Directed by | |||
| Dom DeLuise | |||
Writing credits | ||
| Michael Kane | (written by) and | |
| Donald E. Westlake | (written by) | |
Produced by | |||
| Mort Engelberg | .... | producer | |
| Paul Maslansky | .... | executive producer | |
| Ted Swanson | .... | associate producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| James Pergola | (director of photography) | ||
Film Editing by | |||
| Neil Travis | |||
Casting by | |||
| Jennifer Shull | |||
Art Direction by | |||
| Don K. Ivey | |||
Set Decoration by | |||
| Tom Coll | |||
Makeup Department | |||
| Diane Johnson | .... | hair stylist | |
| Elizabeth Lambert | .... | makeup artist | |
| Jerry O'Dell | .... | makeup artist: Ms. Pleshette | |
Production Management | |||
| Ted Swanson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ricou Browning | .... | second unit director | |
| Sonny Persons | .... | second assistant director | |
| David Whorf | .... | first assistant director (as David M. Whorf) | |
Art Department | |||
| Jack Johnson | .... | property master | |
| James Robinson II | .... | lead man (as Jimmy Robinson II) | |
Sound Department | |||
| Ron Clark | .... | supervising sound editor | |
| Jack Dalton | .... | sound mixer (as Jack Dalton Sr.) | |
| William S. Johnson | .... | boom operator | |
| John Wilkinson | .... | sound re-recordist (as John K. Wilkinson) | |
Special Effects by | |||
| J.B. Jones | .... | special effects | |
Stunts | |||
| Courtney Brown | .... | stunt coordinator | |
| Tim Chitwood | .... | stunt driver | |
| William Fuller | .... | stunt driver | |
| Jay Amor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Oscar Barber | .... | director of photography: second unit | |
| William D. Barber | .... | first assistant camera (as William Barber) | |
| Enrique Bravo | .... | camera operator | |
| Edward Knott | .... | key grip (as Eddie Knott) | |
| William McConnell | .... | second assistant camera (as Bill McConnell) | |
| Walter G. Morris Jr. | .... | gaffer | |
| Stephen Wever | .... | still photographer (as Steve Wever) | |
| John Winner | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Mel Pape | .... | costumer: men (as Melvin E. Pape) | |
| Norma L. Trice | .... | costumer: women | |
Editorial Department | |||
| Steve Potter | .... | assistant editor | |
Music Department | |||
| Daniel Allan Carlin | .... | music editor (as Dan Carlin Jr.) | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| William Foster | .... | transportation (as Bill Foster) | |
Other crew | |||
| Jack Cowden | .... | script supervisor | |
| Beau Gillespie | .... | assistant to producer | |
| R.J. Johnson | .... | location manager | |
| Sheila Possner | .... | assistant to producer | |
| Roberta Rose | .... | auditor | |
| Laurie Stark | .... | assistant: Dom DeLuise | |
| Brenda Watt | .... | dog handler | |
Thanks | |||
| Leonard Haber | .... | our special thanks for the assistance of: Mayor of Miami Beach (as Dr. Leonard Haber) | |
| Kenneth I. Harms | .... | our special thanks for the assistance of: Chief of Police, City of Miami | |
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| Code of Silence | The Last Shot | Bullitt | Al's Troubles | The Line-Up |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Directed by and starring Dom Deluise, the story it tells actually was way ahead of its time and based loosely on fact. A group of cops begin a stolen goods sting by "purchasing" the items, and using videotape as evidence against the "sellers". The movie provides a good look at what extremes the police will do to get the bad guy. There are even worse hazards than the thieves, such as the mafia getting involved and a corrupt cop blackmailing them.
The rest of the ensemble cast includes Jerry Reed, Luis Avalos, Ossie Davis (watch for his "black Godfather"), and Suzanne Pleshette, and their excellent acting proves that they are as good as the bigger Hollywood folks. However, it is really Deluise who shines through, with charm, wit and very funny lines, including a running joke about his retirement as a police officer. The random folks who walk into the "trade store" are also funny, and good actors. A few standouts: Deluise "samples" some marijuana, a gun sting resulting in a hilarious but exciting shootout, the climactic brawl that is funny, well choreographed and has an incredible payoff.
This particular movie is underrated and especially overlooked. As a little kid I always watched it a lot on HBO, so I was hooked. I like big budget, modern action-comedies, but the creators of "Showtime" (2002) should have taken a lesson from "Hot Stuff". See it!