Sculptor Paul meets a former great love again after a long time -- but is much more impressed by her 15 years old daughter Laura, who looks now like her mother when Paul was in love with ... See full summary »
August, 1963; Alice, 14, an only child, and physically well developed, is home for vacation. She's moody, silent, keeps a diary, and explores tactile sensations with broken eggs, candle wax... See full summary »
Federico is a child-killer running from the law. Wounded, he is taken in by a 12 year old girl named Simona. Their strange love affair is interrupted by Simona's depressed, oversexed mother... See full summary »
Libidinous 15 year old English schoolgirl Lucy finds her single mother dead. They never had a good relationship, but this still unbalances her. She moves in with the family of her mother's old friend. She hates him and seduces his wife.
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, ... See full summary »
Sculptor Paul meets a former great love again after a long time -- but is much more impressed by her 15 years old daughter Laura, who looks now like her mother when Paul was in love with her. Laura likes him very much too, but her jealous mother prevents any further contact. She allows him to make a sculpture of Laura, but only from photos. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
In 1979, director and photographer David Hamilton published a photographic portfolio book, "Shadows of a Summer", to tie-in with the film. The film has often been subtitled with this title it being, "Laura, Shadows of a Summer", as is the case with the film's French title, "Laura, les ombres de l'été". See more »
David Hamilton established his name as a fashion photographer through the still, dreamy soft focus images of young girls, usually portrayed in muted colours, for which he has become famous. At some point he appears to have decided that this experience was all he needed to produce great movies, and he started to direct films that characteristically show all the same features as his fashion images. Unfortunately these were not generally well received and some critics have suggested that he has only a rudimentary appreciation of how to blend successive still images into an ongoing movie sequence. Personally I greatly enjoy his still fashion photography and this enjoyment is sufficient for me to also appreciate his films - overlooking any faults in their dynamics. His best known film is probably "Bilitis", a study of a young girl coming of age, but my preference is for "Laura", a film about a young girl modeling for a sculptor who is blinded in a fire. We can, I hope, ignore comments on the IMDb database which suggest that there is something sinister in Hamilton's preference for models and actresses who appear very young. In his films his objective is to create a story which has a strong emotional appeal but which is also visually beautiful to watch. My judgment is that Laura achieves this objective superbly. One sequence which haunts my memory as much as any other film sequence I have ever seen; comes towards the end of this film. It shows the sculptor, nearly blinded by the fire, returning to his almost finished sculpture whilst he explores the torso of his model with an extended finger trying to recreate in his mind the beauty that he can no longer see.
My recommendation would be to watch this film, which is not readily obtainable today, as soon as any opportunity arises.
POSTSCRIPT - added January 2005
This film has - to my surprise - now been released as a DVD. If these various very different assessments intrigue you in any way, why not buy a copy and add your comments to those already here?
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