Black comedy about solitude and dishumanization of the modern world, through the adventures of three men. First introduced is Alphonse Tram, an unemployed young man. His only neighbour is ... See full summary »
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps ... See full summary »
Two men break out of prison; a rival gang ambushes them. One is mortally wounded and tells the other, Mickey, to take him to the estate of a retired robber, Noel, who lives in comfort with ... See full summary »
Raoul has best chances to become next boxing champion in light-heavy weight. For a bet he tries to beat through a door with his bare fist. He wins the bet, but his hand is broken, his ... See full summary »
Black comedy about solitude and dishumanization of the modern world, through the adventures of three men. First introduced is Alphonse Tram, an unemployed young man. His only neighbour is the police chief-inspector Morvandieu. Then a third man appears : he is Alphonse's wife's murderer... Bizarre and unreal. Written by
Imagine a crime film without all the usual elements - a beginning (crime), middle (investigation) and end; a guilty criminal and an investigative detective; a femme fatale who is punished; a restoration of order. BUFFET FROID is the nightmare flipside of the policier, where the hero is an unemployed philosopher, who may or may not be a murderer, who befriends his wife's killer, and his neighbour, a detective who sanctions paid homicide and is trapped in a plot where the answer he seeks is himself. Every revelation leads to further obfuscation and instead of the restoration of order is its destruction.
The film plays like a futuristic thriller directed by Bunuel - and if Blier's ultimate timidity means it's never quite as good as that, it's still a remarkable achievement in mainstream, never mind generic, cinema, and very, very funny.
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