A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Sometime in the future, the Canadian Academy for Erotic Inquiry is investigating the theories of parapsychologist Luther Stringfellow. Seven young adults volunteer to submit to a form of ... See full summary »
A man's wife is under the care of an eccentric and unconventional psychologist who uses innovative and theatrical techniques to breach the psychological blocks in his patients. When their daughter comes back from a visit with her mother and is covered with bruises and welts, the father attempts to bar his wife from seeing the daughter but faces resistance from the secretive psychologist. Meanwhile, the wife's mother and father are attacked by strangely deformed children, and the man begins to suspect a connection with the psychologist's methods. Written by
Ed Sutton <email@example.com>
Just after the first murder, the deformed/mutant child who committed it leaves very large, bloody handprints on the stair railing just near the dead body. These handprints are never mentioned again, in particular by the police, who insist later that they were "never looking for anything that small." It would have been impossible to miss these handprints at the crime scene, and such child-sized handprints would have certainly tipped off the police in a different direction upon discovery. See more »
David Cronenberg has always possessed a flair for unique and disturbing visions infused with the trimmings of a genre that can be best referred to as "biohorror." "The Brood," his tale of hideous mutant children who do the bidding of mentally disturbed Nola (Samantha Eggar) under the care of new-wave psychiatrist Dr. Raglan (Oliver Reed, with a quietly sophisticated Peter Cushing sensibility), is buffered by fine performances that veer away from camp. In a way, one of Cronenberg's achievements is writing such outlandish material and making it entirely convincing and visceral, as opposed to merely settling on B-movie cheesiness, which I admire. As is the case with most Cronenberg films, here 'reality' is made the most atypical place where man can reside, and the clever script is always one careful step ahead of the audience.
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