A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use ... See full summary »
Major Charles Rane comes back from the war and is given a number of gifts from his hometown because he is a war hero. Some greedy thugs decide that they want to steal a number of silver ... See full summary »
Tommy Lee Jones,
Jake Van Dorn is a businessman from the American heartland who shares strong Calvinist convictions with most of his countrymen. His teenage daughter is missing from her church youth convention trip to California and Van Dorn hires a private investigator to find her. The result of the investigation is his daughter is spotted in a cheap X-rated movie. Van Dorn decides to bring her back personally and during the quest he becomes familiar with the pornographic underworld. Written by
Dragan Antulov <email@example.com>
The city of Grand Rapids, MI. voiced concern about what was perceived as an "unfavorable depiction of middle America" in its early scenes and the Van Dorn character's overly repressive and harsh nature. The movie was said to have been based on Schrader's own upbringing where he was denied social privileges (i.e. Alfred Kinsey's father's rules) until he completed high school, unlike most other adolescents of Schrader's time who were allowed them before their high school graduations. See more »
When Jake has returned to L.A. and fires his detective, he creates a list of establishments to do his own research and that evening and drives around visiting places on his list. The first place he visits has a street number of 739 (visible in frame) but in looking at address detail in the long shot of the list itself, there are no references to a street number of 739 anywhere. See more »
[after Jake explains TULIP theology]
And I thought I was fucked up.
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I'm not a big fan of Paul Schrader, but I really dug this film! Personally, I think `Hardcore' is Schrader's best film, as it successfully mixes effective social drama with compelling tension. George C. Scott is truly magnificent as the hardworking, Midwesterner Jake Van Dorn who individually searches for his lost preteen daughter. At first, he cooperates with a private-detective (a very convincing Peter Boyle) who discovers that his offspring is now active in the hardcore porn-industry. Later, Van Dorn forms a partnership with a poor whore who brings him into contact with the right persons in the business. The first hour of this film is really good and works on many levels. Not only does Schrader mixes different social mentalities and religious convictions, he also gives a perfect portrayal of how someone is driven to complete distraction. The sequences in which Van Dorn witnesses his own flesh and blood feature in a sexfilm are truly intense and vindictive. Of course, the pornography shown isn't real (or even explicit) but you can easily imagine what a father's reaction would be. And please keep in mind that the film is now 25 year old and the censorship has changed a lot since then. Unfortunately, Van Dorn's private investigations aren't always credible (Scott dresses up as a stereotypical adult film-director and organises a cast-session) and the ending is rather abrupt and unsatisfying. Nevertheless, `Hardcore' is a dreadfully overlooked film and one of the most efficient thrillers of the late seventies. George C. Scott is truly brilliant and I personally think this was his best period as an actor. A year later, he starred in the unforgettable horror-chiller `The Changeling' and gave away an equally brilliant performance. If you appreciate good thrillers, you have to give `Hardcore' a chance. Highly recommended.
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