Romanticized adaptation of Bram Stoker's 1897 classic. Set in 1913 England, the bloodsucking, but handsome, charming and seductive, Count Dracula seeks an immortal bride.



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Dracula (TV Movie 1974)
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Count Dracula (TV Movie 1977)
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For those familiar with Bram Stoker's novel, this adaptation follows the book quite closely in most respects. Jonathan Harker visits the Count in Transylvania to help him with preparations ... See full summary »

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The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina.

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Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses.

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The Romanian count known as Dracula is summoned to London by Arthur Holmwood, a young Lord who is one the verge of being wed. Unknown to Arthur's future bride Lucy, her future husband is ... See full summary »

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Dracula 2000 (2000)
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A group of thieves break into a chamber expecting to find paintings, but instead they release the count himself, who travels to New Orleans to find his nemesis' daughter, Mary Van Helsing.

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Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »

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Dracula is resurrected, preying on four unsuspecting visitors to his castle.

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The vampire comes to England to seduce a visitor's fiancée and inflict havoc in the foreign land.

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Count Dracula (1970)
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Jess Franco's version of the Bram Stoker classic has Count Dracula as an old man who grows younger whenever he dines on the blood of young maidens.

Director: Jesús Franco
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Director: Roy Ward Baker
Stars: Christopher Lee, Dennis Waterman, Jenny Hanley


Cast overview, first billed only:
Jan Francis ...
Janine Duvitski ...
Teddy Turner ...
Walter (as Sylveste McCoy)
Kristine Howarth ...
Mrs. Galloway
Joe Belcher ...
Tom Hindley
Ted Carroll ...
Scarborough Sailor
Frank Birch ...
Gabor Vernon ...
Captain of Demeter


When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by Hillary Glendinning (

Plot Summary | Plot Synopsis


Throughout history, he has filled the hearts of men with terror, and the hearts of women with desire. See more »


Horror | Romance


R | See all certifications »

Parents Guide:






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Release Date:

20 July 1979 (USA)  »

Also Known As:

Drácula  »

Box Office


$12,164,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Laurence Olivier (Professor Van Helsing) was seriously ill during the making of this film and some cast and crew wondered whether he would be able to complete it. Ironically, working on this vampire film, Olivier had a disease that caused him to bleed incessantly at the slightest nick or scratch. See more »


When undead Lucy approaches Van Helsing in the mines under the graveyard, her reflection is seen in the water. When, two scenes later, Count Dracula comes into Mina's home and walks by a mirror, Van Helsing points out that he did not see Dracula in the mirror. That Lucy does cast a reflection in the water, where she ordinarily should not have, is explainable by the fact that, just before her reflection became visible, Van Helsing had dropped a crucifix into the water. That had the effect of sanctifying the water--of making it holy water, in other words; though they cast no reflections in glass or polished metals, vampires (according to one obscure detail of the superstitions about them) WILL reflect in holy water, which is the only substance capable of showing vestigial remnants of the souls they lost to damnation when they died as living beings. See more »


Count Dracula: I am the *king* of my kind!
See more »


Featured in The Road to Dracula (1999) See more »

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User Reviews

Much better than I'd heard.
6 March 2007 | by (Brooklyn, NY) – See all my reviews

For years, I've listened to horror fans talk trash about the 1979 "Dracula." It's not faithful to the book, they'd complain, it's not scary, it's only made for the sake of middle-aged ladies who fancy Frank Langella, etc. etc.

Well, I'm happy to report that the horror fans are way off base this time. This "Dracula" is a classy, creepy, and sometimes downright exciting production. Sure, the script doesn't follow the events of the book exactly - the whole thing takes place in England! - but it makes the most of its limitations, so to speak.

Langella makes a very classy Dracula. He apparently refused to wear fangs or demon eyes for the role, focusing instead on making the count more "human" - not to mention arrogant, intelligent, and, I suppose, sexy (for me and other guy viewers, though, the eye candy in this movie is Kate Nelligan). Perhaps Langella is a little too "normal," and his big hair is slightly amusing, but on the whole I think he plays the role with dignity, inhabiting Dracula in a far more convincing way than the likes of Gary Oldman.

The rest of the cast is pretty good, too. Nelligan makes a lovely, capable heroine, and Trevor Eve is an OK (if underused) Jonathan Harker. Laurence Olivier's Van Helsing is a lot better than most people say he is - he comes across as smart, brave and an overall worthy opponent for Dracula. Reviewers tend to mock his Dutch accent, but I don't get too wrapped up in stuff like that; it sounds fine to me. I certainly think the cast here is much better than the parade of wooden actors and crazy hams in the Coppola version.

I like the production values of this film, too. The special effects are mostly photographic tricks but they look cool, and they aren't overbearing like modern CGI effects. The sets and locations are attractive, though the designers went a bit overboard with the Gothic ruin of Carfax Abbey (probably because they wanted to make it a substitute for the absent Castle Dracula). And, of course, the eerie John Williams score is a treat, and rightly praised by most critics.

Another plus is that the movie features a number of very powerful scenes - I love Dracula's confrontation with Van Helsing in the study, and the terrifying moment when Van Helsing encounters his vampire daughter in the mine shaft. Creepy stuff; no wonder this movie freaked me out when I was a kid!

On the downside, I found Dr. Seward, as played by Donald Pleasence, slightly too grotesque and lame to be believed. And, as usual for these Dracula adaptations, Renfield seemed borderline extraneous. The plotting flakes apart a bit at the end, too, with the car chase scene coming across as silly - and what, exactly, does the final image in the film mean? It's slightly too enigmatic for my tastes. I am supposed to be rooting for Dracula to survive or something?

Still, this is one of the better Draculas. The 1977 BBC version is more faithful and probably better. But this is arguably the best adaptation of the story to come out of Hollywood.

37 of 41 people found this review helpful.  Was this review helpful to you?

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