A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Irreverent satire of Biblical films and religious intolerance focuses on Brian, a Jew in Roman-occupied Judea. After joining up with an anti-Roman political organization, Brian is mistaken for a prophet, and becomes a reluctant Messiah. Written by
Scott Renshaw <firstname.lastname@example.org>
During the Venice Film Festival, the UAAR (Italian Union of Rationalist Atheists and Agnostics) assigns the Premio Brian (Brian Award) to the most rationalist/atheist movie presented to the Festival. The name of the award is dedicated to this movie. See more »
The crosses being carried by the prisoners are considerably smaller than the ones they end up being crucified upon. See more »
This film is by far the best of the Python outings. It ranks as one of my favorite films of all time, which unlike 'The Holy Grail', hasn't dated with time but improves with repeated viewing.
The Pythons supposed take on Christianity, which caused outrage when it was first released (mostly by people who hadn't seen it), is actually a take on cults, both religious and political, and the people who follow them.
Brian, our hapless hero, is confused, horny, and constantly mistaken for the Messiah; who just happened to be born in the manger next to him. Brian just wants to be left alone, and to pursue his love for Judith, a member of the People's Front of Judea. Judith just wants the Romans to go home; but only after they've left the sanitation, the medicine, education, irrigation, roads, public order, etc., etc. ... oh and don't forget the wine!
Will Brian's love for Judith go unrequited? Will only the cheese makers be blessed, or does this refer to all manufacturers of dairy products? And just what have the Romans ever done for us?
It's subtle; it's anarchic; and it's possibly still banned in Norway. This is classic seamless comedy at its best. 10/10.
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