Five 1990s Californian couples, wed but one, illustrate or contradict the sexual relationship theories of two TV talk show hosts. The women shamelessly presume all men, including theirs, to... See full summary »
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
Nolie has just turned 21 but is mentally challenged and acts more like 8. While claiming that she only wants to help him, his "smother" actually likes things that way. One day Nolie visits ... See full summary »
An illegal race that takes place over the United States and nothing will stop this bunch of racers except for the occasional cop or a damsel in distress. Jackie Chan's car is not in this ... See full summary »
George Burns is back as God, but oops, here he is as Satan, too. A young rock star is ready to sell his soul to Satan, and Satan is all too happy to oblige. Oops! Seems the fellow was ... See full summary »
The Diamond Trap is the story of a New York City cop (Detective Rollings) and his partner (Brendan). Detective Rollings, a cop on the verge of retirement and in the waiting for a big case, ... See full summary »
On the run from an abusive drug dealer, foster kid Brooke Shields hides out with ex-vaudeville entertainer George Burns. There are little side-plots here and there (the drug dealer tracking Brooke down, George's daughter trying to get her hands on his money, best friend Burl Ives stuck in an institution), but the bulk of the movie centers on the relationship between the sassy teen and the octogenarian. The script is structured pretty much like a play, with the banter going back and forth between the two principles, yet some wonderful bits surface, as when Burns attempts to distract his nosy neighbors from the teenage girl he has in the house, or a terrific sequence where George's poker buddies--Ray Bolger and Keye Luke among them--show up for their usual game and Brooke is displeased ("Too many people come to this house!" she scowls). George is sweet and tender here; say what you will about his shuffle-along acting style, I felt he was really in character and genuinely cared for Shields, who is stiff and self-conscious at first but warms up midway. Some of the dialogue is surprisingly crass (Burns playing tailor and Brooke calling him a 'fag'), but for cynical 1979 it is sunnier and friendlier than most. One of the few mainstream, big-studio movies of this era never to be released in any format to the home-viewing market. *** from ****
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