Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; ... See full summary »
Sergio Benvenuti finds job as musical agent in an important Italian publisher. This could be his final step before to marry Rossella. But his career does not rise, so he asks Nadia Vandelli... See full summary »
Christian De Sica
Antonio is married to a very wealthy woman but the sole heir of the family fortune is his daughter. He induce his dying wife to swear in the daughter of remaining "chaste and pure" ( so that she cannot marry ) until his own death.
Christian De Sica
Venice, sixteenth century. Giulio, a foreign gentleman spends a memorable night in the city where he meets and beds two beautiful women. They are Angela, a widowed lady, and Valeria, whose ... See full summary »
In the 1860s, Giorgio (Giraudeau), a young Italian soldier, is sent to a remote post, far away from his lover, Clara (Antonelli). He is lodged in the house of the colonel (Girotti). He ... See full summary »
Since starting writing about this film, I found out that Laura Antonelli died last year, in 2015. I was immediately filled with thrills, she died so discreet. It was one of the actresses I've been in love as a teenager (before her as a child, I was in love with Virna Lisi, dead too just 6 months before). What a beautiful woman Antonelli, such grace, those eyes, that body, that voice. Those who believe that she was just a sex symbol, they are wrong, she was first an exceptional actress. Especially in Visconti's film, L'Innocent (1976) and The Divine Nymph (1975), directed by Giuseppe Patroni Griffi. This Hypochondriac (1979) (Il malato immaginario original title), confirms again, Laura makes an excellent role. Along with probably the greatest entertainer of all time, the great, the unique Alberto Sordi. They are joined by several more great names of cinema: Bernard Blier, Marina Vlady, Vittorio Caprioli, Giuliana de Sio. Beautiful music by Piero Piccioni and great cinematography by Armando Nannuzzi.
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