6.4/10
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54 user 17 critic

The Frisco Kid (1979)

A Polish rabbi wanders through the Old West on his way to lead a synagogue in San Francisco. On the way he is nearly burnt at the stake by Indians and almost killed by outlaws.

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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Mr. Jones
...
...
Darryl Diggs (as George Ralph DiCenzo)
Leo Fuchs ...
Chief Rabbi
...
Rosalie
...
Matt Diggs
Jack Somack ...
Samuel Bender
...
Sarah Mindl (as Beege Barkett)
...
O'Leary
Walter Janovitz ...
Old Amish Man (as Walter Janowitz)
Joe Kapp ...
Monterano
...
Mr. Ping
Clifford A. Pellow ...
Mr. Daniels (as Cliff Pellow)
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Storyline

A rabbi from Poland goes to America to lead a Jewish community. When he arrives in America he is hijacked and has to work his way across the country. On the way he meets up with a bank robber and they form a friendship, have many (mis)adventures including being captured by Indians. Written by Deirdre Dear

Plot Summary | Add Synopsis

Taglines:

This kosher cowboy hasn't got a prayer -- but plenty of laughs. See more »

Genres:

Comedy | Drama | Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

13 July 1979 (USA)  »

Also Known As:

No Knife  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

"The Frisco Kid" wasn't the first time this title was used. There was another western made in 1935, Frisco Kid (1935), but this film was not a remake of that one. See more »

Goofs

The movie takes place in 1850. Tommy Lillard holds up a Wells Fargo office in a frontier town; Wells Fargo wasn't founded until 1852. See more »

Quotes

[Tommy and Avram look out over the Pacific Ocean]
Tommy: Well, cuz, we made it. It was just like I told you. Right at that big tree; then left for a couple days; sharp right; and then straight as piss till you come to the ocean.
Avram: Who would have dreamed it could be so simple?
Tommy: Yeah. You don't know me the next time you see me, I'm gonna kick your ass all the way back to Poland.
Avram: Why wouldn't I know you? You going away someplace?
Tommy: Well, yeah. This is where we say goodbye, Avram.
Avram: What do you mean?
Tommy: Well, you ...
[...]
See more »

Connections

Referenced in Estrenos Críticos: ¡...con Phineas & Ferb! (2011) See more »

Soundtracks

Waltz 'Gold and Silver'
Composed by Franz Lehár
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User Reviews

 
The Most Underrated Comedy of All Time
25 October 2001 | by (Watertown, Mass.) – See all my reviews

Of course I'd have to be crazy to call _The Frisco Kid_ the best movie ever made, but it's certainly a strong contender for the flick I love the most (an opinion shared by my parents, brothers, cousins . . .). From the premise -- a Polish rabbi in the Wild West -- you'd expect a *spoof* a la _Blazing Saddles_, but in fact this is played absolutely straight, the comedy arising 100% from the believable human situations the characters are thrust into.

Because of this, the first third of the movie is much devoted to setting up what follows, and might strike the first-time viewer as a bit slow (actually, it's subtle and as deliciously re-watchable as the rest). Patience will be rewarded, though, because once the pieces are in place, and especially once our hero meets Harrison Ford's bank-robber with a heart of gold, there's just one indelibly great scene after another.

It's important to note that this is much, much more than a comedy. It's episodic, of course, but an early story element returns unexpectedly (more than once); you think you've been watching just an entertainment and you gradually realize there's a real (and genuinely moving) *point* to all this, as is rarely seen in movies this funny. Rabbi Avram Belinsky (played, of course, with pure magic by Gene Wilder) starts off the movie as a well-meaning schlemiel, someone as ineffectual as he is nice, and ends as a mensch, as a moral force to be reckoned with. (Typical and classic moment along the way: when he's forced to explain the nature of God to a bunch of Indians, he is downright Talmudic in his wisdom -- but the Talmud was never hysterically funny!) The final, genuinely dramatic scenes raise issues about faith, friendship, and personal identity and destiny that are downright profound (at least on repeated viewings) -- without ever missing a comedic beat. Extraordinary.

This is a movie that does for faith and friendship what "Manhattan" and "Tootsie" did for romance and gender roles. Can they please get this out on DVD while my folks are still around to enjoy it?


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