A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again. Written by
Claude Renoir was originally hired as Director of Photography but had to depart because of his failing eyesight. See more »
During the gondola hovercraft scene through St. Mark's Square, the fringe at the bottom of the gondola hangs freely as if the vehicle is actually on wheels, rather than being blown around due to the cushion of air. See more »
How are we doing, Richard?
We should pass over the English coast 15 minutes ahead of time, sir.
Wow! With this load on our back, that's good going.
Just trust the RAF, sir.
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THE END of "MOONRAKER" James Bond will return in "FOR YOUR EYES ONLY" See more »
My Take: The comedy is occasionally off, but the special effects and action sequences are terrific.
Why do some viewers think this entry in the series is by far the weakest of Bond. I beg to differ, I actually think this is one of the better Bonds with Roger Moore. Despite its occasional decline to over-silliness (even for Bond standards), I actually find it more entertaining than Roger Moore's early entry "The Man with the Golden Gun".
The plot, which is more like a variation of THE SPY WHO LOVED ME and YOU ONLY LIVE TWICE (only a little sillier), involves the theft of the Moonraker space shuttles. 007 is sent to Drax Industries, the manufacturers or these shuttles. He soon discovers that the owner, Hugo Drax (Michael Lonsdale) uses this rockets to fulfill his dastardly plans to create another civilization.
One of the main reasons that critics mistreat this Bond entry is because it doesn't go with the trend of the other Bonds. MOONRAKER tries to be more faithful to the then-popular trend of science fiction movies (after the enduring success of such classic as STAR WARS and CLOSE ENCOUNTERS). Another would be its occasion to go beyond the level of silliness and not knowing when to stop. A humorous moment where Bond drives a gondola with wheels is OK, but it's other scenes like Jaws (Richard Kiel) finding a girlfriend are just too silly. More extreme silliness ensues (there are moments of true high-camp standards here), but as long as the sharp wit, the panache and style made famous by many other Bond films are there, there's no real harm in trying something else to go along with it.
Rating: ***1/2 out of 5.
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