Two segments. The first one arranges six stories from Cesare Pavese's "Dialoghi con Leucò", taken from classical mythology. The second segment is taken from Pavese's novel "La luna e i falò... See full summary »
Yussuf and Aliosha are two shipwrecked sailors on an island in the Caspian Sea. They start working as sailor and mechanic for the fishing boats of the "Lights of the Communism" kolkhoz. ... See full summary »
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
It is late at night and a married couple has just returned home from a party, where they met a former school friend of the wife and a famous singer. The husband has been charmed by the ... See full summary »
A documentary following Kenzo Okuzaki, a 62-year-old WW2 veteran notorious for his protests against Emperor Hirohito, as he tries to expose the needless executions of two Japanese soldiers during the war.
This film travels through fantasy and reality as Ivens goes to China to capture the Wind. The film reflects the film maker's journey - from his first film on the wind (Pour Le Mistral)to ... See full summary »
One of the best and most influential in avant-garde cinema, an experiment from Michael Snow for 24 hours, using the robotic arm Michael Snow program all robotic movements so as not to be ... See full summary »
Two segments. The first one arranges six stories from Cesare Pavese's "Dialoghi con Leucò", taken from classical mythology. The second segment is taken from Pavese's novel "La luna e i falò": after WWII the emigrant 'The Bastard' comes back to his village in the Langhe (northern Italy) to find that everyone he knew has died and the war has deeply changed relationships between people. Written by
For a considerable period of time now, I had been hearing the name Straub-Huillet in this forum, a name that was every bit as foreign to my ears as it could be. I had never heard the name(s) before, and even as I decided to start my Straub-Huillet journey yesterday, I was a bit apprehensive, already unsure if I was in shape to tackle the density of their art. Well, I stand stunned after Dalla Nube alla Resistenza, and this delightful petrification is different in nature, even if slightly so, than my normal reaction to masterpieces. No, there is NO question that this is one of the greatest films I have watched in my life, but most definitely this film was made for me, and for every person interested in mythology. But that's just half of it, as the second segment tells a very real story, far apart from the six mythological conversations that make up the first one. The first segment is quite focused or various mythic tales and could be a pain for the non-interested, but if you are familiar, it is an experience that you can never forget. An ode to the medium itself, shot via long takes of sublime beauty and excellent camera placement, it is also a fitting tribute to the power of words, devoid of all tonal variation, another factor that understandably has led reviewers to call it 'talky' but take my word, it's some great talk! The second segment is about a veteran 'The Bastard' - how WWII had changed lives and relationships. This one, too is shot with great simplicity, and it's almost like we are watching real people, listening to real conversations, actually witnessing the lifelessness within life; the conversations themselves are very interesting if you follow them, but of more enjoyment is how magically, in one stroke, Straub/Huillet manage to tell a story that stretches from creation to demolition, even if it took me a while to get to it.
As this movie ended I found myself concluding that this was not for everyone but for the mythology nerds but as I mulled over it, working my head, the magic of the film struck me how it lazily forms a full circle from the withdrawal of Gods from Earth, to the first accounts of superstition and bloodshed and then, finally, to the futility of the modern man's violence; it is absolutely brilliant. But yes, the amount of dialogue that flows in the 100 minutes could really put you off; I had to go back a lot of times, because in the maze of the excellent philosophical lines, I did lose a thread or two. But going back was a pleasure, and this is a fabulous must-watch, in my opinion.
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