Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again. Written by
During the scenes set in Venice, Pope John Paul I died. Filming was then suspended for the day, partly because the bells ringing in Venice mourning his death were so loud it made it impossible to work. See more »
At Pão de Açúcar, Bond and Goodhead could not possibly have survived the fall from the cable car wire without serious injury, as the wire was significantly higher than the cable car; that height, plus the height of the cable car, plus an additional space would have been needed for the cable car to clear the very ground onto which 007 and Dr. Goodhead had fallen. Otherwise, the cable car would have been impeded by that same ground. See more »
How are we doing, Richard?
We should pass over the English coast 15 minutes ahead of time, sir.
Wow! With this load on our back, that's good going.
Just trust the RAF, sir.
See more »
[Filmed at ...] Pinewood Studios (London) and on location in Italy, Brazil, Guatemala, U.S.A. and Outer Space! See more »
Considered almost unanimously as one of the worst films in James Bond series, it is time for Moonraker to have a defender. On my opinion, this is Moore's best fourth outing as 007(may be not saying too much, but there are three films left), and a very entertaining sci-fi film. Critics argue that humor plays a strong hand in this movie-strong to such a degree that Bond character loses all personality, becoming blurred in an impressive set of FX and stunt men. I reply: certainly there are flaws, some of them (particularly Jaws conversion towards the end) very ridiculous. But there are good points, too. Remember that pre-credit scene, which was ACTUALLY shot in the air, the motorboat chase or the final space battle, one of the most spectacular moments of the entire series, (yeah, it was unrealistic, OK, but tell me how much realism you can find watching other Bond movies which are frequently referred to as" the best". Think of Goldfinger or You only live twice)
However, Moonraker does not compare to Octopussy or TSWLM, because of a sometimes plodding pacing, due to the addition of unnecessary scenes, especially during the first half, when James is Drax's guest in California. The love story is a mere and inferior copy of TSWLM. And, while in other Moore's films the blend of humor and Bond's trademark coolness worked smoothly, here Bond is not given a scene to show, not necessarily ruthlessness, but a bit of harshness, as we could see in FYEO or Octopussy.
Following Moore's outings will feature Cold War elements which seem to fit more with the character, and better screenplays from Richard Maibaum,the series' screenwriter who was mysteriously absent here.
But action remains mostly exciting, sometimes brilliant, and highlights what could have been a mediocre entry.
38 of 56 people found this review helpful.
Was this review helpful to you?