Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to... See full summary »
At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure ... See full summary »
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case ... See full summary »
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
This vampire spoof has Count Dracula moving to New York to find his Bride, after being forced to move out of his Transylvanian castle. There with the aid of assistant Renfield, he stumbles ... See full summary »
Susan Saint James,
When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by
Hillary Glendinning (firstname.lastname@example.org)
Just before dancing with Dracula, Lucy flips over the record on the player and sets it playing again. The record is moving around at a leisurely pace; however, the earliest disc recordings played at around 78 RPM - a much faster speed. Records playable at lower rates were much later inventions. See more »
The vampire Count Dracula (Frank Langella) arrives in England from Transylvania and targets a wealthy middle-class family, including the daughter of arch-enemy Abraham Van Helsing (Laurence Olivier)...
John Badham's underrated adaptation of Bram Stoker's novel takes most of its cues from the stage play by Hamilton Deane and John L. Balderston (which had launched Bela Lugosi to stardom in 1927), and while it may not be entirely faithful to the book - events are compressed for reasons of timing - it adheres faithfully to the spirit of the thing. It's also an immensely CINEMATIC work which uses the wide Panavision frame in painterly fashion, creating a landscape of Gothic architecture and Victorian excess (note the breathtaking shot looking down from the ceiling inside Dracula's castle, where an ornate spider's web fills the entire screen). Badham and screenwriter W.D. Richter emphasize the film's Romantic elements - helped immeasurably by Langella's complex performance - though the corruption underlying Dracula's handsome exterior is often betrayed by certain details (the Count clawing at a windowpane, seeking entrance to his latest victim; the ghoulish vampiress who continues to rot even as she pursues her lust for human blood, etc.).
Olivier has been criticized in some quarters for his 'silly' European accent, and it's true that his performance lacks some of the dynamism Peter Cushing once brought to the role of Van Helsing, but Olivier comes into his own when confronting Dracula with evidence of his vampirism, and in the deeply moving moment when he drives a stake through his daughter's heart and cradles her corpse in his arms whilst sobbing uncontrollably. The fine supporting cast includes Trevor Eve, Donald Pleasence and a wealth of familiar British character actors (Tony Haygarth, Teddy Turner, Sylvester McCoy, etc.), alongside Canadian actress Kate Nelligan, giving a finely-tuned performance as a potential bride of Dracula. A beautiful film - romantic, tragic, Gothic and sinister, it satisfies in almost every respect, and is ripe for rediscovery. John Williams' glorious music score is the icing on the cake.
16 of 19 people found this review helpful.
Was this review helpful to you?