An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ... See full summary »
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
An artist slowly loses his mind as he and his two female friends scrape to pay the bills. The punk band downstairs increasingly agitates him, his art dealer is demanding that he complete his big canvas painting as promised, and he gets into fights with his girlfriends. When the dealer laughs at his canvas he snaps, and begins taking it out on the people responsible for his pain and random transients in the manner suggested by the title. Written by
Ed Sutton <email@example.com>
Could have easily escaped the UK 'video nasty' list if the original pre-VRA video cover wasn't so graphic. it featured a very bloody close-up of a drill boring into a man's head with lots of blood. The video cover was featured in video catalogues and received many complaints. See more »
When the Driller Killer drills into a homeless man's head, he does not drill far enough to cause death, as evidenced by the depth of blood on the drill-bit. See more »
[Tony Coca-Cola is looking at Reno's artwork]
This is a whacked out thing, man. You into rock and roll head trips, baby? Posters? Portraits? I mean... how do you do this, man? How's it done, brother?
How is what done?
I mean... if someone needed something special, can you do it?
What are you talking about?
I need something special. Like this... of me. Can you do that?
You want to know if I can do you a painting. If I can paint a portrait of you? Sure, I can do you a portrait. But it's gonna cost...
[...] See more »
Movie opens with message "THIS FILM SHOULD BE PLAYED LOUD." See more »
......... But before everyone phones the police to have me locked up in an asylum let me please explain that I had the " Neighbours from hell " living below me for over three years . Music would be turned on FULL BLAST below my bedroom at any time of the day or night . The music might get turned on at three in the morning and turned off at midday , it might get turned on at midday and turned off at three in the morning , I would never know when the music was going to get turned on when it wasn`t being played and conversely when it was being played - And let me repeat it was FULL BLAST - I`d never know when it was going to be turned off . My life was a waking nightmare , a living hell . My landlords said " Oh nothing we can do , you`d better call the police " which is a euphemism for " We`re not going to do anything because we`re money grabbing parasites who are only interested in the rent - and don`t forget to pay yours before the end of the month Mr Robertson " . I phoned the police but seeing as the neighbours turned their music off everytime they saw the police van driving up the road this was a waste of time - Not that the police seemed all that bothered about my trauma . And it was a trauma , so any film that deals with a man who has to put up with speed addicted freaks playing the theme to PETER GUNN at two O`clock in the morning is my type of movie . The only real difference between the character seen here and me is that I didn`t kill anyone , I do confess I certainly wanted to but didn`t . Oh and in this film the freaks making their neighbour`s life a misery seem to take far less drugs than the ones who lived below me .
There`s actually a very good story trying to get out of this movie , but DRILLER KILLER is heavily weighed back by the technical aspects . The acting , despite not being the worst I`ve ever seen isn`t all that good while aspects like cinematography and sound are very very poor indeed . To tell the truth it`s an almost unwatchable movie , not due to the graphic violence but due to the very poor production values
But DRILLER KILLER isn`t a total flop . It feels more like guerilla film making than a video nasty , and it`s certainly better than garbage like I SPIT ON YOUR GRAVE and NIGHT OF THE DEMON . And I can`t help feeling if it`d had a slightly more polished feel and a higher budget it`d be compared to the early works of Martin Scorsese
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