After his students are killed by the One Armed Boxer, a vengeful and blind Kung Fu expert travels to a village where a martial arts contest is being held and vows to behead every one armed man he comes across.
When Joe Valachi (Charles Bronson) has a price put on his head by Don Vito Genovese (Lino Ventura), he must take desperate steps to protect himself while in prison. An unsuccessful attempt ... See full summary »
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
Set in the ancient past when humans and dinosaurs lived together, a small tribe is struggling to survive by giving a sacrifice of a blond woman to their god, the sun, in return for ... See full summary »
Two young boys accidentally release a horde of nasty, pint-sized demons from a hole in a suburban backyard. What follows is a classic battle between good and evil as the two kids struggle ... See full summary »
Jonathan Demme directs this joyous relentlessly kitschy celebration of 50's America: opportunity, rock'n'roll, and the road. He follows three generations of women and the men they pick up, ... See full summary »
This film was the first theatrical film scored by James Horner (but not the first Horner-scored film released). See more »
Polly cuts a car off leaving the Kid at the gas station and that car turns sideways. Later, when the kid is running to towards this car and while under fire from the cops, he takes cover at the base of the gas pumps. A stray shot ignites the pumps and the explosion camera angle faces the front of the gas station and the car is gone. See more »
In the heart of little old New York, You'll find a thoroughfare. It's the part of little old New York That runs into Times Square. A crazy quilt that "Wall Street Jack" built, If you've got a little time to spare, I want to take you there. Come and meet those dancing feet, On the avenue I'm taking you to, Forty-Second Street.
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Clearly a product of the Corman School, Sayles's first major screenplay shows that he already knew how to tell a great story from an interesting angle, something he has never forgotten how to do.
Director Teague keeps the pace rattling along, and hammers the message home fast (he was an occasional assistant to Sam Fuller, of course).
The plot's quite straightforward, and all the better so - this packs something of the punch of the 30's classic gangster films, but with distinctly 70's sensibilities to violence.
Where the film becomes more interesting than your average low-budget 'gangster-exploiter', however, is in the telling of the story through her eyes, rather than his (a distinctly 70's approach). Yet it's wonderfully ambiguous, on reflection, as to whether the film champions her willingness to break away and start acting for herself (she's a great strong character), or whether she just goes from one woman in peril situation to the other (which is the plot, basically).
I've probably over-analyzed it already, but if you've got a spare hour and a half on your hands, give it a chance. A classic of its kind.
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