The Romanian count known as Dracula is summoned to London by Arthur Holmwood, a young Lord who is one the verge of being wed. Unknown to Arthur's future bride Lucy, her future husband is ... See full summary »
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
For those familiar with Bram Stoker's novel, this adaptation follows the book quite closely in most respects. Jonathan Harker visits the Count in Transylvania to help him with preparations ... See full summary »
When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by
Hillary Glendinning (firstname.lastname@example.org)
Reportedly, the concept for this picture came when producer Walter Mirisch saw the Broadway theatrical production. Mirisch said: "I truly had no idea what to expect. But I found that [Frank] Langella had created a completely different character from the accepted sinister one - a character with charm, sex appeal, and most important of all, he endeared himself to the audiences. I decided right then to make the film!". See more »
Lucy awakens to Mina's shallow breathing and rings for Seward, who comes to the aid, followed by Jonathan. As Mina dies, and Seward closes her eyes - you can still see her chest rise slightly even though she's supposed to be dead. In the following far shot, as Jonathan is steering a grieved Lucy out of the room, you can still see Mina's chest slightly rise again. See more »
Langella's portrayal outdoes them all. Sexy, charming.
I have seen many different DRACULA films since I could ride a bike, and I have to say that this movie, was by far, the best of them all.
Okay, call me a sensitive, (lusting) hopeless romantic - if you will. But Frank Langella's exquisite performance was a new twist on the horrid, vengeful, bloodsucker from the classic Stoker novel.
For over two decades, women have found Langella's portrayal to be the most erotic, sexy and desirable by comparison, because of his physique, masculinity, voice, and natural charisma. In fact, to me - Frank Langella IS/WAS Dracula, not just an actor who played the role.
But, I wholly credit the film makers for opting to steer THIS film into a more romantic, passionate, sexual approach. With the dozens of DRACULA films produced---the flavor does begin to stagnate. After all, how many other (Dracula) films have flopped? Not just due to the poor casting, bad direction or writing either. A film goer can only stand to see exact or similar performances for so long---(remember the "FRIDAY THE 13TH" series?)
Also, the special effects used in this film were very impressive, for 1979. Most of the Dracula/wolf morph scenes were pulled off convincing, as was the Dracula/bat changes during the VAN-HELSING / HARKER / DRACULA scene at Carfax Abbey. I was duly impressed by the 'invisible man' door opening effect (after Lucy's seduction) when DRACULA pays VAN-HELSING a "surprise" visit -
"...I did not hear you come in, Count..."
In addition, Frank Langella's natural astigmatism or "dancing eyes" only completed an intensifying, dramatic effect, that no effort of modern technology could possibly recreate.
MOVING ON TO THE FILM: what woman doesn't dream of being kissed as Dracula kisses Lucy during (you know what scene I'm talking about). At first, they are standing atop the balcony, commenting about "the children of the night". Well, Dracula would have swept me off my feet too! And then, later in the bedroom scene, when Dracula seduces Lucy---well, what more can I say?
Stepping backward, if you please, to the intermediate `Seward Dinner', following the opening scene; when Count Dracula finally makes his first bold appearance. I felt as though I were actually watching the drama unfold on a live stage, in front of me!
Yes, Hollywood has been producing DRACULA films for nearly a century. However, the film producers really put the monster in a whole new, more human perspective - as only Frank Langella could do - with perfection.
In fact, it was Langella's stunning Off-Broadway performance that sparked the film maker's idea to adapt this script to the big screen.
Alongside a stellar cast of fine performances from Nelligan and veterans Olivier and Sutherland, this film deeply portrays DRACULA; at first as an alluring, romantic, sexy, suave Monarch. But then, gradually untwists to reveal the true lusting, hideous, destructive 'creature of the night'.
That's my say [for now]
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