| Photos (See all 15 | slideshow) | Videos (see all 2) |
| Harrison Ford | ... | David Halloran | |
| Lesley-Anne Down | ... | Margaret Sellinger | |
| Christopher Plummer | ... | Paul Sellinger | |
| Alec McCowen | ... | Maj. Trumbo | |
| Richard Masur | ... | 2nd Lieut. Jerry Cimino | |
| Michael Sacks | ... | 2nd Lieut. Martin Hyer | |
| Patsy Kensit | ... | Sarah Sellinger | |
| Max Wall | ... | Harry Pike | |
| Shane Rimmer | ... | Col. Ronald Bart | |
| Keith Buckley | ... | Lieut. Wells | |
| Sherrie Hewson | ... | Phyllis | |
| Cindy O'Callaghan | ... | Paula | |
| Di Trevis | ... | Elizabeth | |
| Suzanne Bertish | ... | The French Girl | |
| Keith Alexander | ... | Soldier in Barn | |
| Jay Benedict | ... | Corporal Daniel Giler | |
| John Ratzenberger | ... | Sgt. John Lucas | |
| Eric Stine | ... | Farrell | |
| Hugh Fraser | ... | Capt. Harold Lester | |
| William Hootkins | ... | Beef | |
| Kristine Howarth | ... | Hospital Volunteer | |
| Shaun Scott | ... | Male Patient #1 | |
| Ronald Letham | ... | Male Patient #2 | |
| Lesley Ward | ... | The Nurse | |
| Eugene Lipinski | ... | 1st German Clerk | |
| Gary Waldhorn | ... | 2nd German Clerk | |
| John Rees | ... | S.S. Sergeant | |
| Seymour Matthews | ... | Soldier #1 | |
| Tony Sibbald | ... | Mechanic | |
| George Pravda | ... | French Farmer | |
| Harry Brooks Jr. | ... | S.S. Officer Staff Car | |
| Eddie Kidd | ... | Motorcycle Jump Performer |
Directed by | |||
| Peter Hyams | |||
Writing credits | ||
| Peter Hyams | (written by) | |
Produced by | |||
| Harry Benn | .... | associate producer | |
| Paul Lazarus III | .... | producer (as Paul N. Lazarus III) | |
| Michael I. Rachmil | .... | associate producer (as Michael Rachmil) | |
| Gordon Scott | .... | executive producer (uncredited) | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| David Watkin | (director of photography) | ||
Film Editing by | |||
| James Mitchell | |||
Casting by | |||
| Mary Selway | |||
Production Design by | |||
| Philip Harrison | |||
Art Direction by | |||
| Robert Cartwright | |||
| Malcolm Middleton | |||
Set Decoration by | |||
| Ian Whittaker | |||
Costume Design by | |||
| Joan Bridge | |||
Makeup Department | |||
| Colin Jamison | .... | hair stylist | |
| Peter Robb-King | .... | makeup artist | |
Production Management | |||
| Denis Johnson | .... | production manager | |
| Gordon Scott | .... | executive in charge of production (as Gordon L.T. Scott) | |
Second Unit Director or Assistant Director | |||
| Andy Armstrong | .... | second assistant director | |
| David Tringham | .... | first assistant director | |
| Bob Wright | .... | second assistant director (as Bobby Wright) | |
Art Department | |||
| Ron Baker | .... | production buyer | |
| George Ball | .... | property master | |
| John Hoesli | .... | assistant art director | |
| Brenda Roberson | .... | assistant to production designer | |
| Alan Tomkins | .... | assistant art director (as Alan Tompkins) | |
| Jeff Woodbridge | .... | construction manager | |
| John Alvin | .... | poster artist (uncredited) | |
| Dennis Murray | .... | plasterer (uncredited) | |
Sound Department | |||
| Robin Gregory | .... | sound recordist | |
| Robert L. Harman | .... | sound re-recording mixer | |
| Robert G. Henderson | .... | sound effects editor (as Robert Henderson) | |
| William L. Schlegel | .... | sound re-recording mixer | |
| Terry Sharratt | .... | boom operator | |
| Frank Webster | .... | sound re-recording mixer | |
| James G. Williams | .... | sound re-recording mixer (as James G. Williams Jr.) | |
Special Effects by | |||
| Martin Gutteridge | .... | special effects | |
Stunts | |||
| Alan Stuart | .... | stunt coordinator | |
| Jim Dowdall | .... | stunts (uncredited) | |
| Eddie Kidd | .... | stunts (uncredited) | |
| Chris Webb | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Peter Biddle | .... | camera loader | |
| David Cadwallader | .... | grip | |
| Freddie Cooper | .... | camera operator | |
| Derek Gattrell | .... | best boy | |
| Brian Harris | .... | focus puller | |
| John Jay | .... | still photographer | |
| Ray Potter | .... | gaffer | |
| Eric Van Haren Noman | .... | panaglide consultant | |
| Eric Van Haren Noman | .... | panaglide operator | |
Costume and Wardrobe Department | |||
| John Wilson-Apperson | .... | wardrobe supervisor | |
Editorial Department | |||
| Alan Paley | .... | associate editor: UK | |
| Steve Pickard | .... | assistant editor: UK | |
| Saul Saladow | .... | assistant film editor | |
| Nancy Sales | .... | assistant film editor | |
Music Department | |||
| Kenneth Hall | .... | music editor (as Ken Hall) | |
| Harry Rabinowitz | .... | conductor | |
| Sidney Margo | .... | music contractor (uncredited) | |
Transportation Department | |||
| John Hawke | .... | aircraft supplier | |
Other crew | |||
| Tracy Berns | .... | project assistant | |
| Maureen Campbell | .... | secretary to director | |
| Jean Clarkson | .... | production assistant: UK | |
| Sally Jones | .... | script supervisor | |
| Dan Perri | .... | titles | |
| Monica Rogers | .... | production assistant: UK | |
| Mike Russell | .... | publicist | |
| Neville Thompson | .... | location manager | |
| Dianne Twiddy | .... | secretary to producer | |
| Gerry Wheatley | .... | production accountant (as Gerry Wheatly) | |
| Jeff Hawke | .... | pilot: B-25 (uncredited) | |
| David Tallichet | .... | pilot: B-25 (uncredited) | |
| Tony Webb | .... | production assistant (uncredited) | |
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| The Spy Who Loved Me | Pearl Harbor | Charlotte Gray | Never Say Never Again | On Her Majesty's Secret Service |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
I don't understand all of the negative comments about this movie. It's not like they set out to make another Gone With The Wind, people. I usually hate this kind of movie, but I loved this one! Ford was just beginning to come into his own as an actor, and did a wonderfully believable job. The plot, though a bit predictable, at least went about it in a reasonable way. Entertaining way to spend a couple of hours. I guess I'm just one of those people who doesn't understand what movie making "art" is all about. I've seen a lot of critically acclaimed films that I wouldn't use to balance a short table leg.