| Robert Kerman | ... | Harold Monroe | |
| Francesca Ciardi | ... | Faye Daniels | |
| Perry Pirkanen | ... | Jack Anders | |
| Luca Barbareschi | ... | Mark Tomaso (as Luca Giorgio Barbareschi) | |
| Salvatore Basile | ... | Chaco Losojos | |
| Ricardo Fuentes | ... | Felipe Ocanya | |
| Carl Gabriel Yorke | ... | Alan Yates (as Gabriel Yorke) | |
| Paolo Paoloni | ... | Chief NY Executive | |
| Lionello Pio Di Savoia | ... | Executive (as Pio Di Savoia) | |
| Luigina Rocchi | ... | Native | |
| rest of cast listed alphabetically: | |||
| Lucia Costantini | ... | Adulteress (uncredited) | |
| Ruggero Deodato | ... | Man Outside University (uncredited) | |
| Edward Mannix | ... | Harold Monroe (voice) (uncredited) | |
| Enrico Papa | ... | TV Show Host (uncredited) | |
| Gregory Snegoff | ... | TV Show Host (voice) (uncredited) | |
Directed by | |||
| Ruggero Deodato | |||
Writing credits | ||
| Gianfranco Clerici | (story and screenplay) | |
Produced by | |||
| Franco Di Nunzio | .... | producer | |
| Franco Palaggi | .... | producer | |
Original Music by | |||
| Riz Ortolani | |||
Cinematography by | |||
| Sergio D'Offizi | |||
Film Editing by | |||
| Vincenzo Tomassi | |||
Production Design by | |||
| Massimo Antonello Geleng | |||
Makeup Department | |||
| Nicola Catalani | .... | assistant makeup artist | |
| Massimo Giustini | .... | makeup artist | |
Production Management | |||
| Giovanni Masini | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Salvatore Basile | .... | assistant director | |
| Lamberto Bava | .... | assistant director (unconfirmed) | |
Art Department | |||
| Rodolfo Ruzza | .... | property master | |
Sound Department | |||
| Gianni D'Amico | .... | sound mixer | |
| Bruno Longobardo | .... | sound mixer | |
| Raul Montesanti | .... | sound engineer | |
| Umberto Montesanti | .... | boom operator | |
Special Effects by | |||
| Aldo Gasparri | .... | special effects | |
Camera and Electrical Department | |||
| Ennio Brizzolari | .... | key grip | |
| Paolo Cavicchioli | .... | still photographer (as Paolo Maria Cavicchioli) | |
| Roberto Forges Davanzati | .... | camera operator | |
| Enrico Maggi | .... | assistant camera | |
| Luigi Pasqualini | .... | chief electrician | |
Costume and Wardrobe Department | |||
| Lucia Costantini | .... | wardrober | |
Editorial Department | |||
| Rita Antonelli | .... | assistant editor | |
| Luciano Vittori | .... | color consultant | |
Other crew | |||
| Vito Di Bari | .... | production secretary | |
| Armando Pace | .... | cutting room assistant | |
| Rossana Rocchi | .... | continuity | |
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| Cannibal Ferox | The New York Ripper | A Serbian Film | Island of Death | Ichi the Killer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Italy section |
"Cannibal Holocaust" is not the campy little horror flick I expected. It's a "serious" and well-made movie and it's an experience you'll hardly ever forget. According to IMDb's trivia section the movie can "only be seen completely uncut in the EC-UltraBit DVD", which means that I've seen a tamed down version and that, my friends, is insane! "Cannibal Holocaust" is easily one of the most graphic movies I've ever come across. The violence is incredibly realistic. It's no wonder that director Ruggero Deodato was taken to court to prove that he hasn't slain real people for his motion picture. (I still think the real animal slaughtering in the movie was unnecessary. Screw you for that, Deodato!) It's hard to tell if there really is a message or if the "moral" is just an excuse for all the gore. In a strange way the violent scenes somehow speak for themselves and do deliver some kind of message, but that's open for discussion.
If ever a movie deserved the label "disturbing", it's "Cannibal Holocaust". It's controversial, but totally worth watching, if you can take some seriously sick images.