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A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by
Hillary Glendinning (firstname.lastname@example.org)
When Harker is driving away from Dracula's castle after having Dracula sign the deed papers, Renfield jumps him from the back of his car. During the scenes of struggle, there's a from-the-front shot that clearly shows another car loaded with people (crew?) about a hundred feet or so behind the Harker car. See more »
Vastly Underrated in it's day but a stylish Victorian Version.
Frank Langella essays an excellent portrayal of the suave and commanding Count Dracula. And he is surrounded with a powerhouse cast, including Sir Laurence Olivier as van Helsing and Donald Pleseance as Dr, Seward. helped by the magnificent English scenery and splendid sets, such as the Carfax Abbey set with it's thousands of candles when Mina comes to dine. Also the character of Renfield is much more of a sympathetic creature in this version. This production, as was the 1931 Universal version, was taken by the Hamilton dean play, with quite a few script additions. And I agree with the young woman who said that she could understand how this Dracula, with his oozing sensuality, could so easily draw women to him. Of all the screen Draculas Langella is the one with the most sex appeal. Finally to round out the charms of this film is the fantastic sound score created by John Williams. (Where does he find the time to do all these film scores? And all of them so great.) Surprisingly, when it first opened this film version was a flop, which I feel was undeserved. But time has shown it to be a much better film than deemed.
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