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IMDb > Buio Omega (1979)

Buio Omega (1979) More at IMDbPro »

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Buio Omega (1979) -- Theatrical Preview

Overview

User Rating:
6.2/10   1,164 votes
MOVIEmeter: ?
Down 8% in popularity this week. See rank & trends on IMDbPro.
Director:
Joe D'Amato
Writers:
Ottavio Fabbri (screenplay)
Giacomo Guerrini (story)
Contact:
View company contact information for The Final Darkness on IMDbPro.
Release Date:
June 1984 (USA) more
Genre:
Horror more
Tagline:
A fate worse than death!
Plot:
A young rich orphan loses his fiancée to voodoo doll mischief on the part of his housekeeper who is jealous of his attentions... more | add synopsis
NewsDesk:
(2 articles)
Cinzia Monreale (The Beyond) Added To The Italian Invasion At Chiller!
 (From Icons of Fright. 1 April 2009, 8:20 AM, PDT)

Blog: Joe D'Amato's Anthropophagus
 (From Fangoria. 24 October 2008, 6:09 PM, PDT)

User Comments:
Admirably sleazy Italian "classic" more

Cast

  (Complete credited cast)
Kieran Canter ... Frank Wyler
Cinzia Monreale ... Anna Völkl & Elena Völkl
Franca Stoppi ... Iris
Sam Modesto ... Mr. Kale
Anna Cardini ... Jogging victim
Lucia D'Elia ... Jan, hitch-hiker
Mario Pezzin ... Priest
Walter Tribus ... Handyman
Klaus Rainer ... Doctor
Edmondo Vallini ... Detective #1
Simonetta Allodi ... Disco Girl
more
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Additional Details

Also Known As:
Beyond the Darkness
Blue Holocaust
Buried Alive (USA) (dubbed version)
In quella casa... buio omega (Italy) (reissue title)
The Final Darkness (USA)
more
Runtime:
94 min
Country:
Italy
Language:
Italian
Color:
Color (Telecolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono

Fun Stuff

Movie Connections:
Referenced in Terrace St. (2009) more

FAQ

This FAQ is empty. Add the first question.
11 out of 13 people found the following comment useful:-
Admirably sleazy Italian "classic", 31 December 2003
Author: fertilecelluloid from Mountains of Madness

D'Amato's adherence to all things vile and sleazy sometimes produces rubbish. In the case of BEYOND THE DARKNESS, he's delivered something great.

The theme is necrophilia and obsession. A man obsesses over his recently deceased girlfriend and beds her in his country house. Sexual intrigue with his maid livens proceedings and a sequence in which a hitchhiker has her fingernails removed is the one to write home about.

I'm not reluctant to say it: I love stuff like this when it's relentless, made without guilt, and moves at a quick clip.

The Goblin soundtrack feels just right and the special make-up effects are more than adequate.

D'Amato achieves a vile, putrid, rotten atmosphere with this gem, and you can't fault the guy for that, can you?

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