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Joe D'Amato's "Beyond the Darkness"/"Buio Omega" is one of the most transgressive horror movies ever made.Regarded as Joe D'Amato's best film "Buio Omega" certainly delivers some of the most disgusting gore ever put on screen(fingernails are ripped off with pliers,a body is dismembered with a butcher knife and its pieces are thrown into a bath of acid etc.)The infamous embalming sequence is truly revolting.Kieran Canter is perfect as a young taxidermist Frank Wyler and Franca Stoppi gives excellent performance as Iris.The film is certainly twisted,so if you're a fan of Italian extreme horror you can't miss this depraved masterpiece.Check it out.9 out of 10.
Murder, mayhem and mutilation
shown in all its pride and glory! Buio Omega
a.k.a Buried Alive a.k.a Beyond the Darkness is a finger-licking and
ultra-gory sleazefest. D'Amato's film certainly is a landmark in the Italian
shlock/sick cinema as it contains some of the grossest and explicit
nauseating sequences ever shot on film. The young and introvert Frank cannot
live without his recently deceased girlfriend Anna, so he digs up her
corpse, embalms her and keeps her around his mansion. After this, he
descents further into madness and starts to kill girls randomly and his
freaky housekeeper Iris assists him. Now, Frank is pretty messed up in the
head but Iris is just downright insane!! She makes a hobby out of
dismembering dead bodies and she breastfeeds the 22-year-old Frank! The
first half hour may seem a little lame and low on bloodshed but, as soon as
the gore kicks in, it doesn't stop till the end credits role and it becomes
more and more repulsive by the minute! D'Amato servers a disturbingly
realistic embalming-process along with some detailed torturing scenes,
dissections and gruesome butchering! Of course, like it should in Italian's
nastiest, there are a lot of perversely orientated undertones present such
as necrophilia, cannibalism and even a variant on the Oedipus'-theme!
Joe d'Amato never was world's most brilliant director. That's okay, since he never claimed to be and he always clearly mentioned his influences. He's more like a businessman with more adult films on his repertoire The horror films he made are vicious but technically weak, all together! Nonetheless, Buio Omega is an exception! Unlike his other horror films, Buried Alive has tension, a great soundtrack, a constant morbid atmosphere and even a bit of surprisingly good acting! Cinzia Monreale, who plays the dead love-interest Anna, became more famous after starring in Fulci's masterpiece the Beyond and the creepy aunt Iris also starred in a few delightful `babes behind bars' flicks. The circle of fans that likes this kind of films is rather small but they're very devoted. For them, Buio Omega is a must see!
D'Amato's adherence to all things vile and sleazy sometimes produces
In the case of BEYOND THE DARKNESS, he's delivered something
The theme is necrophilia and obsession. A man obsesses over his recently deceased girlfriend and beds her in his country house. Sexual intrigue with his maid livens proceedings and a sequence in which a hitchhiker has her fingernails removed is the one to write home about.
I'm not reluctant to say it: I love stuff like this when it's relentless, made without guilt, and moves at a quick clip.
The Goblin soundtrack feels just right and the special make-up effects are more than adequate.
D'Amato achieves a vile, putrid, rotten atmosphere with this gem, and you can't fault the guy for that, can you?
Aristide Massaccesi a.k.a Joe D'Amato directed Buio Omega in the early
80's. Back in the day when movies weren't accused of being the cause of
violence in schools and nonsense like that, filmmakers as D'Amato dared
to stretch the limits of what can be seen in a screen. The gory scenes
in his movies are not unintentionally funny they look like awful and
painful, and D'Amato uses incredibly long shots in these murders shots.
That is the main difference between his films and the American
production to set an example Underrated as only an exploitation
director D'Amato showed he had a trademark mixing gore and sex. He
tried to take horror to the extreme without making a parody.
The plot is quite simple, out of this simple story we get a collection of bizarre strong images. The gore is hard as a punch in your nose. This rawness makes Buio Omega unique as one of the most extreme pieces D'Amato made (along Anthropophagus). As we watch the hideous acts of this taxidermist we are surprised because he is not judged using the old trick of put phrases that make him look evil. Buio Omega is almost a silent movie. The moral view is on the viewer not in the filmmaker. But the last act has a common moral resolution that could let the people feel they are living in a just right world. The place you probably will find Buio Omega is an old rack of a dirty old video store, the kind of video that is found only for those treasure-seekers of unseen rare films.
The music of Goblin is adequate for this kind of production; with their intense tunes they make the viewer feel even more uncomfortable. Synthesizers is all what this band needs to create dark ambient.
Say what you will about the acting, the music, the script, or even the
plot of this potent and disturbing flick...it hits you like a ton of
bricks and leaves you with a dropped jaw, hungry for more.
It's ashame that D'Amato didn't make more films like this. His repertoire includes a few cannibal flicks and lots of porn. This, along with "Anthropophagus," stands out as his most effective work. With "Beyond the Darkness," it's like he set out to make the most horrific and disgusting slasher flick he could fathom, and he pretty much hits the nail right on the head. There is something deeply disturbing about several scenes in this film. The bathtub scene, along with the housemaid eating the stew scene are among some of the most disturbing scenes I have seen in a film ever. And I've seen my share.
All this being said, "Beyond the Darkness" is a film that can be watched over and over. D'Amato somehow still keeps it fun. Unlike other extreme horror films of the era, it remains watchable. To think that he made a film like this with what was, no doubt, a tiny budget, and it came out so beautifully unflinching and nihilistic, is nothing short of genius. "Beyond the Darkness" is one of the coolest movies I've ever seen. And like a fine wine, (made from blood and guts and acid,) it just keeps getting better with age. Watch it with your mom.
