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Last Embrace (1979)

 -  Thriller  -  4 May 1979 (USA)
6.2
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Ratings: 6.2/10 from 1,357 users  
Reviews: 37 user | 13 critic

Harry breaks down and loses his job after his wife is assassinated - could it be his turn next ?

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(novel), (screenplay)
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Cast

Cast overview, first billed only:
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Sam Levene ...
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Jacqueline Brookes ...
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Andrew Duncan ...
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Adrian
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Tour Guide (as Gary Getzman)
Lou Gilbert ...
Rabbi Jacobs
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First Commuter
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Second Commuter
Sandy McLeod ...
Dorothy Hannan
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Storyline

When his wife is killed in a restaurant shoot-out, intelligence man Harry Hannan (Roy Scheider) has a breakdown and finds that his department doesn't want him back. Someone's trying to kill him and it could be them, though a cryptic Jewish death-threat suggests there's something else going on. His only ally seems to be mousy Ellie Fabian (Janet Margolin) who has managed to move into his New York apartment. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

It was his toughest case - and it could kill him! [Australia Video] See more »

Genres:

Thriller

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

4 May 1979 (USA)  »

Also Known As:

Det sjette offer  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The movie's director Jonathan Demme described the film as "a dark romance". See more »

Goofs

Sam translates the Hebrew name "Zvi Migdal" as "big tower". While "migdal" does mean "tower", the word "zvi" means "deer". And it would more properly be called Migdal Zvi, not Zvi Migdal. See more »

Quotes

Ellie Fabian: I'm afraid of what'll happen if I stay.
See more »

Connections

References Psycho (1960) See more »

Soundtracks

THE FORTIES
Music by Miklós Rózsa (as Miklos Rozsa)
Arranged by Joe Reisman
See more »

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User Reviews

Good Effort, but Still Just a Poor Man's Hitchcock
30 November 2003 | by (Chicago, Illinois) – See all my reviews

6 out of 10

A mysterious man, who works for a mysterious organization, is being chased by some mysterious killers, for some unknown and mysterious reason. Has all the trappings of a bubblegum thriller and when you scrape away all the flashiness that is really all you get.

Not that it isn't entertaining. The camera movements and angles are downright dazzling. I especially liked those frantic zoom shots that look like it's shot from a camera put on a roller coaster car. There is also some interesting use of lighting and framing. Not to mention some terrific on location shooting especially the Niagara Falls finale. The story is very fast paced with a new twist coming with literally every scene. There is also a wide assortment of other gimmicks used that on a non-think level can be fun, especially during the first hour. The haunting music score is good too although it gets played a bit too much.

The problem really comes with the fact that all these twists and turns really add up to a lot of nothing. Too much is left unexplained and the final revelation seems far-fetched. There is a wide segment of other loopholes and there is just the plain old fact that you have probably seen a lot of this before. It also becomes very cliched and even kind of annoying at the end. The film expects you to become close to characters that on the whole are very poorly fleshed out.

The movie does offer a great opportunity to see Janet Margolin who is a very uniquely and naturally beautiful woman. Even when she is made to look frumpy she is beautiful. She has a face that looks like it never got past 21. She closely resembles 80's porn stars Kelly Nichols or Jennifer Noxt.

Scheider does not fare as well. He looks alright, but his presence is very transparent. He just doesn't seem to have a strong enough personality or acting ability to really create a memorable or forceful impression. Also that white suit he wears all the time has really got to go.

Overall despite it's best efforts it is still just a poor man's Hitchcock. The real thing is still better.


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