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The Driller Killer (1979)

 -  Horror | Thriller  -  15 June 1979 (USA)
4.9
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Ratings: 4.9/10 from 4,094 users  
Reviews: 104 user | 70 critic

An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.

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Cast

Cast overview, first billed only:
...
Reno Miller (as Jimmy Laine)
Carolyn Marz ...
Carol Slaughter
Baybi Day ...
Pamela
Harry Schultz ...
Dalton Briggs
Alan Wynroth ...
Al the Landlord
Maria Helhoski ...
James O'Hara ...
Man in Church
Richard Howorth ...
Stephen - Carol's Husband
Louis Mascolo ...
Knife Victim
Tommy Santora ...
Attacker
Rita Gooding ...
TV Spot
Chuck Saaf ...
TV Spot
Gary Cohen ...
Voice-over (voice)
Janet Dailey ...
Girl at Audition
Joyce Finney ...
Girl at Audition
Edit

Storyline

An artist slowly loses his mind as he and his two female friends scrape to pay the bills. The punk band downstairs increasingly agitates him, his art dealer is demanding that he complete his big canvas painting as promised, and he gets into fights with his girlfriends. When the dealer laughs at his canvas he snaps, and begins taking it out on the people responsible for his pain and random transients in the manner suggested by the title. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

There are those who kill violently! See more »

Genres:

Horror | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 June 1979 (USA)  »

Also Known As:

Driller Killer  »

Filming Locations:


Box Office

Budget:

$20,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (cut) | (uncut)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Title is mentioned in the song "Nasty" by The Damned - a song about horror movies that were banned in the U.K. after the Video Recording Act of 1984. See more »

Goofs

In one scene, the killer is drilling into the head of a victim at a bus stop with a cordless power drill. In the next scene, he's running down the street with a cord dangling from his drill. See more »

Quotes

Reno Miller: Oh, so it's finished? Thank you. It's finished... Since when did you become such an expert on painting? I mean, you're telling me it's finished? What do you know about painting, anyway? Really, what do you know about paint? I'll tell you what you know about paint, man: you don't know nothing about paint, man. You know what you know about? You know about how to bitch and how to eat and how to bitch and how to shit and how to bitch! But you don't know nothing about paint, so don't tell me when ...
See more »

Crazy Credits

Movie opens with message "THIS FILM SHOULD BE PLAYED LOUD." See more »

Connections

Featured in My Pure Joy (2011) See more »

Soundtracks

Grand Street Stomp
Written by D.A. Metrov (as Metro), Abel Ferrara (as Laine) and John Paul McIntyre (as MacIntyre)
Performed by Tony Coca-Cola and the Roosters
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Arthouse nasty

This is probably best looked at in the context of Ferrara's other work, rather than in the context of the rest of the British video nasties list, because it is actually a surprisingly good film. Rather than a mere body count movie, Ferrara's first movie is a Repulsion-style portrait of a man's descent into psychosis; a bleak yet darkly comic urban paranoia movie with actually far less graphic bloodletting than its detractors would have us believe. Despite the obvious low budget, the acting and cinematography are all perfectly competent in evoking the claustrophobically squalid milieu which leads to the breakdown of the protagonist (played by the director himself). The film's power lies in its accumulation of individual scenes and images, though unfortunately it fails to maintain the tense atmosphere, as interest begins to wane towards the end. This is an interesting and technically accomplished film from a first-time director, introducing the same distinct visual style and themes which have dominated his later films. As a piece of late-70's low-budget independent exploitation cinema, it is head and shoulders above the rest.


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Message Boards

Recent Posts
That's nearly 2 hrs of my life I want back!!! sassylee-1
Bought this for £1 dallywhitty
the worst video nasty.. comedy_dan
Does a Sountrack to this film exist? Benzo
But then its not a horror movie is it?! mysparkle
BAYBI DAY honeymoon_hatchet
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