A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A vision of an apocalyptic future set in the wastelands of Australia. Total social decay is just around the corner in this spectacular cheap budget gang orientated road movie, where the cops do their best to lay down the law and the outlaw gangs try their hardest to defy the system. Leather clad Max Rockatansky husband, father and cop turns judge, juror and executioner after his best friend, wife and baby are killed. Here we see the final days of normality of a man who had everything to live for, and his slip into the abyss of madness. Mad Max is the antihero on the road to vengeance and oblivion. Written by
Max's yellow Interceptor was a 1974 Ford Falcon XB sedan (previously, a Melbourne police car) with a 351ci Cleveland V8 engine and many other modifications. The Big Bopper, driven by Roop and Charlie, was also a 1974 Ford Falcon XB sedan, but was powered by a 302ci Cleveland V8. The March Hare, driven by Sarse and Scuttle, was an in-line-six-powered 1972 Ford Falcon XA sedan (this car was formerly a Melbourne taxi cab). The most memorable car, Max's black Pursuit Special - frequently designated a (V8) Interceptor based on a mechanic's quote in Mad Max 2 - was a limited GT351 version of a 1973 Ford XB Falcon Hardtop (sold in Australia from December 1973 to August 1976) which was primarily modified by Murray Smith, Peter Arcadipane and Ray Beckerley. After filming was over, this Interceptor was bought and restored by Bob Forsenko, and is currently on display in the Cars of the Stars Motor Museum in Cumbria, England. The Nightrider's vehicle, another Pursuit Special, was a 1972 Holden HQ LS Monaro coupe. The car driven by the civilian couple that is destroyed by the bikers is a 1959 Chevrolet Impala sedan. Of the motorcycles that appear in the film, 14 were donated by Kawasaki and were driven by a local Victorian motorcycle gang, the Vigilantes, who appeared as members of Toecutter's gang. By the end of filming, fourteen vehicles had been destroyed in the chase and crash scenes, including the director's personal Mazda Bongo (the small, blue van that spins uncontrollably after being struck by the Big Bopper in the film's opening chase). See more »
When Max takes the black interceptor to hunt down the Toecutter and his gang, he first comes up behind them on a road with a dashed white lines in the center and the road is lined with trees on both sides. This continues for as far as the viewer's eyes can see. When he spins up the supercharger in the next scene to run down the bikers, the road has changed to one with no lines in the middle, is narrower, and has open fields on each side. See more »
It was like slow motion. He leaves his seat and goes through the windshield, headfirst straight into the tree, right? And then bounces back through the windshield. And by the time we got to him, he was just sitting there, trying to scream with his face ripped off.
What's the matter?
Not hungry anymore.
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Set in a near future, Max, a high-way patrol officer, tries to stop a violent motorcycle gang.
This is a simple plot, but it is so well done and well filmed that this movie is a real classic action film.
I like Mad Max (1979) better than Mad Max 2 (1981). Most people seem to think that the second one is even better, but I can't agree on this because of several things:
First of all, this first Max movie has got a very important question, and that is that the violence of today are going to be worse tomorrow. The film dares to view violence even more than most movies do today, and I think this is a good thing, that helps to make this film trustworthy.
The acting is better in Mad Max than in the sequels, and the feeling of a near, almost broken down society with a small police force is more interesting than the post-nuclear situation that the second and third film tries to show us.
The car crashes and the pursuit in the openings of Mad Max are truly incredible. Never before had such nice work been put on celluloid.
Overall Mad Max is a true classic! Before this movie, science-fiction/action films weren't as good.
If You haven't seen it, try to get hold of the non-dubbed version.
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