Kramer vs. Kramer (1979) Poster


Dustin Hoffman planned the moment when he throws his wine glass against the wall during the restaurant scene with Meryl Streep. The only person he warned in advance was the cameraman, to make sure that it got in the shot. Streep's shocked reaction is real, but she stayed in character long enough for the director to yell cut. In the documentary on the DVD, she recalls yelling at Hoffman as soon as the shot was over for scaring her so badly.
The famous ice-cream scene, where Billy challenges his father by skipping dinner and going straight for dessert, was completely improvised by both Dustin Hoffman and Justin Henry. Director Robert Benton liked the scene so much that he decided to keep it in the film.
Dustin Hoffman worked extensively with Justin Henry on each scene, discussing them at length to put him at ease.
When Justin Henry was Oscar nominated for the Best Supporting Actor Academy Award, Henry at age 8 became the youngest ever person to be nominated for this award as well as the youngest ever Oscar nominee in any category, a record which still stands today [August 2012].
The strength of the performances of the two lead actors can be at least partly attributed to what was going on in their private lives at the time. Dustin Hoffman was in the midst of a messy divorce, while Meryl Streep was still recovering from the death of her lover, John Cazale.
Dustin Hoffman, who was going through a marital separation and who divorced his first wife soon after filming ended, contributed many personal moments and dialogue. Director Robert Benton, offered shared screenplay credit, but Hoffman turned it down.
Meryl Streep was originally cast in the role of Ted's one-night-stand, eventually played by JoBeth Williams. When Kate Jackson was contractually unable to accept the role of Joanna, it was offered to Streep.
Meryl Streep left her just-claimed Oscar for the film on the back of a toilet during the 1979 festivities.
Meryl Streep wrote her own courtroom speech upon writer-director Robert Benton's suggestion, after she told him she wasn't satisfied with the way it was originally written.
The first cut ran 43 minutes longer than the eventual film.
The scene between Dustin Hoffman and Meryl Streep in the restaurant was filmed at JG Melon's, on 74th and 3rd in Manhattan. A framed still from the film hangs on the wall next to the table where the scene was shot.
JoBeth Williams's funny nude scene was optically darkened for the film's theatrical run, to avoid an R rating. The un-darkened version frequently appears in some television prints.
The woman that Hoffman suddenly kisses at the party is Ingeborg Sørensen, a former Miss Norway and Playboy Playmate.
[June 2008] Ranked #3 on the American Film Institute's list of the 10 greatest films in the genre "Courtroom Drama".
At the Governor's Ball held after the 1980 Academy Awards Ceremony, actress Meryl Streep left the Best Supporting Actress Oscar she had won for this film in the ladies' room.
The highest-grossing movie of 1979.
Dustin Hoffman offered the part of Ted's one-night-stand to Joan Lunden, who was a news reporter at the time, after seeing her on WABC Eyewitness News. Lunden turned the part down when she learned that the role required some nudity.
Al Pacino turned down the role of Ted Kramer.
Meryl Streep shot her scenes for Manhattan (1979) during breaks in filming.
First of two back-to-back consecutive movies to win the Academy Award for Best Picture that was a contemporary film drama about interpersonal relationships and family bonds. The next year's winner was Ordinary People (1980).
Billy's crying is real. The director asked Justin Henry to think of a saddening memory before the take. Reportedly, at the Golden Globe Awards in 1980, when Ricky Schroder won the Best New Male Star of the Year award, according to the book 'The Academy Awards: The Complete Unofficial History', Henry "threw a raging tantrum".
Joanna states in court that her salary is $31,000 in 1979; this is the equivalent of ~$96,500 in 2012.
The set for the apartment was designed to fit exactly within the size of the apartments in the building used for exteriors.
Jane Fonda turned down the part of Joanna Kramer.
Jon Voight turned down the role of Ted Kramer.
Robert Benton advised cinematographer Néstor Almendros to base the look and color of the film on the paintings of Piero della Francesca. Almendros also used the work of David Hockney as an inspiration, and designed a realistic look, using source lighting in rooms with ceilings and available light in exteriors.
The music played during the opening credits is Antonio Vivaldi's Mandolin Concerto.
Kate Jackson was the original choice for Joanna Kramer. She had to decline due to her commitment to Charlie's Angels (1976), although an alternative reason has also been reported. According to the book "The Academy Awards: The Complete Unofficial History", Sherry Lansing of the Columbia Pictures studio "insisted on her [Streep] over Kate Jackson".
Susan Sarandon was up for the role of Joanna Kramer.
James Caan was offered the role of Ted Kramer, but turned it down.
This film was one of a number of movies in a 1980s Hollywood cycle of pictures about divorce. Initiated by the Best Picture Oscar winning film Kramer vs. Kramer (1979), the cycle included that movie as well as Shoot the Moon (1982), The Champ (1979), Author! Author! (1982), Table for Five (1983), Heartburn (1986), Irreconcilable Differences (1984), Enemies: A Love Story (1989), The Good Mother (1988), The War of the Roses (1989) and The Last Married Couple in America (1980).
Goldie Hawn turned down the role of Joanna Kramer.
One of three 1979 movies starring actress Meryl Streep first released in that year. The pictures are Manhattan (1979), Kramer vs. Kramer (1979) and The Seduction of Joe Tynan (1979).
The book Ted is shown reading to Billy after the scene where he spots Joanna watching them is an English translation of "Le Trésor de Rackham le Rouge" ("Red Rackham's Treasure") from "Les Adventures de Tintin" ("The Adventures of Tintin") comic series by Hergé.

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