Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary... Written by
Woody Allen's New Comedy Hit
Did You Know?
According to the "Every Woody Allen
Movie" website, "Isaac's full list of things that make life worth living [were]: Groucho Marx
, Willie Mays
, the 2nd movement of the Jupiter Symphony, Louis Armstrong
's Potato Head Blues, Swedish movies, Sentimental Education by Gustave Flaubert
, Marlon Brando
, Frank Sinatra, those incredible Apples and Pears by 'Paul Cezanne', the crabs at Sam Wo's, [and] Tracy's face". See more
When Isaac asks Tracy how old he will be when she is thirty-six, she says "sixty-three," and he agrees. Earlier Isaac says that she is seventeen and he is forty-two, which means he is 25 years older than her, and would therefore be sixty-one, not sixty-three. See more
[music: the opening of Gershwin's Rhapsody in Blue. Voiceover
Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on...
There are no opening credits, save the production company bumper and the film's title, which appears as part of a flashing neon sign in New York City. See more
References La Grande Illusion
Rhapsody in Blue
Music by George Gershwin
Performed by New York Philharmonic
(as The New York Philharmonic)
Conducted by Zubin Mehta
Piano soloist: Paul Jacobs
Music director: Zubin Mehta See more