Just You and Me, Kid (1979)George Burns stars as a former vaudevillian who befriends a young runaway, played by 14-year old Brooke Shields, who is being chased by drug dealers. Director:Leonard Stern |
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Just You and Me, Kid (1979)George Burns stars as a former vaudevillian who befriends a young runaway, played by 14-year old Brooke Shields, who is being chased by drug dealers. Director:Leonard Stern |
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| Complete credited cast: | |||
| George Burns | ... | ||
| Brooke Shields | ... | ||
| Burl Ives | ... |
Max
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| Ray Bolger | ... |
Tom
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| Lorraine Gary | ... |
Shirl
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| Christopher Knight | ... |
Roy
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| Carl Ballantine | ... |
Reinhoff the Remarkable
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| Keye Luke | ... |
Doctor Device
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Robert Doran | ... |
Box Boy
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| William Russ | ... |
Demesta
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| John Schuck | ... |
Stan
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Leon Ames | ... |
Manduke the Magnificent
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Andrea Howard | ... |
Sue
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| Nicolas Coster | ... |
Harris
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| Rest of cast listed alphabetically: | |||
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Levin Bailey | ... |
Student
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George Burns stars as a former vaudevillian who befriends a young runaway, played by 14-year old Brooke Shields, who is being chased by drug dealers. Written by Ari Herzog <ari@ici.net>
On the run from an abusive drug dealer, foster kid Brooke Shields hides out with ex-vaudeville entertainer George Burns. There are little side-plots here and there (the drug dealer tracking Brooke down, George's daughter trying to get her hands on his money, best friend Burl Ives stuck in an institution), but the bulk of the movie centers on the relationship between the sassy teen and the octogenarian. The script is structured pretty much like a play, with the banter going back and forth between the two principles, yet some wonderful bits surface, as when Burns attempts to distract his nosy neighbors from the teenage girl he has in the house, or a terrific sequence where George's poker buddies--Ray Bolger and Keye Luke among them--show up for their usual game and Brooke is displeased ("Too many people come to this house!" she scowls). George is sweet and tender here; say what you will about his shuffle-along acting style, I felt he was really in character and genuinely cared for Shields, who is stiff and self-conscious at first but warms up midway. Some of the dialogue is surprisingly crass (Burns playing tailor and Brooke calling him a 'fag'), but for cynical 1979 it is sunnier and friendlier than most. One of the few mainstream, big-studio movies of this era never to be released in any format to the home-viewing market. *** from ****