The Kids Are Alright (1979)

From the early black and white days to their colourful hedonistic era, you will Rock! See them at their most creative, and destructive, and experience The Who: Here!

Director:

Jeff Stein

Writer:

Jeff Stein

Stars:

Roger Daltrey, John Entwistle, Keith Moon

Cast

Cast overview, first billed only:
Roger Daltrey	...	Himself (The Who)
John Entwistle	...	Himself (The Who)
Keith Moon	...	Himself (The Who)
Pete Townshend	...	Himself (The Who)
Tom Smothers	...	Himself (as Tommy Smothers)
Jimmy O'Neill	...	Himself
Russell Harty	...	Himself
Melvyn Bragg	...	Himself (as Melvin Bragg)
Ringo Starr	...	Himself
Mary Ann Zabresky	...	Herself
Michael Leckebusch	...	Himself
Barry Fantoni	...	Himself
Jeremy Paxman	...	Himself
Bob Pridden	...	Himself
Keith Richards	...	Himself (as Keith Richard)

Storyline

Through concert performances and interviews, this film offers us an "inside look" at this famous rock group, "The Who". It captures their zany craziness and outrageous antics from the initial formation of the group to its major hit "Who Are You", and features the last performance of drummer keith Moon just prior to his death.

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Plot Keywords:

the who | performance | interview | rock documentary | archive footage | 

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Taglines:

Seeing is believing!

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Genres:

Documentary | Music

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Certificate:

PG

Details

Official Sites:

Pioneer Entertainment [us]

Country:

UK

Language:

English

Release Date:

23 November 1979 (Denmark)

Also Known As:

Dzieciaki sa w porzadku

Filming Locations:

Ramport Studios, Battersea, London, England, UK

Box Office

Budget:

$2,000,000 (estimated)

Company Credits

Production Co:

The Who Films

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby

Color:

Black and White Color

Did You Know?

Trivia

_Thelma Schoonmaker_ wasn't originally involved in the film, but happened to be working in the editing suite next door and ended up with a credit.

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Goofs

Rick Danko of The Band is listed in the end credits as appearing in the film, even though his segment was deleted from the final print.

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Quotes

Pete Townshend: What first made us want to go to America and... "conquer" it, was being English! It wasn't that we cared a monkey's about the American Dream, or the American drug situation, or the dollars or any of that. It's because we were English kids! And we wanted to go to America and be English!

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Crazy Credits

Various clips of stage goodbyes from live appearances of The Who through the years are shown during the closing credits.

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Connections

Referenced in Miracle Cure (2003)

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Soundtracks

"My Generation"
Written by Pete Townshend
Performed by The Who
Fabulous Music Ltd.

User Reviews

This is where it all ends

This is THE must see rock film. I can't think of any others that compare. The Stones' `Gimme Shelter' is great for reasons quite different than the music contained therein (of which the live material isn't very good). `Monterey Pop,' which features the Who, is certainly my favorite concert film from the era because of the culture it captured on its frames, as well as the eclecticism. The Hendrix performance alone makes that event historic. But the `Monterey' film is very passive & observational. In one sense, that is why I adore it so much, in another, more intellectual sense, it is lacking a philosophy about the material it depicts. I suppose the philosophy is really to document & be intentionally unobtrusive (to the viewers & actual subjects), which in my opinion is really a type of non-philosophy. The Kids Are Alright, however, epitomizes a certain condensed, irreverent and bombastic type of rock and roll that Pete Townshend has always been the ideal spokesman for. This is perhaps the only rock and roll film that is solely about the raw power and visceral effects of this music. Its primary goal is to capture that essence and to show you - not tell you - that the Who were the greatest rock & roll band ever. Of course, this is an age old debate between Stones, Who & Beatles fans. What's the answer?? I don't know as I love them all, and I really don't care either. The ability of this film to make you forget about those other bands, however, is undeniable. Watch this film in the proper setting & you'll be convinced, at least for the moment, that the Who were the best.

`The Kids Are Alright' is not an entirely professional job. Scenes sometimes present themselves through hatchet editing & sloppy placement. It is non-chronological and choppy. Interviews range from nonsensical to pretentious. In the case of Keith Moon, we believe that he never took anything seriously and appears to be caught consistently interchanging the personalities of entirely different people. Roger Daltry has surprisingly very, very little to say. John Entwistle - not as surprisingly - has even less to say & remains in the shadows throughout. But what would otherwise be considered technical movie shortcomings are exactly what the Who excel in; the texture of this film is much like the Who's music itself and therefore highly appropriate. This is why we're only treated to flashes of seriousness before the façades are dropped and the kinetic circus begins anew. While bits & pieces of the Who dynamic can perhaps be articulated, the band's aura existed first & foremost in their music and physical energy (there is a great clip of Townshend patiently listening to the intricate analysis of his music by a German television rock critic. After the critic finishes his exhaustive treatise, Townshend mulls over his possible answer for a moment & finally responds, `yeah.'). The intellectualism, rebellion, trendiness, wildness and downright punk-ishness of the Who is all captured here in its full Moon Era glory.

I would definitely encourage younger music lovers & musicians to watch this, draw comparisons & ponder the direction rock and roll has taken. Is the Dave Matthews Band our generation's answer to the Who? If it is, please wake me when the funeral for rock has ended so we can start over again, thank you very much.

Until just recently, I didn't realize that the `Baba O'Reilly' and `Won't Get Fooled Again' performances were Moon's last with the band. The director actually had the Who perform these especially for this film as he was unable to find `definitive' versions of the songs in the Who film archive. They are indeed amazing.downright sizzling, actually. Quintessential Who.