IMDb > Manhattan (1979)
Manhattan
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Manhattan (1979) More at IMDbPro »

Photos (See all 43 | slideshow) Videos (see all 2)
Manhattan -- Trailer for Woody Allen's "Manhattan"

Overview

User Rating:
8.0/10   92,107 votes »
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Director:
Writers:
Woody Allen (written by) and
Marshall Brickman (written by)
Contact:
View company contact information for Manhattan on IMDbPro.
Release Date:
25 April 1979 (USA) See more »
Genre:
Tagline:
Woody Allen's New Comedy Hit
Plot:
The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for 2 Oscars. Another 19 wins & 16 nominations See more »
User Reviews:
Allen's funniest since "Interiors" See more (232 total) »

Cast

  (in credits order) (verified as complete)

Woody Allen ... Isaac

Diane Keaton ... Mary

Michael Murphy ... Yale

Mariel Hemingway ... Tracy

Meryl Streep ... Jill

Anne Byrne Hoffman ... Emily (as Anne Byrne)

Karen Ludwig ... Connie
Michael O'Donoghue ... Dennis
Victor Truro ... Party Guest

Tisa Farrow ... Party Guest
Helen Hanft ... Party Guest
Bella Abzug ... Guest of Honor
Gary Weis ... Television Director
Kenny Vance ... Television Producer
Charles Levin ... Television Actor #1

Karen Allen ... Television Actor #2

David Rasche ... Television Actor #3
Damion Scheller ... Isaac's Son

Wallace Shawn ... Jeremiah

Mark Linn-Baker ... Shakespearean Actor (as Mary Linn Baker)

Frances Conroy ... Shakespearean Actress
Bill Anthony ... Porsche Owner #1
John Doumanian ... Porsche Owner #2
Raymond Serra ... Pizzeria Waiter (as Ray Serra)
rest of cast listed alphabetically:
Llewellyn Lafford ... Broadway Pedestrian (uncredited)

Directed by
Woody Allen 
 
Writing credits
Woody Allen (written by) and
Marshall Brickman (written by)

Produced by
Robert Greenhut .... executive producer
Charles H. Joffe .... producer
Jack Rollins .... producer
 
Cinematography by
Gordon Willis (director of photography)
 
Film Editing by
Susan E. Morse (film editor)
 
Casting by
Juliet Taylor 
 
Production Design by
Mel Bourne 
 
Set Decoration by
Robert Drumheller 
 
Costume Design by
Albert Wolsky 
 
Makeup Department
Fern Buchner .... makeup artist
Romaine Greene .... hair stylist
Craig Lyman .... additional makeup artist (uncredited)
 
Production Management
Martin Danzig .... production manager
Michael Peyser .... unit supervisor
 
Second Unit Director or Assistant Director
Frederic B. Blankfein .... assistant director (as Fredric B. Blankfein)
Lewis Gould .... dga trainee (as Lewis H. Gould)
Joan Van Horn .... second assistant director (as Joan Spiegel Feinstein)
 
Art Department
Joseph Badalucco Jr. .... carpenter (as Joseph Badaluco)
Leslie Bloom .... property master
Justin Scoppa Jr. .... set dresser
Cosmo Sorice .... scenic artist
James Sorice .... scenic artist
Morris Weinman .... set dresser
 
Sound Department
Jack Higgins .... re-recording mixer
Vito L. Ilardi .... boom man (as Vito Ilardi)
Lowell Mate .... assistant sound editor
James Sabat .... sound mixer
Dan Sable .... sound editor
Leslie Gaulin .... assistant sound editor (uncredited)
 
Stunts
Victoria Vanderkloot .... stunt performer (uncredited)
 
Camera and Electrical Department
Brian Hamill .... still photographer
Jim Hovey .... assistant cameraman (as James Hovey)
Fred Schuler .... camera operator
Dusty Wallace .... gaffer
Robert Ward .... key grip
Douglas C. Hart .... first assistant camera: "b" camera (uncredited)
Robert Paone .... second assistant camera (uncredited)
 
Casting Department
Howard Feuer .... casting associate
Jeremy Ritzer .... casting associate
 
Costume and Wardrobe Department
Clifford Capone .... costumer
C.J. Donnelly .... wardrobe supervisor
Ralph Lauren .... wardrobe: Mr. Allen
 
