In Venice a detective is on the trail of a killer who commits a double murder (a married couple) then more grisly killings occur. Sex, drugs, gore and perversions are ingredients of this sadistic and sleazy giallo.
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Inspector Angelo De Pol (Jeff Blynn) is assigned to the case of a double murder in Venice, the victims were a married couple. He suspects that a psycho killer in on the loose, however during the investigation the inspector discovers that the husband was a sex maniac and a drug addict. Soon afterwards bloody killings begin to occur. Written by
In one scene, a man and a woman are having sex and her bare breasts are visible. However, in one facial shot of the man during the same sequence, we can see her reflection in his sunglasses and she is clearly wearing a bra. See more »
Giallo a Venezia, also known as Giallo In Venice, has a reputation for being one of the sleaziest films produced in an already sleazy sub genre. Giallos, for the uninitiated, are Italian horror films known for their extreme violence punctuated by scenes of explicit sex. They heavily influenced the American slasher films of the late 70s and early 80s, but for the most part these American films were not as extreme as their Italian counterparts.
There are few death scenes in Giallo a Venezia but they are quite gory. There's an immolation, a graphic dismemberment, and the usual requisite stabbings. Giallo a Venezia does feature plenty of sex and nudity, but the bare bodies on display do further the plot. After finding a married couple's dead bodies on the Venice beach our main character, a detective, is baffled by the crime's seemingly lack of motive. We spend the rest of the movie inter-cutting between the detective working on his case and flashbacks of the deceased married couple. The film's flashback structure is unique telling the story of the married couple's last days before their death. Their marriage is, to put it politely, very rocky. The husband is a cocaine addict and frequently indulges in kinky sex to debase his wife.
While Giallo a Venezia may lack the social commentary of Lucio Fulci or the swooping camera-work and visual styling of Dario Argento, it is still a giallo that can comfortably stand on merits of its own. Unlike some other giallos that have been loving restored and even presented on Bluray, tracking down a copy of Giallo a Venezia may present quite a challenge. I had to settle for a sub par VHS rip.
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