A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
Set in 1954, a group of Florida high schoolers seek out to help a buddy lose his virginity, which leads them to seek revenge on a sleazy nightclub owner and his redneck sheriff brother for harassing them.
When Andy and Elizabeth buy a farm in Vermont, they can't imagine the trouble that awaits them. Andy has quit his job as a sports journalist and is planning to use the peace and quiet of ... See full summary »
George Roy Hill
Madolyn Smith Osborne,
Summer Camp highjinks centered around a camp counselor with a wacky sense of humor. He tries to help the campers have a good time. One camper named Rudy poses a particular challenge as he has a self-esteem problem Written by
Robert Svacha <email@example.com>
The counselors-in-training escape the basketball game with the Mohawks by bus. Shots from inside the bus show a car behind them just as they're leaving, but it should show the Mohawks chasing Morty on his bike. See more »
Mmmmm. Look at all those steaming wieners. Do you know what they're saying? They're saying, "This is the year that Fink beats 'The Stomach'."
[Fink picks up a hot dog and holds it to his ear]
No, it's a couple of them over here... but they're saying it.
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I just saw this for the first time in 10 or 15 years...maybe close to 20. In some ways, it was better than I remembered...in other, it was MUCH worse.
First of all, there's the music. It's just plain awful. There are only 5 songs in the movie, most of them used more than once. The opening song is shrieked by a chorus of annoying children, and the disco-y title track is performed by Rick Dees. It doesn't get any worse than that. Even the background music is terrible, with much of it repeating the themes of the other nauseating tunes. We also get some truly lame slapstick, mostly in the opening credits.
On the other hand, Bill Murray is spot on brilliant as usual...you have to wonder if he ad-libbed the whole thing, or if the writers just gave him all the funny lines. Or maybe he's just that great- turning a weak script into comic genius. The best part are his surreal PA announcements. ("Lobsters...get out of here...you're a menace!")
You also get a lot more character development than you have any right to expect in a movie like this. At least half the characters seem like real people...and mostly real people you would like to have around. Even "Spaz" gets to do a more than any other Eddie Deezen-type character ever did, and when he gets the girl, it's plausible. (She's not absurdly hot, but he doesn't automatically pair up with one of the nerd girls- see "Revenge Of The Nerds" for examples of both cinematic phenomenons.)
And when the plot seems clichéd...well, ya gotta wonder if it wasn't a cliché yet when they made this. While it wasn't the first summer camp movie- ya gotta go back at least to "The Parent Trap"- it's certainly the movie that made it it's own genre. In fact, I was surprised that there was no Talent Show scene..."Wet Hot American Summer" spoofed the summer-camp genre so perfectly, I just assumed everything in it came straight out of Meatballs. (I also half-expected Jon Cryer to pull up in a convertible with a chimp, thanks to "Mr. Show's" epic camp-olympiad spoof "Monk Academy")
Anyway, this one seems to be vanishing a little as far as the late-70's/early 80's comedies- it's not a cable staple anymore, and certainly doesn't have the cult following of Caddyshack or Animal House. I was pleased to catch it on Showtime today- and in High Definition at that! Sure, it's pretty awful in spots, but you could do a lot worse in a 70's/80's teen comedy. And again, Murray is a genius.
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