Editorial Department
Michael R. Miller .... assistant film editor
 
Music Department
Bud Graham .... music recording engineer
Andrew Kazdin .... audio producer: New York Philharmonic
Ray Moore .... music recording engineer
Tom Pierson .... music adaptor
Tom Pierson .... music arranger
Don Rose .... music arranger: Buffalo Philharmonic
 
Transportation Department
James Fanning .... transportation captain
 
Other crew
Kay Chapin .... script supervisor
Cheryl Hill .... production assistant
Scott MacDonough .... unit publicist
Kathleen McGill .... location auditor
Jennifer Ogden .... production office coordinator
Gail Sicilia .... assistant: Mr. Allen
Robert E. Warren .... production assistant
Charles Zalben .... production assistant
Dennis Kear .... stand-in: Woody Allen (uncredited)
 
Thanks
Paul Glanzman .... the producers gratefully acknowledge the cooperation of (as Lieutenant Paul Glanzman)
Ed Koch .... the producers gratefully acknowledge the cooperation of (as Mayor Ed Koch)
Nancy Littlefield .... the producers gratefully acknowledge the cooperation of
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
96 min
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:18 (original rating) | Argentina:13 (re-rating) | Australia:M | Brazil:12 | Canada:18A (Ontario) | Chile:18 | Finland:K-12 | France:U | Ireland:18 | Netherlands:AL | Netherlands:AL (orginal rating) | Norway:16 (original rating) | Peru:14 | Portugal:M/12 | Singapore:PG | South Korea:18 | Sweden:11 | UK:AA (original rating) | UK:12A (re-rating) (2006) | UK:15 (video rating) (1987) | USA:R | West Germany:12

Did You Know?

Trivia:
The film's famous black-and-white movie poster featuring an image of a couple sitting on a park bench next to the Queensboro Bridge has become iconic in film history.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): Mary (Diane Keaton) is supposed to be an intellectual, but when she says the name Diane Arbus, she mispronounces it, saying "Diane" the same way you would say Diane Keaton. Diane Arbus' first name is pronounced "Dee-Ann".See more »
Quotes:
[first lines]
[music: the opening of Gershwin's Rhapsody in Blue. Voiceover]
Isaac Davis:Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
Isaac Davis:Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street smart guys who seemed to know all the angles. Ah, corny, too corny for, you know, my taste. Let me, let me try and make it more profound.
[...]
See more »
Movie Connections:
Soundtrack:
But Not for MeSee more »

FAQ

Is "Manhattan" based on a book?
How much sex, violence, and profanity are in this movie?
Why is this always letterboxed?
See more »
16 out of 27 people found the following review useful.
Allen's funniest since "Interiors", 2 April 1999

"You probably think I'm too cerebral," Diane Keaton tells Woody Allen midway through this acclaimed film. Had that remark been made to me, I would have said, "No. Just pretentious." It's a verdict I would reach concerning all of Allen's overrated 1979 film, the first in which he starred since the Oscar winning "Annie Hall." Here, he continues the wearying pseudo-intellectual tone of that earlier film, but while "Annie Hall" compensated for its pretentions with an abundance of humor, much of it aimed at pseudo-intellectuals (Allen apparently does not recognize himself as a member of this group), the laughs in "Manhattan" (and there are plenty of them) are unintentional. As usual, Allen's characters speak in the vernacular of dime store psychologists and art critics, repeatedly referring to "hostility," as well as Freud and Bergman--Ingmar, of course, not Ingrid, although I doubt that any of these smug characters could say an intelligent word about "The Bells of St. Mary's," let alone "The Seventh Seal." "I'm beautiful, I'm bright, and I deserve better," Keaton says at one point, but her self-assessment would be more accurately applied to Meryl Streep who, as the wife who dumps Allen for another woman, IS beautiful, bright, and certainly deserving of something better than this mess concocted by a man whose character is described as someone who "longed to be an artist but balked at the necessary sacrifices." In "Manhattan," Allen balks like never before, dishing up superficially "deep" subject matter, but lacking the insight and, I suspect, the experience, to adequately probe it. Allen, the aloof and reclusive New Yorker, has made an arty, though not artistic, vanity production that demonstrates a poor grasp on any life outside his own snobby circle. And, like a circle, "Manhattan" doesn't end, it merely stops, dead in its tracks. It is, however, his second funniest film. (The funniest, by a long shot, is "Interiors.")

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Favourite line... history_beckons
Has this movie dated really badly ? frankonfilms
why did it shot in Black + white ? noom98
Why does Woody Allen hate this movie? marniejac8
Philadelphia? eosab-7
My worst one was right on the money... TheDude2904
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