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The strengths of this otherwise ploddingly straightforward production are that it gives us the whole play, which is for two-thirds of its length quite absorbing, and that it is so well spoken - from the principals to John Elliott as Octavius' messenger. I wish it had been clearer that we'd moved from one scene to the next, and the unmouthed soliloquies work less well than in, say, Olivier's 'Hamlet'. But Richard Pasco is a throughly decent Brutus (noble and nearly always wrong!), at his very best in the 'quarrel scene', David Collings (though overshadowed, as are all others I've seen since 1953, by Gielgud in the Mankiewicz film) a fine, mercurial Cassius (alas he played only a tiny part in the recent revival of the play at London's Barbican), Keith Michell is a thrilling, crafty Marc Antony and Charles Gray is splendidly self-important as 'JC' himself. Sam Dastor's laconic account of Caesar's refusal of the crown is masterly, though thereafter he fades. As for the women, a gaunt Virginia McKenna is a poignantly vulnerable Portia and Elizabeth Spriggs a warm Calpurnia. The final battle is, as usual, distinctly underwhelming!
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