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Storyline
Isaac, 42, has divorced Jill. She is now living with another woman, Connie, and is writing a book in which she will reveal some very private points of their relationship. Isaac has a love affair with Tracy, 17, when he meets Mary, the mistress of his best friend Yale. Yale is already married to Emily. Written by
Yepok
Plot Summary
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Plot Synopsis
Taglines:
Woody Allen's New Comedy Hit
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Did You Know?
Goofs
Mary (Diane Keaton) is supposed to be an intellectual, but when she says the name Diane Arbus, she mispronounces it, saying "Diane" the same way you would say Diane Keaton. Diane Arbus' first name is pronounced "Dee-Ann".
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Quotes
[
first lines]
[
music: the opening of Gershwin's Rhapsody in Blue. Voiceover]
Isaac Davis:
Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
Isaac Davis:
Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on...
[...]
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Crazy Credits
There are no opening credits, save the production company bumper and the film's title, which appears as part of a flashing neon sign in New York City.
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Connections
Referenced in
I Am Woody (2003)
Movie poster seen.
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Soundtracks
"S'Wonderful"
(1927)
Music by
George Gershwin (uncredited)
Performed by
New York Philharmonic (as The New York Philharmonic)
Music director:
Zubin Mehta See more »
No-one can question Woody Allen's status as one of America's premier film directors, and anyone well-versed with his works should not hesitate before nominating 'Manhattan' as his finest film. This movie is a masterpiece; visually and intellectually, it shows Woody Allen at the absolute peak of his art. Shot in a stylistic black and white widescreen format, the cinematography of 'Manhattan' is breathtaking, and Allen's dialogue and command of situation are even better than usual, if that is possible. The heartfelt angst and bittersweet hopelessness of the characters are uncamouflaged even by the sleek cinematographic style of the movie. This movie is Woody Allen's valentine to the city he has such a symbiotic relationship with, and nowhere have I seen New York filmed as artistically as here. Mariel Hemmingway and Diane Keaton give inspired performances around Woody's perfectly played character resulting in what can only be considered a modern masterpiece.