A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
While doing a series of reports on alternative energy sources, an opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicise the incident but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret. Written by
Dave Jenkins <firstname.lastname@example.org>
California Gas & Electric (CG&E) in the film is a thinly veiled reference to Pacific Gas & Electric, (PG&E) which operates the Diablo Canyon Nuclear Power Plant in San Luis Obispo County, California. See more »
When Jack sets down his coffee cup, just after the earthquake, the handle points towards the edge of the counter. In the close up the handle points to the corner. See more »
Evan Mc Cormack:
...and let this lunatic wipe out a billion dollar investment? At least this buys time; it will take the press an hour to get here.
I wouldn't count on it.
Evan Mc Cormack:
I'm counting on you to take care of the God damn press. Now you do your Job, and let me do mine.
See more »
I normally don't comment on movies on IMDB, but in this case I feel like I should. I love movies, and I want to make them, and this movie is a perfect example of fine filmmaking.
This is one of the few movies that I have seen on the small screen (originally seeing it air on AMC, I believe, and then on the DVD I just watched) that made me get that feeling in the pit of my stomach. That little gnawing sensation that the director would hope you feel while watching his thriller.
Jack Lemmon's performance is a fine one, and Jane Fonda and Michael Douglas follow. I felt so much empathy of Lemmon, who's character Jack Godell, only wanted people to listen to his warning.
But what impresses me most about this film is the lack of a score, and this is also what makes it beautiful to me. Apart from the opening titles there are no background music to increase the tension, because none is needed. And while the credits run, white on black, in silence it drives the point home.
I use the movie as an example to anyone who says music makes the movie. I think the movie should make the movie and the music should only amplify that. But for The China Syndrome music is not necessary to get across the realism and the urgency depicted here. The characters portray all of this far better than the music ever could.
I highly recommend this movie, it is one of my favorites. If you like movies, you won't be disappointed. If you like movie soundtracks more, you might not want to give this one a go.
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