| Photos (See all 14 | slideshow) |
| Hanna Schygulla | ... | Maria Braun | |
| Klaus Löwitsch | ... | Hermann Braun | |
| Ivan Desny | ... | Karl Oswald | |
| Gisela Uhlen | ... | Mother | |
| Elisabeth Trissenaar | ... | Betti Klenze | |
| Gottfried John | ... | Willi Klenze | |
| Hark Bohm | ... | Senkenberg | |
| George Eagles | ... | Bill (as George Byrd) | |
| Claus Holm | ... | Doctor | |
| Günter Lamprecht | ... | Hans Wetzel (as Günther Lamprecht) | |
| Anton Schiersner | ... | Grandpa Berger | |
| Lilo Pempeit | ... | Frau Ehmke | |
| Sonja Neudorfer | ... | Red Cross nurse | |
| Volker Spengler | ... | Train conductor | |
| Isolde Barth | ... | Vevi | |
| Bruce Low | ... | American at conference | |
| Günther Kaufmann | ... | American on train | |
| Karl-Heinz von Hassel | ... | Prosecuting counsel | |
| Kristine De Loup | ... | Notary (as Kristine de Loup) | |
| Hannes Kaetner | ... | Justice of the Peace | |
| Michael Ballhaus | ... | Counsel | |
| Barbara Baum | |||
| Peter Berling | ... | Bronski | |
| Rolf Bührmann | ... | Warden | |
| Rainer Werner Fassbinder | ... | Peddler | |
| Martin Häussler | ... | Reporter | |
| Horst-Dieter Klock | ... | Gentleman With Car | |
| Georg Kuhn | |||
| Norbert Scherer | ... | Warden | |
| Andreas Willim | |||
| rest of cast listed alphabetically: | |||
| Arthur Glogau | ... | Warden (uncredited) | |
Directed by | |||
| Rainer Werner Fassbinder | |||
Writing credits | ||
| Pea Fröhlich | (screenplay) and | |
| Peter Märthesheimer | (screenplay) | |
| Rainer Werner Fassbinder | (idea) | |
| Pea Fröhlich | (dialogue) and | |
| Rainer Werner Fassbinder | (dialogue) and | |
| Peter Märthesheimer | (dialogue) | |
| Kurt Raab | uncredited | |
Produced by | |||
| Wolf-Dietrich Brücker | .... | producer | |
| Volker Canaris | .... | producer | |
| Hanns Eckelkamp | .... | co-producer | |
| Michael Fengler | .... | producer: Albatros-Produktion | |
Original Music by | |||
| Peer Raben | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Rainer Werner Fassbinder | (as Franz Walsch) | ||
| Juliane Lorenz | |||
Production Design by | |||
| Norbert Scherer | |||
Set Decoration by | |||
| Arno Mathes | |||
| Hans-Peter Sandmeier | (as Hans Sandmeier) | ||
| Andreas Willim | |||
Costume Design by | |||
| Barbara Baum | |||
Makeup Department | |||
| Anni Nöbauer | .... | makeup artist | |
Production Management | |||
| Harry Baer | .... | production manager (as Harry Zöttl) | |
| Martin Häussler | .... | production manager | |
| Thomas Wommer | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Rolf Bührmann | .... | assistant director | |
Art Department | |||
| Georg Borgel | .... | props | |
| Claus Kottmann | .... | props | |
Sound Department | |||
| Milan Bor | .... | sound | |
| John Salter | .... | sound assistant | |
| Jim Willis | .... | sound | |
Camera and Electrical Department | |||
| Ekkehard Heinrich | .... | gaffer | |
| Hans-Juergen Hoepflinger | .... | gaffer (as Hans-Jürgen Höpflinger) | |
| Horst Knechtel | .... | assistant camera | |
| Raimund Wirner | .... | gaffer | |
Costume and Wardrobe Department | |||
| Georg Kuhn | .... | wardrobe | |
| Inge Proeller | .... | wardrobe (as Ingeborg Pröller) | |
| Susi Reichel | .... | assistant costume designer | |
Editorial Department | |||
| Christiane Kolenc | .... | assistant editor | |
Music Department | |||
| Daniel Ambach | .... | music assistant | |
| Kurt Maas | .... | music assistant | |
Transportation Department | |||
| Karl Willim | .... | driver | |
Other crew | |||
| Helga Beyer | .... | script supervisor | |
| Robert Busch | .... | production assistant | |
| Dieter Dubine | .... | location manager | |
| Christine Fall | .... | production secretary | |
| Jochen Losse | .... | production coordinator | |
| Ulrike Bode | .... | assistant: producer (uncredited) | |
Thanks | |||
| Peter Zadek | .... | dedicatee | |
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| The English Patient | Die Fälschung | Head-On | Sunshine | The Damned |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb West Germany section |
Sensual and tough Maria Braun. (Hanna Schygula) marries a soldier in the middle of World War II and spends a half of day and the whole night with him. That's how long her marriage lasts before she loses him to the war and then to prison. She carries on with her life, becomes a successful businesswoman being not only sensual but intelligent, ambitious, and willing to use sex whenever or wherever necessary: "I don't know a thing about business, but I do know what German women want. You might even say I'm an expert on it". While climbing up to the success she always remembers her husband, Hermann (her man) and convinces herself that whatever she does is for him, for their future happy life together. "Maria Braun"'s style reminds much of melodramas by Fassbinder's favorite Hollywood director, Douglas Sirk and offers a glimpse of the loss and survival in postwar Germany. Hanna Schygula literally shines in every scene of the movie and she is fantastic.
8.5/10