IMDb > The Fifth Musketeer (1979)

The Fifth Musketeer (1979) More at IMDbPro »

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Release Date:
14 December 1979 (Denmark) See more »
Genre:
Tagline:
Pure adventure is back...for the fun of it! See more »
Plot:
King Louis XIV has without his knowledge a twin brother, Philippe, but when he is told, he immediately locks up his brother in the Bastille... See more » | Add synopsis »
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NewsDesk:
(3 articles)
Ted Richmond, Producer of ‘Papillon,’ Dies at 103
 (From Variety - Film News. 6 January 2014, 5:59 PM, PST)

Sylvia Kristel obituary
 (From The Guardian - Film News. 18 October 2012, 4:00 PM, PDT)

Olivia de Havilland: Back at Warner Bros.
 (From Alt Film Guide. 5 June 2012, 8:01 PM, PDT)

User Reviews:
THE FIFTH MUSKETEER (Ken Annakin, 1979) **1/2 See more (14 total) »

Cast

  (in credits order) (verified as complete)

Sylvia Kristel ... Maria Theresa

Ursula Andress ... Louise de la Vallière

Beau Bridges ... Louis XIV / Philippe of Gascony

Cornel Wilde ... D'Artagnan

Ian McShane ... Fouquet

Alan Hale Jr. ... Porthos

Lloyd Bridges ... Aramis

José Ferrer ... Athos

Olivia de Havilland ... Queen Mother
Helmut Dantine ... Spanish Ambassador

Rex Harrison ... Colbert
Román Ariznavarreta

Bernard Bresslaw ... Bernard
Stephan Bastian
Victor Couzyn (as Victor Couzin)
Karl Ferth
Fritz von Friedl (as Fritz V. Friedl)
Christine Glasner
Fritz Goblirsch ... Kammerdiener
Erhart Hartmann
Billy Horrigan (as Bill Horrigan)
Michael Janisch ... Hauptmann der Gefängniswache
Cissy Kraner ... Marianne - Haushälterin
Elisabeth Neumann-Viertel ... Oberin im Kloster
Heinz Nick
Ingrid Olofson
Stephan Paryla
Albert Rueprecht ... Captain
Ute Rumm
Tony Smart
Robert Werner
Heinz Winter
rest of cast listed alphabetically:
Patrick Pinney ... Captain of the Guards (uncredited)

Directed by
Ken Annakin 
 
Writing credits
Alexandre Dumas père (novel The Vicomte of Bragelonne: Ten Years Later)

David Ambrose  writer
George Bruce  earlier screenplay

Produced by
Heinz Lazek .... executive producer
Ted Richmond .... producer
 
Original Music by
Riz Ortolani 
 
Cinematography by
Jack Cardiff 
 
Film Editing by
Malcolm Cooke 
 
Production Design by
Elliot Scott 
 
Art Direction by
Theodor Harisch  (as Theo Harisch)
 
Costume Design by
Tony Pueo 
 
Makeup Department
Madeleine Cofano .... hair stylist
Franco Corridoni .... makeup artist (as Francesco Corridoni)
Ana Criado .... hair stylist
Cristóbal Criado .... makeup supervisor (as Cristobal Criado Sola)
Luis Criado .... makeup artist
Stefano Fava .... makeup artist
Gilda .... hair stylist
Günter Kulier .... makeup artist (as Gunter Kulier)
Herta Matula .... hair stylist
John O'Gorman .... makeup artist
Ladislaus Valicek .... makeup artist
Lilli Zangerle .... hair stylist
 
Production Management
Hermann Wolf .... unit manager
 
Second Unit Director or Assistant Director
David C. Anderson .... assistant director (as David Anderson)
Terry Needham .... assistant director
Bob Wright .... assistant director (as Robert Wright)
 
Art Department
Norman Reynolds .... assistant art director
Charles Torbett .... property master
 
Sound Department
John Ireland .... adr editor
Simon Kaye .... sound recordist
Vernon Messenger .... sound editor
Karl Schlifelner .... dubbing mixer
Kurt Schwarz .... dubbing mixer (as Kurt Schwartz)
William Trent .... sound editor (as Bill Trent)
Jim Willis .... sound mixer
Jim Willis .... sound recordist
 
Special Effects by
Helmut Gräf .... special effects (as Helmut Graef)
Fernando Pérez .... special effects
 
