The Romanian count known as Dracula is summoned to London by Arthur Holmwood, a young Lord who is one the verge of being wed. Unknown to Arthur's future bride Lucy, her future husband is ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by
Hillary Glendinning (firstname.lastname@example.org)
Ken Russell ws also planning a version around the same time. At one stage, he considered Laurence Olivier as the Count. His later cast was either Peter O'toole or Mick Fleetwood (of Fleetwood Mac fame) in the lead, with Peter Ustinov as Van Helsing. He also wanted Oliver Reed as Renfield, with Sarah Miles and Mia Farrow as Lucy and Nina, Michael York and James Coburn were also on Russell's wishlist. See more »
Obvious stunt double when Dracula kills Van Helsing with a stake. See more »
Now, I'm going to forward a controversial comment. This is the BEST adaptation of Dracula yet seen and miles better than Coppola's version.
I liked this adaptation because it was a subtle take on the old legend, needing neither the overblown pretension of Coppola's rather lurid and purple-prosy presentation, nor the schlocky elements of the Hammer versions (as good as they are).
Frank Langella really was the definitive Count. He carried the role off with charm and calculation, making him far more rounded a character than Oldman did (but maybe not with the poignancy). What makes the difference though, is that Langella gets first-class back-up while (with the exception of Anthony Hopkins) Oldman was left on his own by the woodenly gruesome performances of the supporting cast (Wynona Ryder and especially Keanu Reeves were the chief culprits here). Kate Nelligan, Sir Larry and Donald Pleasance were in fine form and Trevor Eve made more of the Jonathan Harker character than Reeves ever could. Jan Francis made a believably frail Mina.
What really makes this film so good though is the superbly Gothic atmosphere. The set for the Count's castle was suitably creepy and the cinematography added to the feel of the period. Technically, Badham's version shows how much has now been lost by the reliance on CGI and digital add-ons.
That this Dracula takes it's cue from the stage adaptation rather than Stoker's original book adds a welcome element of variety. So what if it's not faithful? Does it matter? Very few films these days have this level of class and genuine skill injected into them. John Badham's version has been criminally underrated for years and slagged off by far too many ill-informed pedants. Judge for yourself. Maybe you will disagree about which adaptation is best but , pound to a penny, you won't regret watching it.
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