A solid 9 out of 10, kids.
*** This review may contain spoilers ***
This perverse, disgusting, but extremely well-made horror movie is
considered by some to be the ultimate "spaghetti splatter" flick. If it
isn't, there aren't many that surpass it for sheer repulsiveness. It's
imagery and tone are still shocking by today's standards. Even AUDITION
director Takashi Miike has yet to make a movie this unrelentingly
sordid and creepy.
A taxidermist goes quite a bit off the deep end when his girlfriend dies (unbeknownst to him, due to a voodoo spell cast by his jealous housekeeper) and steals her body from the cemetery so he can embalm her and continue their relationship. Anyone unfortunate enough to get in his way (mostly pretty young women) is murdered savagely.
We are given explicit scenes of outrageous gore, including our hero eating his girlfriend's heart, dismembering a body and dropping the parts in a tub full of acid, a young hitch hiker getting her fingernails ripped off with pliers and the now infamous scene involving the disembowelment of the girlfriend's body. For years it was rumored that a real cadaver was used for this scene, but it was eventually proved to be an incredibly impressive special effect.
Though having never become as infamous as his cohorts Lucio Fulci and Ruggero Deodatto, one could argue that director Aristide Massaccesi (credited here under his best-known pseudonym, Joe D'Amato) is the true "godfather of gore" just because of this film alone. You be the judge, just make sure to have your barf bag ready. This is also the only Italian horror movie to actually make me jump from my seat. Massaccesi delivers one of the screen's most effective jolts. I will not disclose what happens. Let's just say my heart was racing for a little while after it!
NOT FOR THE SQUEAMISH!!!!!!!!!!!!
As shocking and gruesome as any film ever made, Buio Omega(Buried Alive) is one of the best horror films of the 70's. It is widely considered to be the best film of the late Joe D'Amato. The plot is a modern spin on Psycho and concerns the character of Frank. After his fiance dies, Frank becomes deeply disturbed and digs up his fiance, stuffs and preserves her and puts her on display. I hesitated to watch this movie because it sounded really sick. It was. As shocking and twisted as it all is it maintains an eery quality and has enough of a plot to make it a fine movie. Those who can stomach shocking films like this should check it out. Love it or hate, it's an unforgettable movie.
When the wealthy orphan taxidermist Frank Wyler (Kieran Canter) loses
his beloved fiancée Anna Völkl (Cinzia Monreale), victim of voodoo
conducted by his jealous housemaid Iris (Franca Stoppi), he robs her
corpse, embalms and brings to the bed in his room. He does not overcome
his feelings for her, killing every woman he has some involvement.
Meanwhile Iris wants to marry Frank and helps him to dispose the
The sick, twisted and kinky "Buio Omega" has all sort of perversions and disgusting scenes, with sequences of necrophilia, mutilation, torture and embalming. However, the characters are awfully developed, and the viewer never knows, for example, whether Frank changed his behavior after the death of Anna, or he was indeed a twisted character. The weird Iris is also badly developed. The graphic and gore scenes are among the nastiest I have ever seen in a film. My vote is six.
Title (Brazil): Not Available
Whatever your stance is on sleazy Italian horror films from the
70's-80's, it can't be denied by anyone that this film is some kind of
minor masterpiece. Here is a film that works on every level -- not just
the "gore" level that a lot of these films work on -- and is actually
quite tasteful in its depiction of corpse-loving.
First of all, the atmosphere in this film is amazing. Dialogue is left to a bare minimum, especially at the beginning of the film when there's hardly a line spoken for a good half an hour... though the music of "The Goblins" (Goblin, right?) is actually quite out of place in this particular film, as Joe D'Amato's directing style doesn't really lend to their blend of.. uh.. progressive-disco or whatever it is (on the other hand, their music perfectly fits Dario Argento's oversaturated colors in his films)... however, sometimes it hits the right notes at the right time. Everything has a sort-of washed-out look to it, which is nice. And almost the whole film takes place at night, which is nice, of course.
The film is actually a very simple story of not being able to let go of someone you loved, but it's well-acted (shockingly!) and there's enough gore (though not as much as you would think by some of these reviews) and suspense to keep you watching.
Just all in all, a really good picture without any real flaws that succeeds at all that it does. Not much else to say, really -- except, what's with the ending? Anyway... highly recommend.
*** This review may contain spoilers ***
It takes a lot to get under my skin and this movie did
When this guy's girlfriend dies, we watch as he preserves her. We watch as he slices her open and removes her organs and drops them into a metal bucket. we see her being embalmed, we see the whole deal.
But that was nothing compared to the murder of a female drifter. Before he kills her he tears off her fingernails one by one for good measure.
After she's dead, both him and his housekeeper (she is just as deranged as him) makes an acid bath. The housekeeper strips the girl and take a hatchet and dismembers her and drops the severed legs, arms, etc into the acid bath. Toward the end of the segment the head resurfaces from the acid bath, half eaten away.
But still, it's not over. The housekeeper is rounding up the leftover flesh scraps and blood on the floor with a(I think) dust pan and makes a stew out of it.
We get a nice close up of the housekeeper sloppily eating away at the stew, causing the man (and us) to retch.
And that's not even half the movie!!
This movie is good as an endurance test, can you take it?
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