Stunts
Calvin Spencer .... stunt double: Lloyd Bridges
Ken Buckle .... stunts (uncredited)
Peter Diamond .... stunts (uncredited)
Billy Horrigan .... stunts (uncredited)
Tony Smart .... stunts (uncredited)
 
Camera and Electrical Department
Chico Klein .... electrician
Viktor Korger .... camera operator: second unit
Dudley Lovell .... camera operator
 
Editorial Department
Peter Boyle .... assistant editor
 
Other crew
Ken Buckle .... wrangler
Peter Diamond .... sword master
Kay Rawlings .... continuity
Otto Retzer .... location manager
Calvin Spencer .... double: Lloyd Bridges
Julio Vallejo .... executive assistant to producer
Irmi von Rüxleben .... production secretary
 

Production CompaniesDistributors

Additional Details

Also Known As:
"The 5th Musketeer" - USA (poster title)
See more »
Runtime:
UK:116 min | USA:104 min
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Final film of Helmut Dantine.See more »
Movie Connections:
Version of Vingt ans après (1922)See more »

FAQ

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1 out of 3 people found the following review useful.
THE FIFTH MUSKETEER (Ken Annakin, 1979) **1/2, 5 March 2011
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

Since the copy I acquired of this film bears the year of copyright as 1977, I can only assume it was delayed by 2 years because it was preceded by the 1977 TV version of THE MAN IN THE IRON MASK – given that the title under review is merely another adaptation of this classic Alexandre Dumas tale! Made on a grand scale, with a large and international star-studded cast, the film apparently intended to ape the jokey style of Richard Lester's recent two-part (1973/1974) rendition of Dumas' "The Three Musketeers". However, director Annakin was too much of an old-style film-maker to make that work and, in any case, his handling is generally uninspired – merely content to let the script (reworking James Whale's superior 1939 version!), the actors and Jack Cardiff's gorgeous color photography tell the tale, as it were (aided, of course, by Riz Ortolani's suitably rousing score).

Amusingly, top billing here goes to the ladies: heroine Sylvia Kristel (fresh off the erotic "Emmanuelle" series, she even gets away with some very mild nudity!) and villainess Ursula Andress (at the tail-end of her stardom really but surprisingly enthusiastic). Incidentally, one of the novelties here is that Andress' Mademoiselle La Valliere (I was not familiar with the character when I encountered her in J. Sheridan LeFanu's "The Room In The Dragon Volant", which I subsequently turned into a script!) gets much more screen-time than her equivalent in the 1939 'original'; indeed, the two women have a number of confrontations throughout – notably when Andress sets a falcon on Kristal. The male lead, however, was a gross miscalculation as Beau Bridges' style of acting is too modern to pass muster in a period romp and in this company (though he must have relished getting close to two beauties such as he is flanked by here)! A measure of the (cynical) times, however, is the fact that the assassination attempt on the King (for which, being aware of it, he has deliberately sent his unwitting twin) resolves itself not by a persuasively sympathetic speech as in the 1939 version but rather a full-bloodied yet highly improbable action sequence! The Four Musketeers, then, are played up as much older than in the earlier version (they still get involved in plenty of derring-do but only 2 expire at the end): Cornel Wilde is D'Artagnan, Jose' Ferrer Athos, Lloyd Bridges (yes, Beau's dad!) Aramis and Alan Hale Jr. in his own real-life father's old role as Porthos – interestingly, 27 years prior to this, Wilde and Hale had appeared together in a similar swashbuckler, actually playing the sons of their respective characters here, AT SWORD'S POINT (1952)!

Likewise, an over-age Rex Harrison 'replaces' Walter Kingsford as the Musketeers' court insider – though the muddled script fails to properly explain the reason behind the beating he receives towards the end! Ian McShane, on the other hand, is perhaps too young for the villainous Fouquet and, again, he emanates from a school of acting which jars with the rest of his colleagues (though he is certainly fun to watch). Olivia De Havilland (in her final theatrical appearance), then, is something of an embarrassment – popping up in a couple of scenes (confronting one Bridges and acknowledging another) as the former Queen-turned-Nun and Bernard Bresslaw (who seems to have strayed in from the "Carry On" series) is a blind inn-keeper! The prologue depicting the children's birth and enforced separation has been dropped here – presumably to instill an air of mystery into the proceedings; oddly, too, the all-important mask is given an impossibly clunky design (looking very much like a cooking-pot!). Finally, I have just realized that the version of the film I acquired and watched was 13 minutes short of the full-length running-time!

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