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Directed by | |||
| Dom DeLuise | |||
Writing credits | ||
| Michael Kane | (written by) and | |
| Donald E. Westlake | (written by) | |
Produced by | |||
| Mort Engelberg | .... | producer | |
| Paul Maslansky | .... | executive producer | |
| Ted Swanson | .... | associate producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| James Pergola | (director of photography) | ||
Film Editing by | |||
| Neil Travis | |||
Casting by | |||
| Jennifer Shull | |||
Art Direction by | |||
| Don K. Ivey | |||
Set Decoration by | |||
| Tom Coll | |||
Makeup Department | |||
| Diane Johnson | .... | hair stylist | |
| Elizabeth Lambert | .... | makeup artist | |
| Jerry O'Dell | .... | makeup artist: Ms. Pleshette | |
Production Management | |||
| Ted Swanson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ricou Browning | .... | second unit director | |
| Sonny Persons | .... | second assistant director | |
| David Whorf | .... | first assistant director (as David M. Whorf) | |
Art Department | |||
| Jack Johnson | .... | property master | |
| James Robinson II | .... | lead man (as Jimmy Robinson II) | |
Sound Department | |||
| Ron Clark | .... | supervising sound editor | |
| Jack Dalton | .... | sound mixer (as Jack Dalton Sr.) | |
| William S. Johnson | .... | boom operator | |
| John Wilkinson | .... | sound re-recordist (as John K. Wilkinson) | |
Special Effects by | |||
| J.B. Jones | .... | special effects | |
Stunts | |||
| Courtney Brown | .... | stunt coordinator | |
| Tim Chitwood | .... | stunt driver | |
| William Fuller | .... | stunt driver | |
| Jay Amor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Oscar Barber | .... | director of photography: second unit | |
| William D. Barber | .... | first assistant camera (as William Barber) | |
| Enrique Bravo | .... | camera operator | |
| Edward Knott | .... | key grip (as Eddie Knott) | |
| William McConnell | .... | second assistant camera (as Bill McConnell) | |
| Walter G. Morris Jr. | .... | gaffer | |
| Stephen Wever | .... | still photographer (as Steve Wever) | |
| John Winner | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Mel Pape | .... | costumer: men (as Melvin E. Pape) | |
| Norma L. Trice | .... | costumer: women | |
Editorial Department | |||
| Steve Potter | .... | assistant editor | |
Music Department | |||
| Daniel Allan Carlin | .... | music editor (as Dan Carlin Jr.) | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| William Foster | .... | transportation (as Bill Foster) | |
Other crew | |||
| Jack Cowden | .... | script supervisor | |
| Beau Gillespie | .... | assistant to producer | |
| R.J. Johnson | .... | location manager | |
| Sheila Possner | .... | assistant to producer | |
| Roberta Rose | .... | auditor | |
| Laurie Stark | .... | assistant: Dom DeLuise | |
| Brenda Watt | .... | dog handler | |
Thanks | |||
| Leonard Haber | .... | our special thanks for the assistance of: Mayor of Miami Beach (as Dr. Leonard Haber) | |
| Kenneth I. Harms | .... | our special thanks for the assistance of: Chief of Police, City of Miami | |
| Company credits | Technical specifications | Soundtrack listing |
| Crazy credits | Main details |