Alcatraz is the most secure prison of its time. It is believed that no one can ever escape from it, until three daring men make a possible successful attempt at escaping from one of the most infamous prisons in the world.
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The true story of three inmates who attempt a daring escape from the infamous prison, Alcatraz Island. Although no-one had managed to escape before, bank robber Frank Morris masterminded this elaborately detailed and, as far as anyone knows, ultimately successful, escape. In 29 years, this seemingly impenetrable federal penitentiary, which housed Al Capone and "Birdman" Robert Stroud, was only broken once by three inmates never heard of again. Written by
This was Clint Eastwood's first film for Paramount since Paint Your Wagon (1969). He had originally stated that he would never work for the studio again after what he considered to be an incredibly wasteful and expensive shoot on the western musical. He also said his experience on that 1969 box-office disappointment inspired him to set up his own production company so as to avoid the bureaucracy and politics of the major studios. See more »
In the beginning, where Frank Morris is being escorted through Alcatraz, we see him from behind, naked. We also see him being escorted by the guards from within a cell, and very brief, you can see that he is wearing a white towel around his hips. In the next shot, he is seen naked from behind again. Finally when being put in his cell, he is once again wearing a towel. See more »
Do you like the Hole Wolf? Because you are going to rot in there for a long time.
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Opening credits prologue: JANUARY 18, 1960 SAN FRANCISCO See more »
Alcatraz was America's toughest high-security prison, and has been much beloved by film-makers since it closed and became available as a set. Don Siegel's film is based on the true story of an attempted escape. Some aspects are clichéd (the psychopathic homosexual, for example) and by concentrating on the brutality of the regime the film gets you on the side of the escapees at the price of suggesting that prison break-outs are actually a good thing. But in general, this is a successful film that has aged well, with no sickly sentiment or overdone melodrama; by concentrating on the unadorned details of the story, the film allows each one to count. A strong, uncompromising movie, gripping even if you know the ending before it starts.
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