The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
The famous drag racer Lonnie 'Lucky Man' Johnson is the star of the Fast Company, managed by the corrupt Phil Adamson Lonnie is the mentor of the promising funny car racer Billy 'The Kid' ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A man's wife is under the care of an eccentric and unconventional psychologist who uses innovative and theatrical techniques to breach the psychological blocks in his patients. When their daughter comes back from a visit with her mother and is covered with bruises and welts, the father attempts to bar his wife from seeing the daughter but faces resistance from the secretive psychologist. Meanwhile, the wife's mother and father are attacked by strangely deformed children, and the man begins to suspect a connection with the psychologist's methods. Written by
Ed Sutton <email@example.com>
When Candy is sent away from preschool by "the creatures", she is wearing her pink snowsuit. However, when Frank drops by their home, desperately searching for his daughter, the pink snowsuit is hanging on the cloak hook at the front door. Then again, a few moments later, Candy is wearing it walking down the street with two of "the creatures". See more »
Creepy, cold and clinical classic from David Cronenberg
The Brood (1979) was a film made by the master of psychobabble clinical horror David Cronenberg. He's the master of this genre, one that he created during the 70's. A genre that's in a class all by itself. The Brood is another one of his cinematic works that delivers the goods. He creates a thinking man's scare film. Like most of his other works, Cronenberg uses psychosis and the medical community to base a terror that only man can create.
Art Hindle stars as a man who's wife (Samantha Egger) is having a multitude of emotional problems. Whilst under the care of a mad genius psychiatrist (Brilliantly portrayed by Oliver Reed who shows a lot of restraint) using a radical form of therapy for his patients. Like all mad geniuses, not everything goes according to plan (or does it). The doctor creates something in his star patient that he ultimately regrets. It has to be seen to be believed!
One weird film. I enjoyed this one very much. What I like about Cronenberg is that he rarely creates truly good or bad characters (well the films that he has completely control over). Everyone has a motive no matter if it's right or wrong. That's what I like about him, he makes you think!
The film was restored a couple of years ago on D.V.D. It's the original uncut version and it is even creepier than the U.S. theatrical release. Check it out!
Highly recommended, but not for everyone.
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