Charles is a Salt Lake City civil servant who loves (*LOVES*) Laura, a lovely housewife with a lovely step-daughter and an A-frame-selling, ex-quarterback husband named Ox. His roommate is "an unemployed jacket salesman," his mother is a spacey, laxative overdosing, overly eccentric basket-case, his perpetually happy sister finds love in the dorkiest of guys, his step-father has a jones for Turtle Wax and his boss asks him for advice about his Ivy League son's sexual problems. He listens to Janis Joplin and dreams of getting Laura back once and for all. He does everything in his power to win her back from Ox, and the lengths he goes to provide the structure of the film in this bittersweet romantic comedy...a film that explores what happened to the Woodstock generation when they transcended their idealism (i.e. it was expected that they fall in love and face the music of routine). Charles is perhaps the quintessential saint of this ideology. Written by
Love does strange things to people. And Charles is a little strange to begin with.
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Did You Know?
[examining a movie poster for a skin flick
You're prettier than she is.
Now I'm prettier than a porno star. Would you stop it?
We go to movies and you say I look better than the movie stars. We go to the best restaurant in town and you say I'm a better cook than the chef. You have this exulted view of me and I hate it. If you think I'm that great, there must be something wrong with you.
Written by Hoagy Carmichael
and Johnny Mercer
Performed by Bette Midler
Courtesy of Atlantic Records See more