| Barbara Bach | ... | Alice Brandt | |
| Claudio Cassinelli | ... | Daniel Nessel | |
| Mel Ferrer | ... | Joshua | |
| Romano Puppo | ... | Peter | |
| Fabrizia Castagnoli | ... | Minou's Mother | |
| Enzo Fisichella | ... | Maurice, lover of Minou's Mother | |
| Lory Del Santo | ... | Jane | |
| Anny Papa | ... | Laura | |
| Bobby Rhodes | ... | Joshua's forman | |
| Clara Colosimo | ... | Tourist | |
| Peter Boom | ... | Tourist With Rifle | |
| Giulia D'Angelo | ... | British Tourist | |
| Marco Mastantuono | ... | British Tourist | |
| Piero Jossa | |||
| Marco Giannoni | |||
| Geneve Hutton | ... | Sheena | |
| Silvia Collatina | ... | Minou | |
| Richard Johnson | ... | Prophet Jameson | |
| Donald Dias | |||
| Christopher Ferrando | |||
| Paul Taylor Odiase | |||
| Peter Peiris | |||
| D. Pauline Skilton | |||
| rest of cast listed alphabetically: | |||
| Susan Spafford | ... | Alice Brandt (voice: English version) (uncredited) | |
Directed by | |||
| Sergio Martino | |||
Writing credits(in alphabetical order) | ||
| George Eastman | story (as Luigi Montefiore) | |
| Cesare Frugoni | writer | |
| Ernesto Gastaldi | writer | |
| Sergio Martino | writer | |
| Mara Maryl | (as Maria Chianetta) | |
Produced by | |||
| Luciano Martino | .... | producer | |
Original Music by | |||
| Stelvio Cipriani | |||
Cinematography by | |||
| Giancarlo Ferrando | |||
Film Editing by | |||
| Eugenio Alabiso | |||
Art Direction by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Barbara Pugliese | |||
Makeup Department | |||
| Sergio Gennari | .... | hair stylist | |
| Stefano Trani | .... | makeup artist | |
Production Management | |||
| Franco Cuccu | .... | production manager | |
| Marco Giannoni | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Massimo Manasse | .... | assistant director | |
Sound Department | |||
| Bruno Moreal | .... | sound mixer | |
| Roberto Petrozzi | .... | sound | |
Special Effects by | |||
| Carlo De Marchis | .... | special effects: alligator | |
| Paolo Ricci | .... | special effects | |
Camera and Electrical Department | |||
| Gianlorenzo Battaglia | .... | underwater camera operator | |
| Bruno Cascio | .... | assistant camera | |
| Rolando Ferrario | .... | assistant camera | |
| Giorgio Garibaldi Schwarze | .... | still photographer | |
| Claudio Morabito | .... | camera operator | |
| Daniele Nannuzzi | .... | underwater camera operator | |
Costume and Wardrobe Department | |||
| Stella Battista | .... | seamstress | |
Editorial Department | |||
| Teresa Negozio | .... | assistant editor | |
Music Department | |||
| Stelvio Cipriani | .... | conductor | |
Other crew | |||
| Maria Luisa Rosen | .... | script supervisor | |
| Raffaello Saragò | .... | administrator | |
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| King Kong | Primitives | Avatar | Panther Girl of the Kongo | Cannibal Ferox |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section |
This film starts with a photographer being flown by helicopter to a hotel/resort in the middle of the jungle, because he has been hired to take some publicity photos for the owner. Once there he is introduced to everyone of any interest (to the viewer anyway) and is given a guided tour of the place (once again more for the viewers benefit than his, a quick and lazy way to set the story up). After this opening ten or so minutes its on with the story, this photographer falls for the owners assistant and tries to chat her up when she is alone, outside. At the same time two locals sail to a nearby island and make love. On their way back they are attacked and killed by a giant alligator, of course the photographer and his soon to be lover hear their screams. The next morning one of the two killed the night before is reported missing, the photographer puts two and two together and along with a broken boat realizes something is not quite right. The hotel owner however is not convinced, and as he has his first guests coming to stay he doesnt want to start a panic. Its now down to the photographer and his girlfriend to prove the great alligator exists. I like all these italian rip off movies from the late seventies and early eighties and this one isnt too bad at all. Sergio Martino is a solid director who seems to make good, handsome, well made movies that are better than their low budgets would suggest, mountain of the cannibal god, A man called blade and 2019 after the fall of new york are a few examples. There is not much gore and the alligator is rarely seen, but the locations are nice as is the camera work. I liked the ending as well. Some may find the film a bit dull and slow but I liked it and recommend it.