After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading toward Earth. If it hits, it will cause an incredible catastrophe which will probably extinguish... See full summary »
A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick ... See full summary »
A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.
Khalil is an Arab diplomat who wants to not only make peace with Israel, but admit the Jewish state as a member of OPEC. This instantly makes him a target for a series of ingeniously ... See full summary »
Richard C. Sarafian
In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
A gang of hijackers led by Ray Petrie (Ian McShane) seize a British plane as it is landing in Scandinavia. Ruthless military police chief Colonel Tahlvik (Sean Connery) is assigned to ... See full summary »
Gawain was a squire in King Arthur's court when the Green Knight burst in and offered to play a game with a brave knight. No knights stand to defend their king's honor. Except for the ... See full summary »
A young woman has spent her life tormented by the death of her mother, who was on a ship torpedoed during World War II. When her father hires an investigator to look into the circumstances ... See full summary »
After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading toward Earth. If it hits, it will cause an incredible catastrophe which will probably extinguish mankind. To stop the meteor, NASA wants to use the illegal nuclear weapon satellite "Hercules," but soon discovers that it doesn't have enough firepower. Their only chance to save the world is to join forces with the USSR, which has also launched such an illegal satellite. But will both governments agree? Written by
The avalanche background photography required ten days of location work in the Bavarian Alps in Switzerland. This sequence utilized ten thousand pounds of artificial snow for its studio shoot. Some of the avalanche footage such as the skier in red was taken from the then recent film Avalanche (1978). See more »
Mission Control is able to communicate with Challenger 2 in real time, despite the fact that the Challenger 2 is outside the orbit of Mars, over a hundred million miles away. At that distance, transmissions would take several minutes to reach one another. See more »
I've read the negative reviews in here and am perplexed at the vitriol directed at this film. "Meteor" is, admittedly, a flawed movie, but still one with many strengths that deserve attention.
Firstly, it was made in 1979, so the effects are not going to be as stellar as they were in the 80's and 90's. And even then, some of those effects still hold up quite well to movies produced today. The modeling work, especially of the orbiting Hercules and Peter the Great nuclear missile platforms, is extremely impressive. The meteor itself is a big, ugly, and rather scary chunk of scarred rock, reminiscent of the Texas-sized shard in "Armageddon". Yes, some of the effects DO look cheesy (the avalanche being the most frequently cited example), but others are quite striking. At worst, "Meteor"'s effects are extremely uneven, but certainly not completely junkable.
Secondly, unlike "Deep Impact" and "Armageddon", the film focuses on the multitude of hurdles that have to be overcome in order to combat the threat. Personal, politicial, and scientific obstacles are given due screentime, which serves to advance the story rather than bogging it down.
Thirdly, "Meteor" is a far more globalized film, as it pulls together Russian, English, and even Chinese characters into the story. The attempt to track the rock and derive a viable solution to knock it out of its Earth-based trajectory is not solely an American one, but instead a closely coordinated international effort. Indeed, even the U.N. is (briefly) featured.
Fourthly, the film doesn't get mired in the 'human element' (as what happened in "Deep Impact" and "Pearl Harbor"). "Meteor" is non-tangential in that it STICKS TO THE STORY, which is the main interest of the viewer (at least, for me). Yes, there is the attraction between Connery and Wood's characters, but it's generally unobtrusive and the screentime limited.
Fifth, Laurence Rosenthal's score is great! Its boldness reminds me of Poledouris' legendary score for "Conan: The Barbarian". It effectively captures both the 'feel' of space and the direness and immediacy of the situations portrayed.
Finally, I emjoyed the acting. Connery, Keith, Malden, and Fonda turn in sincere performances (especially Malden). "Meteor" is an ensemble production in the tradition of Irwin Allen's best disaster productions.
Don't let the naysayers in here turn you off from this underrated gem. If "Deep Impact" and "Armageddon" left you wanting, give "Meteor" a try. Sure, it may not be as polished as those two productions, but it has more going for it than you might think.
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