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Manhattan (1979)

 -  Comedy | Drama | Romance  -  25 April 1979 (USA)
8.0
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Ratings: 8.0/10 from 87,401 users   Metascore: 82/100
Reviews: 224 user | 115 critic | 9 from Metacritic.com

The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

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Title: Manhattan (1979)

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Nominated for 2 Oscars. Another 19 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Emily (as Anne Byrne)
...
Michael O'Donoghue ...
Victor Truro ...
Party Guest
...
Party Guest
Helen Hanft ...
Party Guest
Bella Abzug ...
Guest of Honor
Gary Weis ...
Television Director
Kenny Vance ...
Television Producer
Charles Levin ...
Television Actor #1
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Storyline

Isaac, 42, has divorced Jill. She is now living with another woman, Connie, and is writing a book in which she will reveal some very private points of their relationship. Isaac has a love affair with Tracy, 17, when he meets Mary, the mistress of his best friend Yale. Yale is already married to Emily. Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

Woody Allen's New Comedy Hit

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 April 1979 (USA)  »

Also Known As:

Manhetenas  »

Box Office

Gross:

$45,700,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Woody Allen disliked his work in this film so much he offered to direct another film for United Artists for free if they kept Manhattan (1979) on the shelf for good. Allan later reportedly said: "I just thought to myself, 'At this point in my life, if this is the best I can do, they shouldn't give me money to make movies'." See more »

Goofs

Mark Linn-Baker appears to be credited as Mary Linn-Baker. See more »

Quotes

[first lines]
[music: the opening of Gershwin's Rhapsody in Blue. Voiceover]
Isaac Davis: Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
Isaac Davis: Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on...
[...]
See more »

Crazy Credits

There are no opening credits, save the production company bumper and the film's title, which appears as part of a flashing neon sign in New York City. See more »

Connections

References The Silence (1963) See more »

Soundtracks

Love Is Sweeping the Country
(1931)
Music by George Gershwin
Performed by New York Philharmonic (as The New York Philharmonic)
Music director: Zubin Mehta
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Magical film about the city and those looking for love
5 January 2005 | by (London, England) – See all my reviews

Woody Allen once said that, whereas Scorsese had generated a host of imitators, he had generated none. This may be true; films like Manhattan certainly come along far too infrequently.

That this is such a gorgeous film may strike those following the formulaic, Hollywood approach to cinema as strange and heretical. The story is unexciting (restless male in love triangle), most of the characters are unsympathetic, at least on the surface (particularly Isaac), Allen leaves lose ends lying around all over the place, and there's certainly no action (unless you count the car-chase-without-a-chase-scene involving Diane Keaton, Woody Allen and a VW Beetle).

So why should any self-respecting member of the MTV generation spend time on this film? Well, here are a few reasons.

The script is wit of the highest order. This is not gag-a-minute humour like Friends, but an altogether more acute art form stemming from character, some wonderful dialogue and a fair amount of darkness (I love the bit about Isaac trying to run over his ex-wife's lover). Allen is also prepared to turn his biting satire to personal issues, such as being Jewish. Just don't expect someone to look shrug their shoulders, slap their forehead and with mid-rising intonation say d'uh! It's not that kind of comedy.

Then there is the gorgeous cinematography. Woody loves Manhattan and you can certainly tell. If there is one criticism of the film, it is that it leaves a rather picture postcard impression of the city, but I suppose if it's love, then it's love. Much of the film appears to have been shot at either sunrise or sunset to soften the light, and there are spectacular views of the towers, bridges and waterways of America's finest metropolis.

Then, I suppose, there is the fact that Manhattan is probably the archetypal Woody Allen film. Other films may be better, like Annie Hall or Hannah and Her Sisters but, in Manhattan, all the elements of Allen's style are in perfect balance. There's the jazz, the neurotic, unsympathetic lead, the choice between stable and highly-strung women, the self-mocking humour (hilariously done in the opening voice-over), the railing against intellectual snobbery, the deep unease with popular culture.

And there are great performances. Allen is at his most difficult – and in some ways his least likable. As Isaac, he's trying to do the right thing, but is rarely selfless enough to follow through with it. Diane Keaton is great as Mary, the lynchpin between the two love triangles – vain, pretentious and yet you can see why Isaac falls for her. Well, all the actors are great, and very believable, but special mention must go to Meryl Streep, who manages to steal the show with her tiny cameo as Isaac's ex-wife, writing a book about their break-up and living with their son and her lover. She is magnificent.

Of course, the film will also do nothing to dispel the popular rumour that New Yorkers are neurotic, self-obsessed and self-indulgent – at least that narrow social circle Allen so often writes about. If you don't mind that, though (and I'm English, so what do I care) you're in for a treat. As with the city itself, the memories of this film will stay with you forever.


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why did it shot in Black + white ? noom98
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He shouldn't have accepted that harmonica. DinahtheCat
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