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Lost and Found (1979)

PG  |   |  Comedy  |  13 September 1979 (Netherlands)
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A college professor (George Segal) and an English divorcee (Glenda Jackson) meet and marry while on a vacation in France. When the bride returns home she finds life less than rosey as the ... See full summary »


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Cast overview, first billed only:
Hollis McLaren ...
Eden (as Hollis Mclaren)
Ken Pogue ...
Janie Sell ...
Diana Barrington ...
Leslie Carlson ...
James Morris ...
Bruno Engler ...
David Bolt ...
Richard Adams ...


A college professor (George Segal) and an English divorcee (Glenda Jackson) meet and marry while on a vacation in France. When the bride returns home she finds life less than rosey as the jungle of academia unfolds and the mirth of marriage fades. Written by Anonymous

Plot Summary | Add Synopsis


After "A Touch of Class"... ...they've fallen in love again... See more »




PG | See all certifications »




Release Date:

13 September 1979 (Netherlands)  »

Also Known As:

Aitia diazygiou... o gamos!  »

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Did You Know?


Publicity for this picture reported that Melvin Frank had plans for a third Glenda Jackson and George Segal vehicle but a third movie with them never eventuated. See more »

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User Reviews

Lousy attempt to recapture the magic of "A Touch Of Class".
27 April 2002 | by (Canberra, Australia) – See all my reviews

Glenda Jackson and George Segal made a great couple in the Oscar-winning classic "A Touch Of Class" (1973). Her very English nature, and his American-ness, both clashed with and complemented each other beautifully.

In "Lost and Found" the same qualities just make their constant nasty conflicts annoying. They both have their moments - Glenda's drunken tirade at the Chinese restaurant is particularly superb - but the film drags on and on with a series of pointless screaming matches and tantrums. And when Paul Sorvino's talkative taxi driver arrives on the scene the film becomes barely watchable, and loses all sense of realism.

Extremely dull direction, poor scripting, awful music, and bad cinematography don't help. And why did they film all of Glenda's close-ups in soft focus!!! It looks ridiculous. Why couldn't they just trust her admittedly unusual, but still very sexy, face??

It's all a waste of two top actors at the peak of their careers.

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