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The Legacy (1978)
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Overview
User Rating:
Release Date:
14 September 1979 (USA) moreTagline:
It is a birthright of living death... morePlot:
A millionaire and a million-dollar prostitute, a star-maker and a nation-killer, a woman whose lusts are as cold as graveyard snow... more | add synopsisUser Comments:
Glum horror hodgepodge... moreCast
(Complete credited cast) | Katharine Ross | ... | Margaret Walsh |
 | Sam Elliott | ... | Pete Danner |
 | Roger Daltrey | ... | Clive Jackson |
 | John Standing | ... | Jason Mountolive |
| Ian Hogg | ... | Harry |
| Margaret Tyzack | ... | Nurse Adams |
| Charles Gray | ... | Karl Liebnecht |
| Lee Montague | ... | Jacques Grandier |
| Hildegarde Neil | ... | Barbara Kirstenburg (as Hildegard Neil) |
| Marianne Broome | ... | Maria Gabrieli |
| William Abney | ... | Butler |
| Patsy Smart | ... | Cook |
| Mathias Kilroy | ... | Stable Lad |
| Reg Harding | ... | Gardener |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
102 minLanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreSound Mix:
DolbyCertification:
UK:18 (video rating) | UK:X (original rating) | Iceland:16 | Finland:K-16 (cut) (1980) | Australia:R | Norway:16 | USA:RFun Stuff
Goofs:
Continuity: In an establishing shot, one of the rear tires of Mountolive's limo clips one of the spherical concrete bollards, which starts rapidly rolling along the drive revealing that it is fake. moreQuotes:
Margaret Walsh: [as they approach Ravenhurst, the Mountolive family's dazzling residence] ... So what do you suppose this Mr. Mountolive does for a living?Pete Danner: [with a shrug] Whatever it is, he's doing it right.
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Soundtrack:
ANOTHER SIDE OF ME moreFAQ
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Sam Elliott and Katharine Ross play an American couple traveling through England where they are taken in by a mysterious millionaire who apparently heads up a devil's coven. The evil lurking at the mansion won't allow anyone to leave--and so we're all held prisoner together, watching the guests meet their 'imaginative' grisly fates. Fashionable nastiness, "Ten Little Indians" style, with director Richard Marquand showing no sympathy for his victims--nor giving viewers any genuine thrills to enjoy along the way. Marquand gets ridiculously showy with his camera tricks--even staging one shot through the nozzle in Elliott's shower stall! Lethargy settles in early, the talented leads are wasted, and the shocks are awfully slow in coming. *1/2 from ****