A mentally unstable Vietnam war veteran works as a nighttime taxi driver in New York City where the perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.
Robert De Niro,
After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
While doing a series of reports on alternative energy sources, an opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicise the incident but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret. Written by
Dave Jenkins <email@example.com>
The movie's title is based on the theoretical but implausible notion that if a nuclear meltdown were to occur in the United States, the nuclear core would melt all the way through the Earth's core and emerge on the other side of the world. However, China is simply a metaphor for the other side of the world. If such an event could occur it would emerge in the Indian Ocean. See more »
During the opening credits sequence, the helicopter carrying the camera is reflected in the rear window of the Bronco. See more »
Evan Mc Cormack:
...and let this lunatic wipe out a billion dollar investment? At least this buys time; it will take the press an hour to get here.
I wouldn't count on it.
Evan Mc Cormack:
I'm counting on you to take care of the God damn press. Now you do your Job, and let me do mine.
See more »
Centrally focused on the nuclear power industry, James Bridges's film contains a subtext indicting the news media, particularly television. His story leaves no room to doubt that there is a nexus between the moguls of the two industries which influences the way stories are, first, treated and, secondly, presented.
He may exaggerate to make his point, but he makes it so prominent that its place cannot be overlooked in examining the whole of the film.
Bridges also knows Hitchcock's trick of frustrating the audience with the passage of time. When Kimberly's crew is waiting at a public hearing for Jack to arrive with evidence, the performance of the enviro-protesters with their neat clothes, neat black gags and silent protest is as excruciating as nails scraping a blackboard. The audience is more anxious than the characters for an arrival to put an end to it.
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