After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably ... See full summary »
Originally a 30 minute portion for an anthology film, Impostor was retooled into a full length feature film. Based on the Philip K. Dick short story of the same name, it follows the lead ... See full summary »
After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree? Written by
The "spaceship" the astronauts were in was actually a model of NASA's first manned space station "Skylab". See more »
When the Challenger II is silhouetted in front of the Sun, the "Sun" is obviously a stage light, partly covered by a shade (the same thing happens again in a shot of the Hercules satellite). See more »
Was there something in the water in 1979? I was reading up recently about some of the films that major movie stars made in 1979 and it is remarkable how many actors were busy wasting their talents on duds in that year. Michael Caine in Beyond the Poseidon Adventure; Laurence Olivier in Dracula; Roger Moore in Escape to Athena; Jason Robards in Hurricane; Peter Cushing in A Touch of the Sun; Donald Sutherland in Bear Island; James Mason and Anthony Quinn in The Passage; Robert Shaw and Lee Marvin in Avalanche Express; and Richard Harris in A Game For Vultures. Even some directors seemed to be affected by the curse of 1979 - Steven Spielberg, for instance, made his only fully-fledged turkey in the shape of "1941". The '79 trend for big stars in bad films also extended to Sean Connery. Poor old Sean's 1979 film, Meteor, is a disaster movie of stupefying awfulness.
It is revealed that a huge meteor is on collision course with earth, so big that unless it is diverted or destroyed its impact could cause another Ice Age. The American president (Henry Fonda) instructs professor Dr. Paul Bradley (Sean Connery) to figure out how to blast the meteor to bits by using secret nuclear weapons positioned in orbit above the earth. However, Dr. Bradley soon calculates that the American weapons alone will not halt the meteor. The Russians are brought in and informed of the potential destruction of the world as we know it and, in a race against time, the Americans try to persuade them to admit that they too have space-based nuclear missiles which could be added to the strike.
The special effects are remarkably poor for a post Star Wars sci-fi film, but the film fails on many other levels too. None of the actors look enthusiastic about being here; Ronald Neame and Stanley Mann's script is full of idiotic dialogue and plot contrivances; excitement is persistently undermined by interminable talky scenes; and the characterisation is so ludicrous that it makes you want to grind your teeth with despair. Soon after this, disaster movies came to an end, not to be seen again until their special effects-enhanced re-emergence in the mid-1990s. When you see Meteor, you'll immediately understand why the genre self-destructed.
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