A young woman begins to have nightmares where she believes that time stands still and she can see and hear future events. In her nightmares she keeps seeing an evil bald man. Her doctor ... See full summary »

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Cast

Cast overview, first billed only:
...
Suzy
David Ackroyd ...
Ben Kushing
...
Jason
...
Bald Man
Christopher Cary ...
John Povey
...
Ted Beasly
Penelope Willis ...
Pierce
Wayne Heffley ...
Lt. Wales
Carl Anderson ...
Baker
Jan Burrell ...
Mrs. Winterspoon
Paul Reid Roman ...
Arnold
...
Captain Moran
Lanny Duncan ...
Cab Driver
Rex Riley ...
Anderson
Jack Griffin ...
Cameraman
Edit

Storyline

A young woman begins to have nightmares where she believes that time stands still and she can see and hear future events. In her nightmares she keeps seeing an evil bald man. Her doctor can't figure out what is happening, but a government agent who hears about her visions tries to help her, as he is investigating a plane crash that appears to involve the bald man she keeps seeing. Written by Anonymous

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Thriller

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Release Date:

23 October 1979 (USA)  »

Also Known As:

Are You Alone Tonight?  »

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Aspect Ratio:

1.33 : 1
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User Reviews

 
The Eyes of Deborah
3 October 2015 | by (las vegas, nv) – See all my reviews

Deborah Raffin's lead performance in this tepid TV-made thriller is the only reason to watch. Clearly inspired by the theatrical "Eyes of Laura Mars" from 1978, plot concerns an actress in Los Angeles who begins having premonitions of a menacing bald man and a plane crash; naturally, the two are connected, and soon our heroine finds herself kidnapped by the psychopath (who hangs out in an abandoned building well-equipped with burning light bulbs). Two of the supporting performances--by Bruce Davison as Raffin's whining boyfriend and Andrew Pine as the preening madman in tight jeans--are so ineffective as to be almost embarrassing, which is really the fault of writer Robert Carrington for his atrocious teleplay and director Ivan Nagy for his inept staging. There's a modicum of tension in Carrington's scenario, and Raffin acquits herself well until her character is turned into a punching bag; however, when the drama and the majority of characters are this ridiculously drawn, it's nearly impossible to fall for such juvenile shenanigans.


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