A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
The story of Brian of Nazareth, born on the same day as Jesus of Nazareth, who takes a different path in life that leads to the same conclusion. Brian joins a political resistance movement aiming to get the Romans out of Judea. Brian scores a victory of sorts when he manages to paint political slogans on an entire wall in the city of Jerusalem. The movement is not very effective but somehow Brian becomes a prophet and gathers his own following. His fate is sealed however and he lives a very short life. Written by
Not necessarily laugh-out-loud every minute, but it's satirical edge and wit is as clever as the technical side of the film
Monty Python's follow-up to their cult smash Holy Grail was Life of Brian, a film that takes on (if not always with the utmost seriousness, then usually with a mix of silliness and slight intellectualism) the believers in religions, the zealous nature that belief brings out in people. I first saw the film in the theater upon its re-release last month, and I found it very funny, though not with the kind of belly laughs that I had on my first reaction to Holy Grail. It's not without it's scenes that stick out as some of Python's finest (the Stoning, Pilate's scenes, the Spaceship sequence), even as sometimes it goes a little too broad for comfort (part of the colisseum).
Yet, the great strengths that lie in Life of Brian are that 1) the writers and performers (Chapman, Cleese, Gilliam, Jones, Idle, Palin) bring their irreverent strengths to a fine point with the script and multiple roles. Even when a scene doesn't get the laughs it could've or should've, it turns out to be a scene brimming with a cleverness that could only exist in the "Python-esque" universe. 2) the director (Jones) and designer/animator (Gilliam) lay the groundwork for this realistic atmosphere of 33 A.D. and bring out what is the best in the acting, Pythons or otherwise (famous British comedian Spike Milligan has a role of note). Held over from the sets of Franco Zeferelli's Christ film, the Pythons use all these locations and settings and little details to spring out their wild, brilliant gags. The look of the film enriches the comedic elements, and the result is (arguably, of course) the troupe's best film. Not for all tastes by the way (Monty Python in general for me took some while to warm up to, but paid off once it worked). Grade: A
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