, plus the height of the cable car, plus an additional space would have been needed for the cable car to clear the very ground onto which 007 and Dr. Goodhead had fallen. Otherwise, the cable car would have been impeded by that same ground. See more »
How are we doing, Richard?
We should pass over the English coast 15 minutes ahead of time, sir.
Wow! With this load on our back, that's good going.
Just trust the RAF, sir.
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THE END of "MOONRAKER" James Bond will return in "FOR YOUR EYES ONLY" See more »
Please, don't judge me too harshly, but I love Moonraker, the peak of all things Roger Moore. Never again would the Bond films be this over the top or overtly silly, but the truth is that Moonraker does it right. It will never win awards for being the most subtle Bond film ever made, but it should not be trashed in the way that it usually is because deep down Moonraker is just great fun. Roger Moore's Bond is just fun to be with, the on going joke that everytime Jaws tries to kill Bond he almost gets killed himself, complete with close ups of his exasperated face are brilliant (not subtle, but guaranteed to get you chuckling) and one of the loveliest Bond girls, CIA agent Holly Goodhead.
The script here is definitely not in the same league as the likes of From Russia With Love, The World is Not Enough, Licence to Kill or For Your Eyes Only, but Bond films never set out to be thought provoking pieces of art, they are meant to be grandiose fun pieces of entertainment and if you take Bond films on those levels then Moonraker succeeds admirably. Sure none of the acting is award worthy, and its frequently over the top in every regard. Over the top humor, over the top action sequences (a fight scene in a glass shop sees every bit of glass get destroyed) while the space sequences features a gigantic space battle complete with laser beams.
However there is a lot to like here. The pre title sequence is superb, featuring some of the best stunt work you will ever see in a pre-Brosnan Bond, the special effects are magnificent and lastly John Barry's music is quite simply the best he has ever come up with. For a film so over the top his music is beautiful and would set the hallmarks for his future scores. The sweeping orchestra and beautiful theme song by Shirley Bassey are classics.
Once again I end my review with a note not to judge me, but Moonraker is simply wonderful entertainment and one of my favorite Bond film of all time.
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