A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Irreverent satire of Biblical films and religious intolerance focuses on Brian, a Jew in Roman-occupied Judea. After joining up with an anti-Roman political organization, Brian is mistaken for a prophet, and becomes a reluctant Messiah. Written by
Scott Renshaw <firstname.lastname@example.org>
Though the movie has been directed by Terry Jones only, to avoid the frictions and conflicts there were in Monty Python and the Holy Grail (1975), Terry Gilliam directed at least two scenes: the very first one, with the arrival of the Wise Men and the Nativity, and the abduction of Brian by the aliens, as explained in the commentary. See more »
In the manger scene at the start of the film, John Cleese's Wise Man's make-up has clearly not been applied to his neck, and there are obvious lines on his face where the make-up has run from sweat. See more »
When a film is still funny 25 years after it's made, and doesn't feel particularly aged, even a quarter of a century later, then you know that you've struck gold. The famous Monty Python crew once again take a well-known subject and make a lot of fun of it. This time, the subject is religion, or, more specifically, Christianity. Everyone who knows at least a little about Christianity, which is pretty much anyone from the western world, will probably be able to laugh at something in this movie. Unless, of course, you are very Christian yourself, in that case you will probably feel that the film is blasphemous(I don't personally think so, since it makes fun of the followers and the general stupidity of people and organizations back in 30-something A.D., rather than Jesus and his teachings). The plot is about as incoherent as the usual Monty Python team film, though it should be noted that, like Monty Python and the Holy Grail, it is an actual film, and not a series of sketches, like, for example, the Meaning of Life. It's about as paced as they usually are, most of the scenes contain a lot of jokes, and then they move on to the next scene, after about five minutes of jokes and sight gags. This is, unfortunately, the problem with their films; if you don't like the jokes, the film might seem extremely slow to you; of course, one could argue that Monty Python mainly make movies for the jokes sake, but they could do better on the pacing, for the sake of viewers who don't like all those repeated jokes. That's not to say that I don't like them, I laugh at them most of the time, heck, I laughed so hard that I almost got stomach ache from it at one particular instant. But, I guess that a lot of people won't like them for this way of making movies. Oh well. You can't please everyone. The humor is great, it's standard Python wacky, crazy humor, so every Python fan should enjoy it. People who don't like Monty Python should give this a chance too, if they have at least a little humor, and they aren't Christian extremists. Christian "believers" can probably laugh at it too, like I said, it's not the religion itself, it's more the brainwashed followers that the film makes fun of. All in all, a great film for fans of the Python crew, and people who have a sense of humor about religion(a dark sense of humor, that is). I recommend it to fans of Monty Python, people who enjoy dark humor and people who can laugh a little at the less intelligent parts of Christianity. I fall into all three categories, and I loved it. 8/10
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