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Manhattan (1979)

The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

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Nominated for 2 Oscars. Another 15 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Emily (as Anne Byrne)
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Victor Truro ...
Party Guest
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Party Guest
Helen Hanft ...
Party Guest
Bella Abzug ...
Guest of Honor
Gary Weis ...
Television Director
Kenny Vance ...
Television Producer
Charles Levin ...
Television Actor #1
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Storyline

Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

book | writing | woman | writer | dating | See All (103) »

Taglines:

Woody Allen's New Comedy Hit

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 April 1979 (USA)  »

Also Known As:

Manhetenas  »

Box Office

Gross:

$45,700,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

On the DVD, this film features the later United Artists logo in B&W but in Woody Allen's next film Stardust Memories (1980), also in B&W, the UA logo at the start of the movie is in color. See more »

Goofs

During the fireworks in the opening sequence the screen goes black several times - but not completely: Two bright circles - glasses - can be seen as a reflection (probably because the sequence was filmed from behind a window) and there is also a very slight after-image of the person wearing the glasses who might even be the director. See more »

Quotes

[first lines]
[music: the opening of Gershwin's Rhapsody in Blue. Voiceover]
Isaac Davis: Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
Isaac Davis: Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on...
[...]
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Crazy Credits

There are no opening credits, save the production company bumper and the film's title, which appears as part of a flashing neon sign in New York City. See more »

Connections

Referenced in Asignatura aprobada (1987) See more »

Soundtracks

Rhapsody in Blue
(1924)
Music by George Gershwin
Performed by New York Philharmonic (as The New York Philharmonic)
Conducted by Zubin Mehta
Piano soloist: Paul Jacobs
Music director: Zubin Mehta
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Rhapsody in NYC
25 January 2003 | by (hiding under my seat) – See all my reviews

Manhattan is an exhilarating American romance set against the backdrop of New York of the late 70's: my favorite New York, the New York of painters, poets, punks, and Pauline Kael. Three great, very American talents -- Woody Allen, Gordon Willis, and George Gershwin -- intertwine their respective gifts to create a comedy that manages to satisfy both the brain and the heart, and even, perhaps, the lower regions.

Allen is so brainy and such a nebbish that he can get away with gestures that would be painfully sentimental in the hands of any other director: when he begins the movie with fireworks cut to Gershwin, it isn't to soften you up for a soap opera, but to remind you that however much his neuroses may seem to drive the scenes, its the love of New York that drives the movie.

The entire cast is note perfect: Meryl Streep as his caustic bisexual ex-wife, Diane Keaton as a nervous journalist from Philadelphia, and especially Mariel Hemingway, whose performance as Allen's 17-year old girlfriend is charming, heartbreaking, and wise.

Allen's comedy here is at its absolute finest. The fact that it is interwoven with a genuinely moving love story told with a subtlety and indirection that is unheard of in today's mainstream cinema only makes the laughs that much richer.

Gordon Willis' cinematography is good enough for the Museum of Modern Art. Scene after scene leaves a grin on your face as his moving (in both senses) black and white photography floats across the screen.

And finally underlying everything is the music of George Gershwin, whose exubertant melodies propel the movie forward at every turn.

This is Woody Allen's best movie, a great movie, and an American movie in the best sense. As an homage to the city of New York it will surely remain unsurpassed.


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