Originally filmed in December 1968, "The Rock and Roll Circus" was originally intended to be released as a television special. The special was filmed over two nights and featured not only ... See full summary »
London, 1965: Like many other youths, Jimmy hates the philistine life, especially his parents and his job in a company's mailing division. Only when he's together with his friends, a 'Mod' ... See full summary »
Through concert performances and interviews, this film offers us an "inside look" at this famous rock group, "The Who". It captures their zany craziness and outrageous antics from the initial formation of the group to its major hit "Who Are You", and features the last performance of drummer keith Moon just prior to his death. Written by
Concorde - New Horizons (with permission).
In addition to compiling rare clips, Jeff Stein arranged for The Who to film a concert for invited fans. The show, performed at Shepperton Film Studios in London on 25 May 1978, turned out to be Keith Moon's last concert with The Who before his death on 7 September at the age of 32. See more »
Rick Danko of The Band is listed in the end credits as appearing in the film, even though his segment was deleted from the final print. See more »
[In the 1970's]
Excuse me. We just shot a lot of film with the interview. And talking about all that... I was wondering...
Heard the worst.
...now could you really tell us the truth and stop lying?
Oh, no. it - I mean, the truth as you wanna hear it? I can't do that. You couldn't afford me.
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At the end of the opening "Smothers Brothers" clip where The Who demolish their equipment, Keith Moon's bass drum with the Who logo on it explodes, and the very same logo spirals forward to the middle of the screen. Then the words of the title of the film pop up from the bottom of the screen while Pete Townshend smashes Tommy Smothers' acoustic guitar. See more »
Jeff Stein's 'TKaA' introduced me to the dysfunctionally co-dependent family that was The Who in their more-than-full-volume, willfully insane glory days of Keith Moon. Their balls-to-the-walls, ear-shattering, finger-slashing, skull-splitting, hammers-of-hell, power-plus-volume blues-based rock & roll put their contemporaries deservedly to shame (Townsend didn't pull punches in his criticism) and set a high bar above all that wreckage which their successors have yet to reach.
It doesn't cover all of The Who's KM-era music (Quadrophenia, Who by Numbers) nor does it dig up the worst/best of the dirt (Daltrey repeatedly KO'ing a whiney Townsend over the years) but it captures as only a fan's we're-not-worthy devotion can the band's intense, sometimes-paranoid craziness as well as their self-knowing, self-mocking intelligence about their craziness -- and their true worth in the annals of rock & roll. Stein deserves a spot in Cleveland right next to them.
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