A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Jake Van Dorn is a businessman from the American heartland who shares strong Calvinist convictions with most of his countrymen. His teenage daughter is missing from her church youth convention trip to California and Van Dorn hires a private investigator to find her. The result of the investigation is his daughter is spotted in a cheap X-rated movie. Van Dorn decides to bring her back personally and during the quest he becomes familiar with the pornographic underworld. Written by
Dragan Antulov <email@example.com>
Paul Schrader originally had Scott's character discover that his daughter has been killed in a totally unrelated car crash, at which point he simply goes back home. He changed it to Scott finding her against his better judgment. See more »
When Jake has returned to L.A. and fires his detective, he creates a list of establishments to do his own research and that evening and drives around visiting places on his list. The first place he visits has a street number of 739 (visible in frame) but in looking at address detail in the long shot of the list itself, there are no references to a street number of 739 anywhere. See more »
Paul Schrader's celebrated collaborations with Martin Scorsese will unfortunately always overshadow his own directorial efforts. His own movies have been variable to say the least ranging from the truly forgettable (e.g. 'Light Of Day' and 'Witch Hunt', both from the "what on earth was he thinking?!" category), to the truly unforgettable ('Mishima', and 'Light Sleeper', both sadly overlooked). 'Hardcore' is one of his best efforts in my opinion, but MUST be watched taking into consideration WHEN it was made, and the censorship prevalent at the time (something a few of the other comments here fail to do). Over twenty years later certain scenes seem way too tame and almost unintentionally humorous to our jaded "sophisticated" movie-going eyes, but even so to me overall it is still a very powerful and impressive film. And for those who think it too dated and "safe" just compare it to Schumacher's lame '8MM', a movie which is almost an uncredited remake of 'Hardcore' in some ways, but one that despite the relaxation in depicting sex, violence and profanity in mainstream moviemaking, fails to pack the punch that Schrader's movie does. 'Dr Strangelove's George C. Scott is solid as a straight-laced and in many ways unworldly man who finds himself in the alien (to him) urban world of sleazy strip joints, sex shops and pornography. Season Hubley (John Carpenter's 'Elvis') plays the streetwise hooker who becomes his guide. Peter Boyle ('Taxi Driver', 'Young Frankenstein')) is a stand out as a crafty low life private detective. Buffs will also get a kick out of small roles by Tracey Walter ('Repo Man') and Ed Begley Jr ('Meet The Applegates') as a clerk in a dirty book store and a porn actor respectively. 'Hardcore' is a very fine movie, one of the most underrated of the 1970s, and highly recommended viewing.
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