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The Marriage of Maria Braun (1979)
"Die Ehe der Maria Braun" (original title)

7.9
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Ratings: 7.9/10 from 6,843 users  
Reviews: 35 user | 34 critic

A World War II widow seeks to adjust to life in postwar Germany.

Writers:

(screenplay), (screenplay), 5 more credits »
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Title: The Marriage of Maria Braun (1979)

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Nominated for 1 Golden Globe. Another 15 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Klaus Löwitsch ...
Hermann Braun
Ivan Desny ...
Gisela Uhlen ...
Mother
Elisabeth Trissenaar ...
Betti Klenze
...
Hark Bohm ...
Senkenberg
George Eagles ...
Bill (as George Byrd)
Claus Holm ...
Doctor
Günter Lamprecht ...
Hans Wetzel (as Günther Lamprecht)
Anton Schiersner ...
Grandpa Berger
Lilo Pempeit ...
Frau Ehmke
Sonja Neudorfer ...
Red Cross nurse
Volker Spengler ...
Train conductor
...
Vevi
Edit

Storyline

This movie follows the life of a young German woman, married to a soldier in the waning days of WWII. Fassbinder has tried to show the gritty life after the end of WWII and the turmoil of the people trapped in its wake. Written by Neel V Kumar <neelvk@iname.com>

Plot Summary | Plot Synopsis

Taglines:

The Marriage Of Maria Braun. . . the marriage lasted no longer than half a day and a full night.

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

23 March 1979 (West Germany)  »

Also Known As:

The Marriage of Maria Braun  »

Filming Locations:

 »

Box Office

Budget:

DEM 1,975,000 (estimated)

Gross:

SEK 2,942,838 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Fujicolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Part of the BRD Trilogy along with Veronika Voss (1982) and Lola (1981). "BRD" stands for Bundesrepublik Deutschland, the official name of West Germany and of the united contemporary Germany, period in which those three stories takes place. See more »

Quotes

Mrs. Ehmke: He wants to talk to you.
Maria Braun: I said I wasn't here.
Mrs. Ehmke: (speaking into phone) I'm sorry, she's out of the office.
Maria Braun: I don't want to go to lunch.
Mrs. Ehmke: (speaking into phone) She doesn't want to go to lunch - oh, I'm sorry - Hello? Mr. Oswald?
[Mrs. Ehmke hangs up the phone and starts to cry. Maria Braun starts to laugh]
Maria Braun: What a riot! That's the funniest thing I've seen in a long time. Stop crying now. Call him back and tell him I'm possessed by the devil. He can meet the devil for lunch at 1:00 if he wants.
See more »

Crazy Credits

At the very end of the credits the following persons are 'credited' by their picture: Konrad Adenauer, Ludwig Erhard, Kurt Georg Kiesinger and Helmut Schmidt and a disconnected phone line can be heard. See more »

Connections

Referenced in Stealing Beauty (1996) See more »

Soundtracks

Moonlight Serenade
Written by Glenn Miller
See more »

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User Reviews

 
An intelligent but strangely lifeless allegorical work
14 June 2011 | by (Edinburgh, Scotland, UK) – See all my reviews

A woman uses every means possible to survive hardship in post-war West Germany. In doing so she becomes financially successful but loses her soul in the process.

The Marriage of Maria Braun is a film that operates on two different levels. On the one hand in can be seen as a look at one woman's struggle against adversity in the hardships of the post war years. While on another, the film can clearly be read as a critique of the way the new Germany forgot it's awful past and sold it's soul in order to prosper in what would become known as the German Economic Miracle. This latter reading can be determined by reading the main narrative as an allegory in which Maria Braun represents the new Germany. She begins by prostituting herself to the Americans and ends very wealthy but emotionally dead; she forgets her past quickly in order to concentrate on her future.

There is no doubt that Rainer Werner Fassbinder put together a clever allegorical film here. And there is also no doubt that Hanna Schygula is very good in the lead role. But I did have difficulty with empathising with the people in this story, as none of them were particularly likable. Perhaps that was the point of course. But, whatever the case, the film left me cold unfortunately.


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