IMDb > The Brood (1979)
The Brood
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The Brood (1979) More at IMDbPro »

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Overview

User Rating:
6.9/10   18,895 votes »
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Popularity: ?
Up 4% in popularity this week. See why on IMDbPro.
Director:
Writer:
David Cronenberg (written by)
Contact:
View company contact information for The Brood on IMDbPro.
Release Date:
25 May 1979 (USA) See more »
Genre:
Tagline:
The Ultimate Experience Of Inner Terror See more »
Plot:
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, amidst a series of brutal murders. Full summary » | Full synopsis »
Awards:
1 win & 5 nominations See more »
User Reviews:
strong early effort from Cronenberg See more (127 total) »

Cast

  (in credits order) (verified as complete)

Oliver Reed ... Dr. Hal Raglan

Samantha Eggar ... Nola Carveth

Art Hindle ... Frank Carveth

Henry Beckman ... Barton Kelly

Nuala Fitzgerald ... Juliana Kelly

Cindy Hinds ... Candice Carveth

Susan Hogan ... Ruth Mayer
Gary McKeehan ... Mike Trellan
Michael Magee ... Inspector
Robert A. Silverman ... Jan Hartog (as Robert Silverman)
Joseph Shaw ... Coroner
Larry Solway ... Lawyer
Reiner Schwarz ... Dr. Birkin

Felix Silla ... Creature
John Ferguson ... Creature

Nicholas Campbell ... Chris
Mary Swinton ... Wendy
Jerry Kostur ... Construction Worker

Chris Britton ... Man in Auditorium (as Christopher Britton)
rest of cast listed alphabetically:
Elijah Siegler ... Samson (uncredited)

Directed by
David Cronenberg 
 
Writing credits
David Cronenberg (written by)

Produced by
Pierre David .... executive producer
Claude Héroux .... producer (as Claude Heroux)
Victor Solnicki .... executive producer
 
Original Music by
Howard Shore 
 
Cinematography by
Mark Irwin (director of photography)
 
Film Editing by
Alan Collins 
 
Art Direction by
Carol Spier 
 
Makeup Department
James D. Brown .... hair stylist (as James Brown)
Shonagh Jabour .... makeup artist
Inge Klaudi .... assistant makeup artist
Dennis Pike .... special makeup
Jack H. Young .... special makeup (as Jack Young)
 
Production Management
Gwen Iveson .... production manager
 
Second Unit Director or Assistant Director
John Board .... first assistant director
Libby Bowden .... second assistant director
 
Art Department
Michael Fruet .... assistant set dresser
Bill Harman .... construction manager
Peter Lauterman .... property master
Tom Reid .... assistant props
Angelo Stea .... set dresser
 
Sound Department
Peter Burgess .... sound editor
Bryan Day .... sound recordist
Joe Grimaldi .... sound re-recordist
Brian Holland .... dialogue editor
Jeremy MacLaverty .... assistant sound editor
Tom Mather .... boom operator
Lois Tupper .... assistant dialogue editor
Don White .... adr recordist
Andy Malcolm .... foley artist (uncredited)
 
Special Effects by
Allan Cotter .... special effects (as Allan Kotter)
 
Camera and Electrical Department
Jock Brandis .... gaffer
Carlo Campana .... grip
Bob Gallant .... best boy
Maris H. Jansons .... key grip (as Maris Jansons)
Robin Miller .... first assistant camera
Rick Porter .... still photographer
Gregory Villeneuve .... second assistant camera (as Greg Villeneuve)
 
Casting Department
Hilary Holden .... casting: Los Angeles
 
Costume and Wardrobe Department
Granada Venné .... assistant wardrobe
Delphine White .... wardrobe mistress
 
Editorial Department
John Board .... post-production coordinator
Carolyn Zeifman .... assistant picture editor
 
Location Management
David Coatsworth .... location manager
 
Other crew
Wayne Arron .... production accountant
Ed Carlin .... consultant to producers
Patrick Dodd .... marketing: Publifilms Ltd.
Nancy Eagles .... continuity
Maureen Fitzgerald .... production assistant
Jim McAnena .... marketing: Publifilms Ltd.
Bob Murphy .... production assistant
Vivian Palin .... craft service
Nick Schefter .... production assistant
Jay Telfer .... craft service
Robert Wertheimer .... production assistant (as Bob Wertheimer)
Trudy Work .... production secretary
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"David Cronenberg's The Brood" - Canada (English title) (complete title)
See more »
Runtime:
92 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Australia:R18+ | Australia:RC (1983) | Canada:16+ (Quebec) | Finland:K-18 | France:16 | Italy:VM18 | Italy:VM14 (DVD rating) | Italy:T (VHS rating) | Netherlands:16 | New Zealand:R16 | Norway:18 (DVD rating) | Portugal:M/16 | Sweden:15 | UK:18 | UK:X (original rating) | USA:R | West Germany:18 (nf)

Did You Know?

Trivia:
Film debut of Cindy Hinds, who was only eight years old at the time.See more »
Goofs:
Plot holes: Just after the first murder, the deformed/mutant child who committed it leaves very large, bloody handprints on the stair railing just near the dead body. These handprints are never mentioned again, in particular by the police, who insist later that they were "never looking for anything that small." It would have been impossible to miss these handprints at the crime scene, and such child-sized handprints would have certainly tipped off the police in a different direction upon discovery.See more »
Quotes:
Jan Hartog:That's my Second Heart.See more »
Movie Connections:
Referenced in Film Geek (2005)See more »

FAQ

What are the differences between the R-Rated and Unrated Version?
See more »
11 out of 13 people found the following review useful.
strong early effort from Cronenberg, 22 April 2003
Author: Jonny_Numb from Hellfudge, Pennsylvania

David Cronenberg has always possessed a flair for unique and disturbing visions infused with the trimmings of a genre that can be best referred to as "biohorror." "The Brood," his tale of hideous mutant children who do the bidding of mentally disturbed Nola (Samantha Eggar) under the care of new-wave psychiatrist Dr. Raglan (Oliver Reed, with a quietly sophisticated Peter Cushing sensibility), is buffered by fine performances that veer away from camp. In a way, one of Cronenberg's achievements is writing such outlandish material and making it entirely convincing and visceral, as opposed to merely settling on B-movie cheesiness, which I admire. As is the case with most Cronenberg films, here 'reality' is made the most atypical place where man can reside, and the clever script is always one careful step ahead of the audience.

7/10

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