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The Driller Killer (1979)

 -  Horror | Thriller  -  15 June 1979 (USA)
4.9
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Ratings: 4.9/10 from 4,068 users  
Reviews: 104 user | 70 critic

An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.

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Cast

Cast overview, first billed only:
...
Reno Miller (as Jimmy Laine)
Carolyn Marz ...
Carol Slaughter
Baybi Day ...
Pamela
Harry Schultz ...
Dalton Briggs
Alan Wynroth ...
Al the Landlord
Maria Helhoski ...
James O'Hara ...
Man in Church
Richard Howorth ...
Stephen - Carol's Husband
Louis Mascolo ...
Knife Victim
Tommy Santora ...
Attacker
Rita Gooding ...
TV Spot
Chuck Saaf ...
TV Spot
Gary Cohen ...
Voice-over (voice)
Janet Dailey ...
Girl at Audition
Joyce Finney ...
Girl at Audition
Edit

Storyline

An artist slowly loses his mind as he and his two female friends scrape to pay the bills. The punk band downstairs increasingly agitates him, his art dealer is demanding that he complete his big canvas painting as promised, and he gets into fights with his girlfriends. When the dealer laughs at his canvas he snaps, and begins taking it out on the people responsible for his pain and random transients in the manner suggested by the title. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

The Blood Runs In Rivers... And The Drill Keeps Tearing Through Flesh And Bone See more »

Genres:

Horror | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 June 1979 (USA)  »

Also Known As:

Driller Killer  »

Filming Locations:


Box Office

Budget:

$20,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut) | (uncut)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Abel Ferrara claims that half of this movie was shot in 1978 and the other half was shot in 1979. This explains why the actors hair styles and looks in general change quite frequently during the movie. See more »

Goofs

While the Driller Killer prepares to drill a homeless man in the head, the homeless man continuously changes position between shots, in spite of sleeping soundly enough to not hear the Driller Killer revving his drill. See more »

Quotes

Reno Miller: Look, I can't even think with these guys playing that music in the place below mine. It's like they play all day and all night. They don't quit for a minute. Hell, they don't even stop to go to the bathroom!
Landlord: It's not my problem. It's your problem.
Reno Miller: What do you mean it's my problem? You're the super around here. It's your job to keep this place quiet.
Landlord: My job? It's not my job. Besides, they don't bother me.
Reno Miller: What do you mean? Why should they bother you? Look what the hell you're doing, fixing spark...
[...]
See more »

Crazy Credits

Movie opens with message "THIS FILM SHOULD BE PLAYED LOUD." See more »

Connections

Featured in Filmgore (1983) See more »

Soundtracks

Grand Street Stomp
Written by D.A. Metrov (as Metro), Abel Ferrara (as Laine) and John Paul McIntyre (as MacIntyre)
Performed by Tony Coca-Cola and the Roosters
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Arthouse nasty

This is probably best looked at in the context of Ferrara's other work, rather than in the context of the rest of the British video nasties list, because it is actually a surprisingly good film. Rather than a mere body count movie, Ferrara's first movie is a Repulsion-style portrait of a man's descent into psychosis; a bleak yet darkly comic urban paranoia movie with actually far less graphic bloodletting than its detractors would have us believe. Despite the obvious low budget, the acting and cinematography are all perfectly competent in evoking the claustrophobically squalid milieu which leads to the breakdown of the protagonist (played by the director himself). The film's power lies in its accumulation of individual scenes and images, though unfortunately it fails to maintain the tense atmosphere, as interest begins to wane towards the end. This is an interesting and technically accomplished film from a first-time director, introducing the same distinct visual style and themes which have dominated his later films. As a piece of late-70's low-budget independent exploitation cinema, it is head and shoulders above the rest.


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Recent Posts
That's nearly 2 hrs of my life I want back!!! sassylee-1
Bought this for £1 dallywhitty
the worst video nasty.. comedy_dan
Does a Sountrack to this film exist? Benzo
But then its not a horror movie is it?! mysparkle
BAYBI DAY honeymoon_hatchet
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